Kenneth Gaburo:

• (C)…IS (1968-1969)
• The Beauty of Irrelevant Music (1970)
• A Non-Scatalogical Set of Preliminary Remarks on NMCE IV (1972)
• The Music in Samuel Beckett’s “Play” (1973)
• Gaburo’s notes on the original LP of “Maledetto” (1974)
• Whole Language Language (1977)
• LA [text] (2/10/87) 
• LA (Gaburo reading) (1987)
  Part 1
  
  Part 2
  
• Two Interviews with Kenneth Gaburo: 1983 and 1990
• William Brooks: Competenza Maledetta (1980)
• Rick Burkhardt: “Maledetto” — an analysis

Mark Enslin:

• • When is Audience?
  • Teaching Composition: Facing the Power of the Respondent 

Susan Parenti

• The Relationships Between An Objectivity-Conditioned Language And the Present State of New Music 
• Self-Reference and the Language About New Music 
• Touchy, in eight parts, for four voices
• Proposals for a Feminist Composition Curriculum
• Scenes 3 and 4 from Mannifold (play)

Mark Sullivan:

1. Questions to Ask a Piece of Music (Poem)
2. The Performance of Gesture: Musical Gesture, Then, And Now (1984)

Elie Siegmeister: Music and Society

Arnold Schoenberg:

• New Music, Outmoded Music, Style and Idea
• English translation of Pierrot Lunaire poems

John Cage

• Experimental Music
• Experimental Music (Doctrine)

Hector Berlioz: Program notes to “Symphony Fantastique”

Iannis Xenakis and Morton Feldman: In Conversation

• Suggested Listening List
• Suggested Readings List

Stefan Wolpe:

1. To Understand Music (1953)
2. On Proportions (1960)
3. Recollections of Stefan Wolpe (Austin Clarkson, Ed.) 

Liberetto to Offenbach’s Orpheus in the Underworld

Alban Berg:

1. What is Atonality?
2. Why is Schoenberg’s Music So Difficult to Understand?
3. A Guide to “Wozzeck” (by Willi Reich)

Composition and Technology

• Pierre Boulez: Technology and the Composer
• Gottfried Michael Koenig: Compositional Processes