Kenneth Gaburo:
- (C)…IS (1968-1969)
- The Beauty of Irrelevant Music (1970)
- A Non-Scatalogical Set of Preliminary Remarks on NMCE IV (1972)
- The Music in Samuel Beckett’s “Play” (1973)
- Gaburo’s notes on the original LP of “Maledetto” (1974)
- Whole Language Language (1977)
- LA [text] (2/10/87)
- LA (Gaburo reading) (1987)
Part 1
Part 2
- Two Interviews with Kenneth Gaburo: 1983 and 1990
- William Brooks: Competenza Maledetta (1980)
- Rick Burkhardt: “Maledetto” — an analysis
Mark Enslin:
Susan Parenti
- The Relationships Between An Objectivity-Conditioned Language And the Present State of New Music
- Self-Reference and the Language About New Music
- Touchy, in eight parts, for four voices
- Proposals for a Feminist Composition Curriculum
- Scenes 3 and 4 from Mannifold (play)
Mark Sullivan:
- Questions to Ask a Piece of Music (Poem)
- The Performance of Gesture: Musical Gesture, Then, And Now (1984)
Elie Siegmeister: Music and Society
Arnold Schoenberg:
- New Music, Outmoded Music, Style and Idea
- English translation of Pierrot Lunaire poems
John Cage
- Experimental Music
- Experimental Music (Doctrine)
Hector Berlioz: Program notes to “Symphony Fantastique”
Iannis Xenakis and Morton Feldman: In Conversation
- Suggested Listening List
- Suggested Readings List
Stefan Wolpe:
- To Understand Music (1953)
- On Proportions (1960)
- Recollections of Stefan Wolpe (Austin Clarkson, Ed.)
Liberetto to Offenbach’s Orpheus in the Underworld
Alban Berg:
- What is Atonality?
- Why is Schoenberg’s Music So Difficult to Understand?
- A Guide to “Wozzeck” (by Willi Reich)
Composition and Technology
- Pierre Boulez: Technology and the Composer
- Gottfried Michael Koenig: Compositional Processes