Art Lecture Series

The Evergreen State College

Tag: activism (Page 2 of 2)

Storme Webber: Wednesday, 10/4 from 11:30-1pm in Recital Hall, COM Building

June 15, 2021 /

Storme Webber is a Two Spirit, Alutiiq/Black/Choctaw, internationally-nurtured poet, playwright, educator, and interdisciplinary artist. She creates blues-influenced, socially-engaged texts and images exploring identity, art activism, and the intersections of race, class, gender, sexuality, memory and spirit.

Storme’s poetry collections include Diaspora, Blues Divine, and the forthcoming Noirish Lesbiana. Her solo theatre works include Buddy Rabbit, Noirish Lesbiana: A Night at the Sub Room, and Wild Tales of Renegade Halfbreed Bulldagger. She has been highlighted in numerous anthologies, documentaries (including Venus Boyz, May Ayim: Hope in Heart, What’s Right with Gays These Days?, Living Two Spirit), and international performance tours.

Storme is an inspired educator, bringing art, history & soul as a visiting artist in programs across the country. She enjoys teaching Creative Writing to young people at the University of Washington. She has served as featured faculty at Hedgebrook, Whidbey Island Writer’s Conference, Chuckanut Writer’s Conference, The University of Puget Sound, Seattle University, and Richard Hugo House.

Storme was honored to receive a 2015 James W. Ray Venture Project Award from the Artist Trust/Frye Art Museum Consortium. Storme’s work has also been supported & awarded by 4Culture, Hedgebrook, Richard Hugo House, Pride Foundation, Seattle Art Museum, CIRI Foundation, City of Seattle and Jack Straw Foundation.

Sister Spit: Wednesday, April 15th, 2015,11:00-1:00 pm, Lecture Hall 1

June 14, 2021 /

Sister Spit began in San Francisco in the 1990s as a weekly, girls-only open mic that was an alternative to the misogyny-soaked poetry open mics popular around the city (and the nation) at that time. Inspired by two-bit punk bands who managed to go on the road without hardly knowing how to play their instruments, Sister Spit became the first all-girl poetry roadshow at the end of the 90s, and toured regularly with such folks as Eileen Myles, Marci Blackman, Beth Lisick, and Nomy Lamm. The tour was revived as Sister Spit: The Next Generation in 2007, and has toured the United States annually since, with authors and performers such as Chinaka Hodge, Dorothy Allison, Lenelle Moise, Justin Vivian Bond, and many others. In this next incarnation, out of respect to the changing gender landscape of our queer and literary communities, Sister Spit welcomes artists of all genders, so long as they mesh with the tour’s historic vibe of feminism, queerness, humor, and provocation.

In addition to the authors of Sister Spit Book’s two most recent publications, Man Alive: A True Story of Violence, Forgiveness and Becoming a Man, and Rad American Women A-Z, the tour incorporates artists and activists with wide-ranging audiences, styles and voices. Furthermore, the Sister Spit Tour invites local guest writers to add to the lineup.

Please join us for a special Noosphere Award Lecture: Ashley Hunt: Friday, May 10, 2013, 11:30-1:00, Lecture Hall 1

June 10, 2021 /

Ashley Hunt is an artist and activist who uses video, photography, mapping and writing to engage social movements, modes of learning and public discourse. Among his interests are structures that allow people to accumulate power and those which keep others from getting power, while learning from the ways people come to know, respond to and conceive of themselves within these structures. Rather than seeing art and activism as two exclusive spheres of practice, he approaches them as complimentary, drawing upon the ideas of social movements and cultural theory alike — the theorizing and practices of each informing the other. This has included investigations into the prison, the demise of welfare state institutions, war and disaster capitalism, documentary representations and political activism. His recent performance, Notes on the Emptying of a City, explores the first-person politics of being in New Orleans with a camera in the months following Hurricane Katrina, when he engaged with community activists to research the city’s refusal to evacuate the Orleans Parish Prison. Other projects include a number of works included under the umbrella of The Corrections Documentary Project (www.correctionsproject.com), which centers around the contemporary growth of prisons and their centrality to today’s economic restructuring and the politics of race; 9 Scripts from a Nation at War, a collaboration with Andrea Geyer, Sharon Hayes, Katya Sanderand David Thorne, and an ongoing collaboration wtih Taisha Paggett, On Movement, Thought and Politics.

Hunt’s work has been screened and exhibited at the P.S.1/MOMA, Project Row Houses, Documenta 12,the Gallery at REDCAT, Nottingham Contemporary, the 3rd Bucharest Bienial, the Tate Modern, the Museum of Modern Art, the Contemporary Museum in Baltimore, the Martin Luther King Jr. Center in Atlanta, as well as numerous grassroots and community based venues throughout the U.S.

Writings and publication include, Printed Project 12 (’09), the Journal of Aesthetics and Protest (‘08, ‘07& ‘05), On Knowledge Production: A Critical Reader (BAK ’08), Art Journal (‘07), Chto Delat (‘07), Rethinking Marxism (‘06), and at Artwurl.org (‘03–‘05), and Sandbox Magazine (‘02) .

Eirik Steinhoff: Wednesday April 24, 2013, 11:30-1:00, Lecture Hall 1

June 10, 2021 /

Eirik Steinhoff has taught contemporary and renaissance poetry at Mills College and at the University of Chicago, where he received his PhD in December 2012. He also teaches in the Workshop on Language and Thinking at Bard College and at the Green Haven Correctional Facility in New York State. Between 2000 and 2005 he edited CHICAGO REVIEW; in 2009 his translations from Petrarch’s RIME SPARSE appeared as a limited-edition letterpressed chapbook from Albion Books; and in fall 2013 a series of pamphlets called A FIERY FLYING ROULE that he produced in the vicinity of the Oakland Commune (a.k.a. Occupy Oakland) will be published by Station Hill Press. He lives in Olympia, Washington, where he is composing a book on the sense of chance in early modern England.

Nikki McClure: Wednesday October,17, 2012, 11:30-1:00, Lecture Hall 1

June 10, 2021 /

Nikki McClure of Olympia, Washington is known for her painstakingly intricate and beautiful paper cuts. Armed with an X-acto knife, she cuts out her images from a single sheet of paper and creates a bold language that translates the complex poetry of motherhood, nature, and activism into a simple and endearing picture.

Her work depicts the virtues of hard labor and patience, which is inherent in her process as well as in the images themselves: weathered hands washing dishes, people sweeping, mothers caring for their babies, and farmers working the land. But there is also a large element of celebration, of taking the time to roll around in the grass and get wet from the early morning dew. The need for all of us to lay down on the ground, grab hold of the earth, look at the stars and dream. She magnifies the importance of simple things, like the change of seasons, slowing down the world for a moment so we can actually taste it.

Nikki’s images exude a positivity that revolves around community, sustenance, parenting, and appreciating both the urban and rural landscape, undoubtedly influenced by her home in the Northwest and specifically Olympia. As one of the more prominent visual artists involved with Olympia-based record labels K and Kill Rock Stars, as well as the Riot Grrrl movement in the early nineties, Nikki’s work still embodies the fiercely independent fire that fueled the passion and creativity of that time period.

She regularly produces her own posters, books, cards, t-shirts and a beloved yearly calendar as well as designs covers for countless records and books, including illustrations for magazines the Progressive and Punk Planet. She is a self-taught artist who has been making paper-cuts since 1996.

-Cinders Gallery

Susan Noyes Platt: Wednesday, May 23, 2012, 11:30-1:00 pm, Lecture Hall 1

June 10, 2021 /

A native of New York City. Susan Noyes Platt is a freelance art historian and art critic, as well as a political activist, based in Seattle, Washington. She has published articles, essays and reviews on the intersections of art and politics.  Her primary concern is to alter the critical discourse to embrace the many different ways in which artists explore this intersection. Over the course of her career she has shifted from a focus on American Art to an exploration of art in the Middle East, particularly in Turkey. She has also published reviews of contemporary art from China, Latin America, and Europe.

 

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