Of Blood and Beauty

The Evergreen State College

Author: marvin james (Page 2 of 2)

Jewish Museum

The architecture and concept of this museum was so fully synthesized together the closest thing in my experience that could compare is a Funhouse though that comparison feels really offensive to make. Perhaps it is that Funhouses have architectural dimensions that are presented in a way that makes you aware of the fact you are supposed to feel some emotional and bodily discomfort from it.This Funhouse phenomena could have also  been due to the tour guide as it seemed the feeling was pretty unanimous that he gauged our education and engagement level pretty low. I for some reason I thought we were going to see and cover a lot more than the cross-bearing Synagogue and three historically innovative jewish people though all of which I thought were nice odd pairings to each other. It did made me wonder if all of his tours were paced in this way or if it was because of how he perceived us.

Also whenever dealing with heavy material whether it be the loss of a friend or processing historical atrocities and attempts of reconciliation over the past century, anytime my mind wanders into another area the thoughts become amplified by the guilt of not having an appropriate and punctual feelings focused in me for the right duration time. I bring this up because through out this short but very long tour I kept imagining what our tour guide was like at a rave and if he might have some sort of of double life where he stays up till noon dancing and doing other nameless acts. The only thing that brought on this guilt-ridden mental excursion was the length at which he described the dance club that existed underneath where the old department store once stood.

After the tour I had a enjoyable but extended lunch that took up a large potion of our time to wander alone so with what time was left, Gabriel and I walked up the stairs to the dead zone made in honor of the architect’s family who died in the holocaust. Then we heard a tinging, metal sound, almost like heavy bells, and followed them. To be honest I’m not sure what came first whether it was the following of the sound or my awareness of it. We came to an installation called, ‘Shalekhet’ by the Artist Menashe Kadishman. I stood silently, watching a group walk across a narrowing hallway covered in cast iron faces that got smaller and darker the further in you walked until it dead-ends. I tried to listen deep with my ears and recording the tings on a device I had in my bag. four classmates walked up and no one wanted to step on the faces. I think we are a rather sensitive group, myself included. I really like this about us.

Berlin Wall Memorial

We started at the Visitor/Documentation Center. While watching the two movies I felt a little feeling of sympathy and desire to better understand the context of peoples lives and the history of east Germany and the Soviet Union. Simple narratives always tend to put me off. I don’t know why but humans never got out of the habit of writing myths. This historical notion that the eastern block was enveloped in Ideology and false consciousness, thereby implying that the west was not at all in the midst of anything like that and not only brought down the eastern block but in the words of some historians brought an end to Ideology brings me back to Adorno in his essay “Art, Culture, Society.” In this essay he tries, as he always does, to describe the sneaking pervasiveness of false consciousness and how the slippery, bamboo-like fascistic tendencies can sneak their way into any uncritical gardener’s garden. He writes, “…the semblance of freedom makes reflection upon one’s own unfreedom incomparably more difficult than formerly when such reflection stood in contradiction to manifest unfreedom, thus strengthening defense.”(198)  Adorno understands the difficulty we have today in deciphering what is free, what our our freedoms and what is a free state, what are these things and what do they mean under free market capitalism? It is interesting to think about how much the definition of the word ‘free’ is augmented once conjoined with a noun.

I did also really enjoy learning about the process of demolishing, privatizing, monumentalizing, and reselling of the Berlin wall. Capitalism digested the iron curtain through a series of stomachs and valvic transfers much like a happy cow.

Maryjane Dunphe’s Syllabus/Continuing Collaboration with/Kendra Freas

Maryjane Dunphe’s Syllabus/Continuing Collaboration with/Kendra Freas

We are drawing around connections between the words, Embodiment and Transposition. Transposition as defined by the OED is: ‘The action of transposing, or condition of being transposed; the result of this; removal from one position to another; transference; Translation into another language.’

Embody as defined by the OED is: To put into a body; to invest or clothe (a spirit) with a body; to impart a material, corporeal, or sensual character to; to give a concrete form to (what is abstract or ideal); to express (principles, thoughts, intentions) in an institution, work of art, action, definite form of words, etc; Of a complex unity: To include, comprise (such or such elements); to form into one body.

With these definitions in mind we have in mind to continue our practice in choreography as translation, writing, performing and recording self-prompted somatic exercises. We would also like to interview Gabriele Brandstetter. and Jen Calleja.

The final product of our project is still taking shape. We have talked about video work. I have also been thinking a lot about making a booklet of, dance transpositions, experimental prose, some essaying or critical exegesis, interviews done with Calleja and Brandstetter and creating some kind of ‘complex unity’ and includes and comprises our different areas of interest through making a experimental writing form that is unique and intrinsic to the coalescence of the different kinds work being presented.  

Readings from our program that will be included in the syllabus are sections out of: Yildiz’s Beyond the Mother Tongue: The Postmonolingual Condition and Benjamin’s Reflections, and Illuminations. As well as possibly Rosemarie Waldrop’s Alarms and Excursions, Gertrude Stein’s Composition as Form and maybe more Brandstetter.

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A last thought I have been having in relation to this project has to do with the transpositions of bodies into new, foriegn spaces and the feeling of experiential hysteria, or that the organs in which our experiences occupy are floating around our insides unbeknownst by us as we reflectively float through new old space, ourselves becoming organs of the hysterical body of the city. Dance for me has always been just as much about the act or locating as it is about movement and the lack of a fixed presence

Blood and Beauty Music

This is a song I recorded over spring break that I wanted to share with all of you because the lyrics are from a mental collage of our winter readings and it feels special that we all have a shared understanding from taking this class all year together and you are the only one’s that might “get it” not that it is ever that important if people understand what the hell people are singing about.

It goes…

Nil insures a song against its death/ Circle round the corpse to resurrect/ Please return to us be geist or breath/ Air with more inside

Dance the Orange but can you prove to/ Them your moves exist outside you/ Evidence the spirit forced through/ Only ruled by time

Walking round a word that is facing/ forwards towards new life displacing/ Meaning dies it needs replacing/ Language what a lie

Also my band mate is really into those speedy trains in Japan so that’s a little in there too. Its weird combination but I like that its not pure.

Shinkansen no.1

Let me know if it doesn’t work. It is a google drive link but the file is large so you might have to download it. Also I think listening in headphones is best but do whatever⥁

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Rehearsal Space

On Monday I went with Janina to a practice space for bands that was located in the very far east reaches of Berlin. The building had a real 80’s Robocop vibe from the outside. A black nameless box. A battery charger. We walked inside and it was a labyrinth of hallways and sounds that ranged from okay to awful. Janina was getting a bass lesson from a friend in his practice space which was not so different from the ones I have been in in America. One of the walls is covered in gear, (more big black boxes.) There were cords scattered about everywhere, a couch where I decided to do some homework and a analog recording set up on the other side of the room. After she finished her lesson we all played together. In order to be jamming on the same embarrassment level, each one of us played the instrument we’re least comfortable with. It was really fun and as Janina pointed out some ‘good’ sounds were actually made from time to time. We had to call it quits when this skinny older metal guy came in to record vocals with Toby, the person who’s space it was.

Janina and I wandered over to her friend Adam’s ‘flat’ which was set up in one of the practice rooms. When he opened the door the first thing I saw on my right was his bed, then a little hallway in front of me. I walked on expecting the hallway would lead into a room as it turned left but it just dead ended right their and I realized his flat was just an L-shaped hallway with a cubby just big enough to fit a bed. Adam is a very nice, short and stocky boy who just moved to Berlin recently from Edinburgh, Scotland. Janina had told me he was bragging to her about his cooking and said he would prove it by making us dinner. Adam began the preparations by taking us to his ‘private bathroom’ to wash the dishes, which ended up being the old women’s bathroom with a lock on it and a shower hose installed for the two guys who decided to pay 20 euros a month to live in L-shaped hallway rooms. It smelled awful but I really liked how proud of it he was. He even mentioned that he brought his mom there to show her all the facilities. We went back to his flat and he made us poor man’s pesto made of oil, garlic, peanuts, and arugula and some salt. We had it with Rotini pasta. It was not so bad tasting, actually kind of good but I felt like I had placed a bag of sand in my stomach afterwards and so shared with them the great American term: Gut Bomb. Realizing it was going to take an hour to commute back home Janina and I said our goodbyes and talked all the way until we had to change U-bahns, missing a couple of transfers in the process.

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Brief Berlin Scene Report

I am going to try and write this more like notes about a story that could be written.

On 4/8 I found my way to my first punk gig in Berlin, it was off of  Kotbusser Station though that much could be assumed I think. 

♙With the help from my only contact for the show who met me on the street, I was lead through the opening terminal of a car garage, then to the left through a metal gate and up a set of outside stairs, and then through a door and up some more stairs into long, dirty white-tiled room. 

♝The bartenders were three guys crammed in this little hand-made bar/giant cupboard. They all were stern, slack-shouldered and funny but only in a way where they would never smile. I saw them drop and smash three bottles on the floor while trying to hand them to people and every time they just shrugged their shoulders, faces mute with neither dismay or enthusiasm.

❀Stiff and sober with no friends to weave into and around myself I paced slowly through the venue having friendly but brief conversations until I really hit it off with a German girl named Janina. More about her later.

☻I only saw the last two bands play which were Good Throb from UK and Nadie from Spain. I don’t know why but I feel so uncomfortable writing about their sounds, maybe its because I have cringed so much when reading how people have described the musical acts I’ve played in. I don’t want to inflict that one anyone else

I think I got a rosey-tinted first impression of the Berlin punk scene because those two bands that played were made mostly all women and that always brings out a lot of women/queer people to the show. I have heard since then that it is considered by some cool guys in the scene that to bring up gender inequality in the scene is reactionary and down right uncool! (booo)

⚰Regardless I ended up having a really good time. Music began playing after the bands stop which is a pretty normal thing for someone to plug in an ipod and amateur dj for their friends after the show but it was the special German edition and I ended up being totally compelled to dance until they through everyone out at 2:30am which I think for Berlin standards is pretty early in the night.

 

 

Alarms and Incursions

ALARMS AND INCURSIONS

Psychic City Scores by Kendra Freas and Maryjane Dunphe

ALARM EVENT 1: DIVINATION EXERCISE

Set an alarm for 2:15 P.M. on Wednesday, April 13th, 2016, if possible label the alarm: Divination. At this moment find North, no technological assistance.

ALARM EVENT 2: TOES

Set an alarm for 5:35 P.M. on Saturday, April 23rd, 2016, if possible label the alarm: Toes.
At this moment put all of your attention into your toes for 10 seconds.
Do not talk about it.

ALARM EVENT 3: COMMUNICATE

Set an alarm for 2:45 P.M. on Thursday, May 3rd, 2016, if possible label the alarm: Communicate. At this moment, if you are speaking, stop. If you are not speaking, start.
If you are alone, say: “OK.”

ALARM EVENT 4: WINDOWS

Set an alarm for 3:45 P.M. on Saturday, May 7th, 2016, if possible label the alarm: Windows. At this moment, close your eyes for 20 seconds while recalling your surroundings to the best of your ability.

ALARM EVENT 5: FRIDAY CHOREOGRAPHY
Set an alarm for 11:05 A.M. Friday, May 20th, 2016, If possible label the alarm: Choreography.
At this moment, enact any of the five gestures.
1 Run you hand through your hair
2 Lift your left leg and extend, stretching your foot
3 Roll up your sleeves if they are not already rolled, if they are then un-roll.
4 Inhale a lot of air audibly, exhale
5 Lose your footing

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