The Evergreen State College

Tag: writing (Page 4 of 7)

Storme Webber: Wednesday, 10/4 from 11:30-1pm in Recital Hall, COM Building

Storme Webber is a Two Spirit, Alutiiq/Black/Choctaw, internationally-nurtured poet, playwright, educator, and interdisciplinary artist. She creates blues-influenced, socially-engaged texts and images exploring identity, art activism, and the intersections of race, class, gender, sexuality, memory and spirit.

Storme’s poetry collections include DiasporaBlues Divine, and the forthcoming Noirish Lesbiana. Her solo theatre works include Buddy RabbitNoirish Lesbiana: A Night at the Sub Room, and Wild Tales of Renegade Halfbreed Bulldagger. She has been highlighted in numerous anthologies, documentaries (including Venus Boyz, May Ayim: Hope in HeartWhat’s Right with Gays These Days?Living Two Spirit), and international performance tours.

Storme is an inspired educator, bringing art, history & soul as a visiting artist in programs across the country. She enjoys teaching Creative Writing to young people at the University of Washington. She has served as featured faculty at Hedgebrook, Whidbey Island Writer’s Conference, Chuckanut Writer’s Conference, The University of Puget Sound, Seattle University, and Richard Hugo House.

Storme was honored to receive a 2015 James W. Ray Venture Project Award from the Artist Trust/Frye Art Museum Consortium. Storme’s work has also been supported & awarded by 4Culture, Hedgebrook, Richard Hugo House, Pride Foundation, Seattle Art Museum, CIRI Foundation, City of Seattle and Jack Straw Foundation.

Meehan Crist: Wednesday, May 31st, 2017 from 11:30-1pm in Purce Hall 1

Meehan Crist is writer-in-residence in Biological Sciences at Columbia University. Previously she was editor-at-large at Nautilus and reviews editor at the Believer. Her work has appeared in publications such as the New York Times, the Los Angeles Times, Lapham’s Quarterly, Tin House, New Republic, Nautilus, the Believer, Bookforum, Scientific American, and Science. Awards include the 2015 Rona Jaffe Foundation Writer’s Award, the 2016 AOA Award for excellence in Health Journalism, the Olive B. O’Connor Fellowship and fellowships from MacDowell, The Blue Mountain Center, Ucross, and Yaddo.

Jordan Abel: Wednesday, May 10th 2017, from 11:30-1:00 pm in Purce Hall 1

Jordan Abel is a Nisga’a writer from BC. Currently, he is pursuing a PhD at Simon Fraser University where his research concentrates on the intersection between Digital Humanities and Indigenous Literary Studies. Abel’s creative work has recently been anthologized in Best Canadian Poetry (Tightrope), The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation (Arbiter Ring), and The New Concrete: Visual Poetry in the 21st Century (Hayword). Abel is the author of InjunUn/inhabited, and The Place of Scraps (winner of the Dorothy Livesay Poetry Prize and finalist for the Gerald Lampert Memorial Award).

Gregg Horowitz: Wednesday, May 2, from 11:30 to 1:00 pm in Purce Hall 1

Gregg Horowitz is Professor of Philosophy at Pratt. He writes on aesthetics, the philosophy of art, theories of art history, psychoanalysis, and political theory. His publications include the books Sustaining Loss: Art and Mournful Life (Stanford, 2001) and The Wake of Art: Philosophy, Criticism and the Ends of Taste (Routledge, 1998, with Arthur C. Danto and Tom Huhn) and articles on “Robert Pippin’s After the Beautiful: Hegel and the Philosophy of Pictorial Modernism” (Platypus Review, 2014).“Tradition” (Art Bulletin, 2013), “A Made-to-Order Witness: Women’s Knowledge in Vertigo” in Katalin Makkai, ed., Vertigo: Philosophers on Film (Routledge, January 2013), and “The Homeopathic Image, or, Trauma, Intimacy and Poetry,” (Critical Horizons, 2010). He is also a past Fellow of the American Academy in Berlin.

Dawn Lundy Martin: Week 4 – February 1st, 2017 from 11:30-1:00pm in Lecture Hall 1

(photo credit: Max Freeman)

Dawn Lundy Martin is a poet, essayist, and conceptual video artist. She is the author of three books of poems and three chapbooks, including most recently, Life in a Box is a Pretty Life (Nightboat Books 2015) and Good Stock Strange Blood (forthcoming from Coffee House Press in 2017). She is currently at work on a memoir. Her nonfiction has appeared in The New YorkerHarper’s, and other magazines.

Martin is also a co-founder of the Black Took Collective, an experimental performance art/poetry group of three, and a member of HOWDOYOUSAYYAMINAFRICAN?, a global arts collective. She has been awarded the 2015 Lambda Literary Award for Lesbian Poetry and a 2016 Investing in Professional Artists Grant from the Pittsburgh Foundation and the Heinz Endowments. Martin is Professor of English at the University of Pittsburgh and Co-director of the Center for African American Poetry and Poetics.

Anna Moschovakis: Week 7, 11/9, 2016 from 11:30-1:00 pm in the Recital Hall of the COM Building

Anna Moschovakis’s most recent books are They and We Will Get Into Trouble for This (poems) and Bresson on Bresson (interviews with Robert Bresson, translated from the French). She is the author of two previous books of poems, You and Three Others Are Approaching a Lake and I Have Not Been Able to Get Through to Everyone, as well as numerous chapbooks. Other translations include books by Annie Ernaux, Albert Cossery, and Marcelle Sauvageot.

She has received grants from the Howard Foundation, New York Foundation for the Arts and The Fund for Poetry, the James Laughlin Award from the Academy of American Poets, and residency fellowships from Ledig House/Writers OMI and The Edward Albee Foundation; in 2009 she was the recipient of an apexart “outbound” residency grant to Addis Ababa, Ethiopia. She teaches in the MFA programs at Pratt Institute and Milton Avery Graduate School of the Arts at Bard College and was the 2016 Holloway Lecturer in the Practice of Poetry at U.C. Berkeley. She is a longtime member of Brooklyn-based publishing collective Ugly Duckling Presse, for which she edits several books a year and heads up the Dossier Series of investigative texts, and she recently co-founded Bushel, an art and community space in Delhi, NY. Her first novel, The Rejection of the Progress of Love, is forthcoming from Coffee House Press.

https://youtu.be/t7V6BDSFq3k

Amanda K. Davidson: Wednesday, May 18th, 2016, 11:30-1pm in the 2nd floor Recital Hall of the COM Building

Amanda Davidson writes, draws, and makes performances in Brooklyn and Los Angeles. Her prose chapbooks include Arcanagrams: A Reckoning (Little Red Leaves 2014), The Space (Belladonna 2014), and Apprenticeship (New Herring Press 2013), and she is the founding editor of Occasional Remarks: Prose Chaps and Audio Tracks. Davidson’s fiction, reviews, and comics appear in the Brooklyn Rail, the Believer, and Weird Sister, where she’s serializing a graphic novel called The Conditions of Our Togetherness. She’s been a writer-in-residence at MacDowell, Art Farm Nebraska, Millay, and I-Park, and received a 2014-2015 Lower Manhattan Cultural Council Workspace Residency, and a 2014 NYFA Fellowship in poetry.

https://youtu.be/r5aI47CiSxQ

Rob Halpern: Wednesday, May 4th, 11:30-1:00 pm in the 2nd floor Recital Hall of the COM Building

Common Place (Ugly Duckling Presse 2015) is Rob Halpern‘s most recent book of poetry. Other titles include Music for Porn (Nightboat 2013), Disaster Suites (Palm Press 2009), and Rumored Place (Krupskaya 2006).  Together with Taylor Brady, he also co-authored the book-length poem, Snow Sensitive Skin, which has been reissued by Displaced Press.  Recent essays and translations appear in Chicago ReviewJournal of Narrative Theory, and The Claudius App.  Rob currently splits his time between San Francisco and Ypsilanti, Michigan, where he teaches at Eastern Michigan University and Women’s Huron Valley Prison.

Melissa Buzzeo: Wednesday, February 24th, 11:30-1:00 pm in the 2nd floor Recital Hall of the COM Building

Melissa Buzzeo writes a literature of encounter, but also: descent, healing, refusal. She is the author of four full-length books: The Devastation (Nightboat 2015), For Want and Sound (Les Figues, 2013), Face (Bookthug, 2009) and What Began Us (Leon Works, 2007). She teaches creative writing at Pratt Institute in Brooklyn and maintains a radical palm reading practice. At one time, she went to Cornell and then to Iowa. Currently she is working on a specific kind of memoir simply called Writing.

Thierry de Duve: Monday, November 9th, 2015, 5:30-7:00 pm in the 2nd floor Recital Hall in the COM Building

Historian and philosopher of art, Thierry de Duve, is Professor emeritus from the University of Lille 3, and was Kirk Varnedoe Visiting Professor at the Institute of Fine Arts, New York University, for the fall semester of 2013. His English publications include Pictorial Nominalism (1991), Kant after Duchamp (1996), Clement Greenberg Between the Lines (1996, 2010), Look—100 Years of Contemporary Art (2001), and Sewn In the Sweatshops of Marx: Beuys, Warhol, Klein, Duchamp (2012). He is presently finishing a book of essays on aesthetics, forthcoming from the University of Chicago Press.

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