The Evergreen State College

Tag: ART (Page 4 of 17)

Art Lecture Series, week 8: Dahlia Elsayed and Andrew Demirjian on Wednesday, 11/18 from 11:30-1pm

Dahlia Elsayed is an artist and writer who makes text and image-based work that synthesizes an internal and external experience of place, connecting the ephemeral to the concrete. She writes short fictions for created landscapes that take the form of narrative paintings, print and installation. Her work has been exhibited at galleries and institutions throughout the United States and internationally, including the 12th Cairo Biennale, Robert Miller Gallery, BravinLee Programs, The New Jersey State Museum and Aljira Center for Contemporary Art. Her work is in the public collections of the Newark Museum, the Zimmerli Museum, Johnson & Johnson Corporation, the US Department of State, amongst others. Dahlia has received awards from the Joan Mitchell Foundation, the Edward Albee Foundation, Visual Studies Workshop, the MacDowell Colony, Women’s Studio Workshop, Headlands Center for the Arts, and the NJ State Council on the Arts. She received her MFA from Columbia University, and lives and works in New Jersey. Ms. Elsayed is a Professor of Humanities at CUNY LaGuardia Community College in Long Island City, NY.

Andrew Demirjian is an interdisciplinary artist who works with remix, rhythm and ritual. He creates environments for critical reflection through scraping and recombining popular culture, making intricate collages of sound and language. His work is often presented in non-traditional exhibition spaces and takes the form of interactive installations, generative art, multi-channel videos and live performances. He is currently a Fellow at the MIT Open Documentary Lab, where he is working on a computational text analysis project for linguistic remixing of vast quantities of video files. Andrew’s work has been exhibited at The Museum of the Moving Image, Eyebeam, Fridman Gallery, Rush Arts, the White Box gallery, Cyberfest, Fieldgate Gallery, the Center for Book Arts, The Newark Museum and many other galleries, festivals and museums. He is the author of Pan- terrestrial People’s Anthem, a book of poetry and collection of music that remixes the lyrics and songs of 195 national anthems. The MacDowell Colony, Puffin Foundation, Artslink, Harvestworks, Diapason, The Experimental Television Center, The Bemis Center, LMCC Swing Space, The Visual Studies Workshop and the New Jersey State Council on the Arts are among some of the organizations that have supported his work. Andrew teaches theory and production courses in emerging media in the Film and Media Department and the Integrated Media Arts MFA program at Hunter College.

Art Lecture Series, week 6: Anne de Marcken from 11:00 am – 1:00 pm Wednesday, 11/4 2020

Anne de Marcken, former Greener! is a writer and interdisciplinary artist. Her credits include durational writing projects, hybrid narratives, short and feature-length films and site-specific installations. She approaches creative work as a process of critical inquiry, centering questions of impermanence, invisibility and the abject. She is author of the lyric novella The Accident: An Account (Spuyten Duyvil, 2020), and her writing has appeared in Best New American VoicesPloughsharesNarrativeEntropy, on NPR’s Selected Shorts and elsewhere. Recent process-based installations include Hinterlands of Paris (2020), Paris Chopped & Screwed (2019), Invisible Ink: Homeless (2018), Invisible Ink: Reparations (2017) and The Redaction Project (2016). She is also known for the gender-queer experimental feature Group (2002). Anne is editor and publisher of The 3rd Thing, an independent press dedicated to intersectional, interdisciplinary work. You can see more about  The 3rd Thing at https://the3rdthing.press.

Note: Anna Joy Springer will be rescheduled TBA

Anna Joy Springer is the author of “The Vicious Red Relic, Love” (Jaded Ibis, 2011), an illustrated fabulist memoir with soundscape by Rachel Carns and Tara Jane O’neil “Your Metaforest Guidebook”, as well as “The Birdwisher, A Murder Mystery for Very Old Young Adults” (Birds of Lace, 2009). Her work appears in zines, journals, anthologies, and recordings. An Associate Professor of Literature at UC San Diego, Springer teaches experimental writing, feminist literature & graphic texts and also leads public meditation groups focusing on sensation, emotion, and imagination. She’s performed in punk and queercore bands Blatz, The Gr’ups, and Cypher in the Snow and toured the U.S. with the writers of Sister Spit.

Week 4: Christian Nagler on Wednesday, October 21st, 2020 11:30-1pm via Zoom link below

Christian Nagler is an artist, writer, translator, and a Ph.D. candidate in performance studies. Recent writings can be found in TDRPerformance ResearchArt JournalArt Practical, Fillip and in the books Somatic Engagement (ed. Petra Kuppers) and Six Lines of Flight (ed. Apsara DiQuinzio). He has been an Arts Research Center fellow and a columnist for SFMoma’s Open Space. His novel Human Capital: A Life was published in 2016 by Publication Studio. He has recently performed or exhibited at CounterPulse, The Oakland Museum of California, The Kadist Foundation, and The Lab. His dissertation-in-progress investigates the role of performance and performativity in Silicon Valley’s representation of economic and social futures.

B.A. in English, Psychology, University of California, Berkeley; M.F.A. in Creative Writing, Brown University

Link to Christian’s week 4 Zoom: https://evergreen.zoom.us/j/83588505007

Spring 2020: Week 6, Bill Basquin, Wednesday, May 6 2020, 11:30-1:00 via Zoom webinar

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Bill Basquin, filmmaker (From Inside of Here), is a multi-modal artist who enjoys the lessons that come from working with people, living with a tiny cat, and continuing to attune to worlds both wild and domestic. Bill’s films have been shown at the Sundance Film Festival, the Ann Arbor Film Festival, the Mix Festival, Documenta, and the New York Museum of Modern Art.

In preparation for the talk, please pre-screen some clips of Basquin’s films here: https://vimeo.com/billbasquin/review/413738683/dbb8308908

Zoom webinar link https://evergreen.zoom.us/s/97605844270

Week 8: As part of the PLATO Lecture Series, Ann Warde, Wednesday, February 26th from 11:30-1pm in the Recital Hall of the COM Building

Ann Warde is an experimental composer, sound artist, and independent scholar, and a 2019 NYSCA/NYFA Artist Fellow in Music/Sound from The New York Foundationfor the Arts. Following her doctorate in music composition and ethnomusicology at the University of Illinois, and a Mellon Fellowship in music at Cornell University, her work with sound shifted, focusing for the next decade on applications of audio technology to the analysis of whale sounds at Cornell’s Lab of Ornithology.

Subsequently, as a 2015-16 US-UK Fulbright Researcher at the University of York, she worked on music and bioacoustics projects and developed interests in American philosophy. Linking this philosophical inquiry to music led to her recent presentation at the Women in Pragmatism International Conference (Barcelona), and to her participation as co-convener and presenter at the Experience :: Music :: Experiment events sponsored by the Orpheus Institute, Ghent, Belgium. Her sound installation Hidden Encounters was featured as part of the 2019 Tone Deaf Festival in Kingston, Ontario, and last August she was an artist-in-residence with the European Interfaces project in Cyprus. zsonics.org

Happy Black History Month! Week 6: Natasha Marin, Wednesday, February 12th, 2020 from 11:30-1pm in the Recital Hall of the COM Building. Please join Natasha for a Writing Workshop after the lecture on Wednesday from 2:00-3:30. Location TBD. The workshop is centered on Black student experience and all are welcome.

Natasha Marin poses for a portrait on Friday, May 25, 2018, in Seattle. KUOW Photo/Megan Farmer

Natasha Marin is the curator of Black Imagination: Black Voices on Black Futures (McSweeney’s, 2020). Marin is also a conceptual artist whose people-centered projects have circled the globe since 2012 and have been recognized and acknowledged by Art Forum, the New York Times, the Washington Post, the LA Times, NBC, Al Jazeera, Vice, PBS and others. In 2018, the City of Seattle and King County have backed BLACK IMAGINATION– a series of conceptual exhibitions—amplifying, centering, and holding sacred a diverse sample of voices including LGBTQIA+ black youth, incarcerated black women, black folks with disabilities, unsheltered black folks, and black children.

Her viral web-based project, Reparations, engaged a quarter of a million people worldwide in the practice of “leveraging privilege,” and earned Marin, a mother of two, death threats by the dozens. Find out more about her work online: Black-Imagination.com.

Week 2: Maikoiyo Alley-Barnes Wednesday, January 15th, 2020, 11:30-1pm in the Recital Hall of the COM Building

Maikoiyo Alley-Barnes is an artist, filmmaker, writer, and designer who explores the resonance of genetic cultural memory through the mystical and the mundane. The child of two prolific creators, he developed his practice under the tutelage of his parents, Curtis R. Barnes and Royal Alley-Barnes. He is part of the Black Constellation, a collective that also includes Shabazz Palaces, THEESatisfaction, and Nep Sidhu. Alley-Barnes has exhibited sculpture and films in numerous traditional and new-media-based settings. He has been, and continues to be, instrumental in the creation of seminal cultural spaces in Seattle, including the influential mixed-use space pun(c)tuation, among others. In 2014, Alley-Barnes was the recipient of the Neddy Artist Award in the open medium category. Alley-Barnes lives and works in Seattle.

Week 6: Former Greener! PLATO guest lecturer! Austen Brown, Wednesday, November 6th, 11:30-1pm in the Recital Hall of the COM

Austen Brown is an artist living in Chicago, IL, holding his Master of Fine Arts from the School at the Art Institute of Chicago, where he is a Lecturer in the Sound Department. Using a site-based practice, he works with sound, video, and installation to draw conceptual lines between sites, using buildings as evidence to investigate histories of urban planning.
His work has been shown internationally at Super-Sensor, Madrid, Spain; The Chicago Artists Coalition, Chicago, IL; The Mission, Chicago, IL; EXPO Chicago, IL; Switched on Garden with funding from the Pew Charitable Trust, Philadelphia, PA; Delaware Center for the Contemporary Arts, Wilmington, DE; Rebekah Templeton Contemporary Art, Philadelphia, PA, among others.

Week 4: Klara Glosova, Wednesday, October 23rd, 2019 11:30-1pm in the Recital Hall of the COM Building

Klara Glosova is a Czech-born visual artist based in Seattle. She is a multidisciplinary artist working primarily in drawing, painting and printmaking. Her work is autobiographical, drawing inspiration from her dreams as well as daily life. Klara is also a founder of NEPO House and is always interested to see what happens when you place the inside out, invite the outside in and generally do things backwards. She received Seattle Magazine’s Spotlight Award in 2013. Seattle Art Museum’s Kayla Skinner Special Recognition Award, the New Foundation Fellowship and nomination for James W. Ray Distinguished Artist Award in 2014. In 2015 she was nominated for the Stranger Genius Award and a Betty Bowen Award finalist in 2017. Klara is represented by Linda Hodges Gallery.

Week 8: Lauren Levin and Tatiana Luboviski-Acosta, Wednesday, May 22nd, 2019, 11:30-1pm in the Recital Hall of the COM Building

Lauren Levin is a poet, mixed-genre writer and art writer, author of The Braid (Krupskaya, 2016) and Justice Piece // Transmission (Timeless, Infinite Light, 2018). With Emji Spero, they were developmental editor for We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan, edited by Ellis Martin and Zachary Ozma (Nightboat, 2019), and with Eric Sneathen, they are editing Camille Roy’s selected prose. Their gender identity is some mix of belated queer, Jewish great-aunt, and aspirational Frank O’Hara.  They are still figuring it out. They live in Richmond, CA, are from New Orleans, LA, and are committed to queer art, intersectional feminism, being a parent, and anxiety.

Tatiana Luboviski-Acosta is an artist, & the author of Agon, a forthcoming chapbook from EconoTextualObjects; The Easy Body, a love letter from hell that was published in 2017 by Timeless, Infinite Light; and PDF, a chapbook published by Solar Luxuriance in 2014. Their work, cutting across various materials and disciplines, has been shown & performed in the Los Angeles River, galleries, punk houses, plazas, and microcinemas across the U.S. They are currently working on a project interviewing activist Latinx youth in emergent Latinx communities across the United States; and an experimental documentary on the geography of Helen Hunt Jackson’s novel Ramona in collaboration with their mother Vanessa Acosta. Born somewhere between here and Diriamba, Nicaragua, they were raised in the Huntington Park and Highland Park neighborhoods of Los Angeles and across the West Coast and Mexico; they’ve called California home for a significant part of their life. Tatiana now lives in a rent controlled apartment in the Mission District of San Francisco.

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