Winter 2022 Art Lecture Series
https://evergreen.zoom.us/j/88216418607
All lectures for the 2021-2022 academic year are online via live-streaming webinars and are free and open to the public.
Zoom link: https://evergreen.zoom.us/j/88216418607
Week 2, Wednesday, January 12, BeAnotherLab, is an international, interdisciplinary art-science research laboratory dedicated to exploring the relationship between identity and empathy. They develop immersive technology systems to generate new modes of storytelling and to experiment with the perception of self and other. BeAnotherLab works at the intersection of art, science and technology. They question the hierarchies between these different ways of knowing and approach them as complementary, overlapping bodies of knowledge.
Week 4, Wednesday, January 26, Patricia Vázquez Gómez (she/her) works and lives between the ancient Tenochtitlán and the unceded and occupied lands of the Chinook, Clackamas, Multnomah and other Indigenous peoples. Her art practice investigates the social functions of art, the intersections between aesthetics, ethics and politics and the expansion of community based art practices. She uses a variety of media to carry out her research: painting, printmaking, video, exhibitions, music and socially engaged art projects. The purpose and methodologies of her work are deeply informed by her experiences working in the immigrant rights and other social justice movements. Her work has been shown at the Portland Art Museum, the Reece Museum, the Paragon Gallery, and the Houston Art League, but also in other spaces as apartments complexes, community based organizations and schools. She is the recipient of the 2013 Arlene Schnitzer Visual Arts Prize and has received support from the Ford Foundation, Regional Arts and Culture Council (RACC), the Portland Institute of Contemporary Art (PICA), Portland’s Jade and Midway Districts, the Oregon Community Foundation and METRO through their Placemaking granting program. Patricia teaches at the undergraduate and graduate levels at Portland State University and the Pacific Northwest College of Arts. Patricia’s work can be explored at http://cargocollective.com/patriciavg
Week 6, Wednesday, February 9, Lauren Alyssa Bierly is an interdisciplinary artist based in Brooklyn, NY with over ten years experience in contemporary art, design and fashion exhibition management. Her artwork is rooted in phenomenology and informed by ecology, language and architecture. As a synaesthete, Bierly is interested in the intersection of sensory languages—like color perception, sound recognition, and time sensing—and how these sensory vocabularies shape one’s subjective experience of identity and place. She’s exhibited in New York City, Oregon, Kolkata, India and Moscow, Russia. She was artist-in-residence at Playa Art + Science (2020); chaNorth Residency (2018); Starry Night (2017); Panoply Performance Lab (2016) and Trestle Art Space (2015). She was a member of collective Incredible Witness from 2015 – 2017, and a participant of the Universityof Sussex’s ongoing synaesthesia research since 2013. In 2021, Bierly joined Brooklyn Museum as Exhibition Project Manager following prior exhibition management roles with the Costume Institute at the Metropolitan Museum of Art and Elizabeth Foundation for the Arts. She earned a Bachelor of Architecture and minor in Art History from Pennsylvania State University (2009) and Masters of Art in Modern Art, Connoisseurship, and History of the Art Market from Christie’s Education (2010).
Week 8, Wednesday, February 23: Karina Aguilera Skvirsky
“In the late 1970s I lived in Guayaquil (Ecuador), the city where my mother was born. The contrast between my memories and experiences in Ecuador with my life in the US has been central to my practice, which uses personal narratives as a gateway to explore broader questions of place, identity and nationhood.”- Karina
Karina Aguilera Skvirsky (b.Providence, RI) is a multidisciplinary artist whose practice began in photography and grew into video and performance. In 2019, she received a grant from Creative Capital to produce How to build a wall and other ruins, a project that includes a series of sculptural photographs, a multi-channel video installation and live performances. She has exhibited the project in solo exhibitions at Museo Amparo in Puebla, Mexico and Ponce + Robles Gallery in Madrid, Spain. Other important international exhibitions include her participation in Impermanence, the XIII Cuenca Biennial (Ecuador) curated by Dan Cameron in 2016 and There is always a cup of sea for man to sail, the 29th São Paulo Biennial in Brazil (2010).
