{"id":22,"date":"2021-12-27T14:18:52","date_gmt":"2021-12-27T22:18:52","guid":{"rendered":"http:\/\/localhost\/lighttest\/?page_id=22"},"modified":"2026-03-14T09:41:03","modified_gmt":"2026-03-14T16:41:03","slug":"texts","status":"publish","type":"page","link":"https:\/\/sites.evergreen.edu\/seanwilliams\/texts\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>\u00a0<\/p>\n<p><strong>2026<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong> <em>Music at the Threshold from the Sacred to the Dangerous<\/em>. New York: Oxford University Press.<\/li>\n<li><strong>[CHAPTER]<\/strong> &#8220;World Music,&#8221; in <em>The Oxford Handbook of Musical Biography and Life-Writing<\/em>, ed. by Paul Watt and Chris Wiley. New York: Oxford University Press. (forthcoming)<\/li>\n<li><strong>[ARTICLE]<\/strong> &#8220;From Singing to Speaking: A Song-Based Irish Language Pedagogy,&#8221; in <i>Traditions of Music and Dance<\/i> 57\/1: 1-17 [co-written with Ellen MacIsaac].\u00a0<\/li>\n<li><strong>[REVIEW]<\/strong>\u00a0<em>Essays on Music, Politics, and Resistance: Sounding Empowerment\u00a0<\/em>(Adrian Scahill and Helen Lawlor, eds.), in <em>Ethnomusicology Ireland<\/em> (forthcoming).<\/li>\n<li><strong>[REVIEW]<\/strong> <em>Fieldwork: Essays on the Cultural History of Music in Ireland<\/em> (Harry White), in <em>Notes<\/em> (forthcoming).<\/li>\n<\/ul>\n<p><strong>2025<\/strong><\/p>\n<ul>\n<li><strong>[CHAPTER]<\/strong> \u201cFrom Deanglicization to Riverdance: Revivals in Music and Dance,\u201d in <em style=\"font-size: inherit\">The <\/em><em style=\"font-size: inherit\">Revival in Irish Literature and Culture<\/em><span style=\"font-size: inherit\">, ed. by Gregory Castle. New York: Cambridge University Press.\u00a0<\/span><\/li>\n<li><strong>[CHAPTER]<\/strong> \u201cIrishness and the Musical Imperialism of Britishness,\u201d in <span class=\"s1\"><i>Studies of Music in the <\/i><\/span><i>British Empire: Past, Present, and Future<\/i>, ed. by Paul Watt.\u00a0<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cBetween Vulgarity and Beauty in the Interstices of Orality and Literacy,\u201d in <em>The Oxford Handbook of Irish Song from the earliest days to 1850<\/em>, (Moyra Haslett, Conor Caldwell, and Lillis \u00d3 Laoire, eds.). New York: Oxford University Press. [with Lillis \u00d3 Laoire] \u2013 published <a href=\"https:\/\/academic.oup.com\/edited-volume\/38849\/chapter-abstract\/430563759?redirectedFrom=fulltext\">online<\/a> prior to in-print publication.<\/li>\n<li><strong>[CHAPTER]<\/strong> \u201c\u2018Excellent in Point of Both Music and Words\u2019: The Music of Keening,\u201d in <em>The <\/em><em>Oxford Handbook of Early Irish Song from the earliest days to 1850<\/em>, Moyra Haslett, Conor Caldwell, and Lillis \u00d3 Laoire, eds. New York and London: Oxford University Press. [co-written with Lillis \u00d3 Laoire and M\u00e9adhbh Nic An Airchinnigh] \u2013 published <a href=\"https:\/\/academic.oup.com\/edited-volume\/38849\/chapter-abstract\/478663816?redirectedFrom=fulltext\">online<\/a> prior to in-print publication.<\/li>\n<\/ul>\n<p><strong>2024<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE]<\/strong> &#8220;Vernacular Catholicism in Ireland: The Keening Woman,&#8221; in <em><a href=\"https:\/\/www.mdpi.com\/2077-1444\/15\/7\/879\">Religions<\/a> 15\/879: 1-14<\/em> [co-written with Lillis \u00d3 Laoire]. Awarded Honourable Mention for Best Article 2025 from the International Council for Traditions of Music and Dance.<\/li>\n<li><strong>[REVIEW]<\/strong>\u00a0<em>Conamara Chronicles: Tales from Iorras Aithneach\u00a0<\/em>(Compiled by Se\u00e1n Mac Giollarn\u00e1th; translated by Liam Mac Con Iomaire and Tim Robinson), in\u00a0<a href=\"https:\/\/scholarworks.iu.edu\/journals\/index.php\/jfrr\/article\/view\/39974\/42167\"><em>Journal of Folklore Research Reviews<\/em><\/a> &#8211; [published October 4, 2024].<\/li>\n<\/ul>\n<p><strong>2023<\/strong><\/p>\n<ul>\n<li><strong>[REVIEW]<\/strong> <em>Global Perspectives on the Liminality of the Supernatural: from Animus to Zombi<\/em> (Rebecca Gibson and James M. Vanderveen, eds.) in Journal of Folklore in <a href=\"https:\/\/scholarworks.iu.edu\/journals\/index.php\/jfrr\/article\/view\/36677\/39354\"><em>Journal of Folklore Research Reviews<\/em><\/a> [published September 23, 2023]<\/li>\n<li><strong>[REVIEW] <\/strong><em>Collecting Music in the Aran Islands: A Century of History and Practice<\/em> (Deirdre N\u00ed Chonghaile) in <em>Journal of American Folklore<\/em> 136\/540: 236-237.<\/li>\n<\/ul>\n<p><strong>2022<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE]<\/strong> \u201cPoetry Writing as Transgressive Ethnography,\u201d in <em>Ethnomusicology <\/em>66\/3: 361-378. *Best Article award from the Society for Ethnomusicology, 2023; Honourable Mention for Best Article award from the International Council for Traditions in Music and Dance, 2023.<\/li>\n<li><strong>[ARTICLES]<\/strong> &#8220;Collegial Team Teaching,&#8221; and &#8220;Writing a Collegial Evaluation,&#8221; in <em>Evergreen: An Educator&#8217;s Handbook<\/em> (ed. Jolie Sandoz). Olympia, WA: Evergreen State College.<\/li>\n<li><strong>[REVIEW]<\/strong> <em>Made in Ireland: Studies in Popular Music<\/em> (ed. \u00c1ine Mangaoang, John O&#8217;Flynn and Lon\u00e1n \u00d3 Briain) in <em>Journal of the Society for Music in Ireland <\/em>17: 79-81.<\/li>\n<li><strong>[OBITUARY]<\/strong> &#8220;Mick Moloney, 1944-2022,&#8221; in <em>Society for Ethnomusicology Newsletter<\/em> 56\/4: 262-7.<\/li>\n<\/ul>\n<p><strong>2021<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]\u00a0<\/strong><a href=\"https:\/\/global.oup.com\/academic\/product\/musics-of-the-world-9780190235864?cc=us&amp;lang=en&amp;#\"><em>Musics of the World<\/em>.<\/a> New York and London: Oxford University Press. ISBN: #978-0190235864.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cThe Magical Whiteness of Being Irish: Language and Song in American White Nationalism,\u201d in <a href=\"https:\/\/cas.stthomas.edu\/centers-institutes\/irish-studies\/new-hibernia-review\/\"><em>New Hibernia Review<\/em><\/a> 25\/4: 134-148.<\/li>\n<li><strong>[REVIEW] <\/strong><em>The Bodhr\u00e1n: Experimentation, Innovation, and the Irish Frame <\/em><em>Drum<\/em>\u00a0(Colin Harte) in\u00a0<a href=\"https:\/\/journals.lib.unb.ca\/index.php\/MC\/article\/view\/32787\"><em>MUSICultures<\/em><\/a> 48: 390-392.<\/li>\n<\/ul>\n<p><strong>2020<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong>\u00a0<a href=\"https:\/\/www.routledge.com\/Focus-Irish-Traditional-Music-2nd-Edition\/Williams\/p\/book\/9780367244026\"><em>Focus: Irish Traditional Music<\/em>, 2nd edition.<\/a>\u00a0New York: Routledge. ISBN: #978-0367244026<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cEthnomusicology, Music Education, and the Power and Limitations of Social Media,\u201d in\u00a0<a href=\"https:\/\/global.oup.com\/academic\/product\/the-oxford-handbook-of-social-media-and-music-learning-9780190660772?cc=us&amp;lang=en&amp;#\"><em>Oxford Handbook of Social Media and Music Learning<\/em><\/a>, Janice Waldron, Stephanie Horsley, and Kari Veblen, eds. New York: Oxford University Press. ISBN: #978-0190660772.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Trad Nation: Gender, Sexuality, and Race in Irish Traditional Music\u00a0<\/em>(Tes Slominski) in\u00a0<em>Journal of Folklore Research Reviews<\/em>. [posted December 18, 2020]<\/li>\n<li><strong>[REVIEW] <\/strong><em>The Masses of Se\u00e1n and Peadar \u00d3 Riada: Explorations in Vernacular Chant<\/em>\u00a0(John O\u2019Keeffe) in\u00a0<em>Notes<\/em> 76\/3:\u00a0 446-448.<\/li>\n<\/ul>\n<p><strong>2019<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong>\u00a0<a href=\"http:\/\/blogs.evergreen.edu\/williams\/\"><em>English Grammar: 100 Tragically Common Mistakes (and How to Correct Them)<\/em><\/a>. New York, NY: Zephyros Press. ISBN: #978-1641523738.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cMusic and Islam in Rural Washington State: Issues in a Time of War,\u201d in\u00a0<a href=\"http:\/\/www.etnologickerozpravy.sav.sk\/\"><em>Etnologick\u00e9 Rozpravy<\/em><\/a>\/<em>Ethnological Debates<\/em>\u00a02: 64-69.<\/li>\n<\/ul>\n<p><strong>2018<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cSonic Liminalities of Faith in Sundanese Vocal Music,\u201d in the\u00a0<a href=\"https:\/\/elischolar.library.yale.edu\/yjmr\/\"><em>Yale Journal of Music and Religion<\/em><\/a>\u00a04\/1:43-59.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Saints\u2019 Cults in the Celtic World<\/em>\u00a0(Steve Boardman, John Reuben Davies, and Eila Williamson, eds.) in<em>\u00a0Journal of Folklore Research\u00a0<\/em><em>Reviews<\/em>.<\/li>\n<li><strong>[POEM]<\/strong> &#8220;Three Approaches,&#8221; selected for Olympia, Washington&#8217;s Intercity Transit <em>Poetry at the Bus Stop<\/em> series.<\/li>\n<\/ul>\n<p><strong>2017<\/strong><\/p>\n<ul>\n<li><strong>[CHAPTER] <\/strong>\u201cThe Singing Body as a Fieldwork Site,\u201d in\u00a0<em><a href=\"https:\/\/he.palgrave.com\/page\/detail\/Cultural-Performance\/?K=9781137604231\">Cultural Performance: Ethnographic Approaches to Performance Studies<\/a><\/em>, Kevin Landis and Suzanne Macaulay, eds. London: Palgrave, p.164-179.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Se\u00e1n \u00d3 S\u00e9: A Life in Song and Story<\/em> (film by Matthew Allen) in <em>Yearbook\u00a0<\/em><em>for Traditional Music<\/em>\u00a049: 198-199.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Flowing Tides: History and Memory in an Irish Soundscape\u00a0<\/em>(Gear\u00f3id \u00d3 hAllmhur\u00e1in) in\u00a0<em>The New Hibernia Review<\/em> 20\/4: 144-146.<\/li>\n<li>\u00a0<\/li>\n<\/ul>\n<p><strong>2016<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]\u00a0<\/strong><em><a href=\"http:\/\/www.amazon.com\/Ethnomusicologists-Cookbook-II-Complete-Around\/dp\/0415838673\/ref=sr_1_2?ie=UTF8&amp;qid=1440480661&amp;sr=8-2&amp;keywords=ethnomusicologists+cookbook\" target=\"_blank\" rel=\"noopener\">The Ethnomusicologists\u2019 Cookbook, volume II<\/a><\/em>. New York and London: Routledge Publishing (editor and contributor). ISBN: #978-0-415-83867-2.<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cDancing Toward Autonomy: Jaipongan and the Assertion of Sundanese Identity,\u201d in\u00a0<em><a href=\"http:\/\/www.brill.com\/products\/book\/fighting-art-pencak-silat-and-its-music\">The Fighting Art of Pencak Silat and its Music \u2013 from Southeast Asian Village to Global Movement<\/a><\/em>, Uwe U. Patz\u00f6ld and Paul Mason, eds. Leiden, Netherlands: Brill Publishers, p.335-355.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cJoining the Gamelan in Theory and Practice,\u201d in\u00a0<a href=\"https:\/\/journals.tdl.org\/jovmc\/index.php\/jovmc\"><em>The Journal of the Vernacular Music Center<\/em><\/a>, 2\/1.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Reeling Roosters &amp; Dancing Ducks: Mouth Music of Cape Breton\u00a0<\/em>(Heather Sparling)\u00a0in\u00a0<em>MusiCultures<\/em>\u00a043\/2: 188-190.<\/li>\n<\/ul>\n<p><strong>2015<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cInterdisciplinarity in Irish Music Pedagogy,\u201d in\u00a0<em><a href=\"http:\/\/www.ictm.ie\/?p=1629\" target=\"_blank\" rel=\"noopener\">Ethnomusicology Ireland<\/a>\u00a03: 1-18.<\/em><\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cMusic as the Food of Longing in Ireland and Irish America,\u201d in\u00a0<em><a href=\"http:\/\/www.cambridgescholars.com\/a-symphony-of-flavors\" target=\"_blank\" rel=\"noopener\">A Symphony of Flavors: Food and Music in Concert<\/a><\/em>\u00a0(Edmundo Murray, ed.)<i>.\u00a0<\/i>Cambridge, U.K.: Cambridge Scholars Publishing, pp.46-64.<i>\u00a0<\/i><\/li>\n<\/ul>\n<p><strong>2014<\/strong><\/p>\n<ul>\n<li><strong>[CHAPTER] <\/strong>\u201cIrish Music Revivals Through Generations of Diaspora,\u201d in\u00a0<em><a href=\"http:\/\/www.oxfordhandbooks.com\/view\/10.1093\/oxfordhb\/9780199765034.001.0001\/oxfordhb-9780199765034\" target=\"_blank\" rel=\"noopener\">The Oxford Handbook of Revival and Post-Revival Music-Cultures<\/a><\/em>, Caroline Bithell and Juniper Hill, eds. London: Oxford University Press. pp. 596-615.<strong>[REVIEW] <\/strong><em>Traditional Music and Irish Society: Historical Perspectives\u00a0<\/em>(Martin Dowling)<em>\u00a0<\/em>in<em>\u00a0New Hibernia Review<\/em>\u00a0154-157.<\/li>\n<\/ul>\n<p><strong>2013<\/strong><\/p>\n<ul>\n<li><strong>[CHAPTER] <\/strong>\u201cM\u00edche\u00e1l \u00d3 S\u00failleabh\u00e1in,\u201d in\u00a0<em><a href=\"http:\/\/www.ucdpress.ie\/display.asp?isbn=9781906359782&amp;\" target=\"_blank\" rel=\"noopener\">The Encyclopaedia of Music in Ireland<\/a><\/em>. Harry White and Barra Boydell, eds. Dublin: University College of Dublin, pp. 811-812.<\/li>\n<\/ul>\n<p><strong>2011<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong><em>\u00a0<a href=\"https:\/\/global.oup.com\/academic\/product\/bright-star-of-the-west-9780190469627?cc=us&amp;lang=en&amp;#\">Bright Star of the West: Joe Heaney, Irish Song-Man<\/a>\u00a0<\/em>(co-written with Lillis \u00d3 Laoire). New York and London: Oxford University Press. ISBN #978-0195321180.<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cThe Visiting Artist as Culture Broker: Joe Heaney and the Negotiation of Identity,\u201d in\u00a0<a href=\"http:\/\/www.ashgate.com\/default.aspx?page=637&amp;calcTitle=1&amp;title_id=10346&amp;edition_id=13689\"><em>Ethnomusicological Encounters with Music, Musicians and<\/em><em>\u00a0History \u2013 Essays in Honour of Robert Garfias<\/em><\/a>, Timothy Rice, ed. Burlington, VT: Ashgate, pp.49-64.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cSeosamh \u00d3 h\u00c9ana\u00ed agus Cearbhall \u00d3 D\u00e1laigh: Cleasa an Chros\u00e1in san Oile\u00e1n \u00dar,\u201d in the\u00a0<em><a href=\"https:\/\/www.stthomas.edu\/irishstudies\/hibernia\/\" target=\"_blank\" rel=\"noopener\">New Hibernia Review<\/a><\/em>\u00a015\/2:80-101. [with Lillis \u00d3 Laoire and Virginia Blankenhorn, written in Irish]<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cUSA: Pacific Northwest,\u201d in\u00a0<a href=\"http:\/\/www.amazon.com\/Companion-Irish-Traditional-Fintan-Vallely\/dp\/1859184502\/ref=sr_1_fkmr0_1?s=books&amp;ie=UTF8&amp;qid=1440480924&amp;sr=8-1-fkmr0&amp;keywords=companion+to+irish+traditional+music+volume+2\" target=\"_blank\" rel=\"noopener\"><em>The Companion to Irish Traditional Music<\/em>, 2<sup>nd<\/sup>\u00a0edition<\/a>. Fintan Vallely, ed. Cork: Cork University Press, pp. 724-725.<\/li>\n<\/ul>\n<p><strong>2010<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong><em>\u00a0<a href=\"http:\/\/www.routledge.com\/books\/Focus-Irish-Traditional-Music-isbn9780415991476\">Focus: Traditional Irish Music<\/a>.\u00a0<\/em>New York and London: Routledge Publishing. ISBN #9780415991476.<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cBeberapa Ingatan Gembira Terhadap Guru Saya, Ibu Euis Komariah,\u201d in<em>\u00a0Daweung Tineung Euis Komariah<\/em>, ed. Aam Amilia, pp.135-139. Bandung, Indonesia: Jugala. [written in Indonesian]<\/li>\n<\/ul>\n<p><strong>2009<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201c\u2019Gan Unsa ar Bith C\u00e9ille\u2019: An Fhear\u00falacht agus An Bhar\u00e1nt\u00falacht in Dh\u00e1 amhr\u00e1n le Seosamh \u00d3 h\u00c9ana\u00ed,\u201d in\u00a0<a href=\"http:\/\/bealoideas.ie\/\"><em>B\u00e9aloideas: Journal of the Ireland<\/em><em>\u00a0Folklore Society<\/em><\/a> 77: 58-79. [with Lillis \u00d3 Laoire, written in Irish<\/li>\n<li><strong>[REVIEW] <\/strong><em>The Norwegian Scots: an Anthropological Interpretation of Viking-Scottish Identity in the Orkney Islands<\/em>\u00a0(Michael A. Lange) in\u00a0<em>The Journal of Folklore Research Reviews.<\/em><\/li>\n<li><strong>[REVIEW] <\/strong><em>Listening to an Earlier Java: Aesthetics, Gender, and the Music of Wayang in Central Java<\/em>\u00a0(Sarah Weiss) in\u00a0<em>Yearbook for Traditional Music<\/em>\u00a041:232-233.<\/li>\n<li><strong>[REVIEW] <\/strong><em>The Courtesan\u2019s Arts: Cross-Cultural Perspectives<\/em>\u00a0(Martha Feldman and Bonnie Gordon, eds.) in\u00a0<em>Asian Music<\/em>\u00a040\/2:143-145.<\/li>\n<\/ul>\n<p><strong>2008<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong><em>\u00a0<a href=\"http:\/\/www.routledgemusic.com\/books\/The-Garland-Handbook-of-Southeast-Asian-Music-isbn9780415960755\">The Garland Handbook of Southeast Asian Music.<\/a><\/em>\u00a0New York and London: Routledge Publishing (co-editor and contributor). ISBN #0-415-96075-4.<\/li>\n<li><strong>[LINER NOTES]<\/strong> <a href=\"http:\/\/camscomusic.com\/newMARCH.htm\"><em>Tell a Story: Joe Heaney in the Pacific Northwest<\/em><\/a>, CD. CAMSCO-701 double compact disc.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cHootenannies and Other Memories,\u201d in\u00a0<a href=\"http:\/\/blogs.evergreen.edu\/williams\/publications\/www.glacierparkfoundation.org\/InsideTrail\/\"><em>The Inside Trail: Voice of the Glacier Park Foundation<\/em><\/a>\u00a022\/2:3-6.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Lee\u2019s Law: How Singapore Crushes Dissent<\/em>\u00a0(Chris Lydgate) in\u00a0<em>Crossroads: An Interdisciplinary Journal of Southeast Asian Studies<\/em>18\/2:172-174.<\/li>\n<\/ul>\n<p><strong>2007<\/strong><\/p>\n<ul>\n<li><strong>[CHAPTER] <\/strong>\u201cSinging the Famine: Joe Heaney, \u2018Johnny Seoighe\u2019 and the Poetics of Performance, with Lillis \u00d3 Laoire, in\u00a0<em><a href=\"http:\/\/www.oac.ie\/index.php?module=pagemaster&amp;PAGE_user_op=view_page&amp;PAGE_id=223\">Dear Far-Voiced-Veteran: Essays in Honour of Tom Munnelly<\/a><\/em>, Anne Clune, ed. ISBN #978-0-9556037-0-9.<\/li>\n<\/ul>\n<p><strong>2006<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]<\/strong><em>\u00a0<a href=\"http:\/\/academic.evergreen.edu\/w\/williams\/cookbook.htm\">The Ethnomusicologists\u2019 Cookbook: Complete Meals from Around the World<\/a><\/em><a href=\"http:\/\/academic.evergreen.edu\/w\/williams\/cookbook.htm\">.<\/a>\u00a0New York and London: Routledge Publishing (editor and contributor). ISBN #0415978181.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cIrish Music and the Experience of Nostalgia in Japan,\u201d in\u00a0<em><a href=\"http:\/\/asianmusic.skidmore.edu\/\">Asian Music<\/a>\u00a0<\/em>37\/1:101-119.<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cBuddhism and Music\u201d in\u00a0<em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0889204217\/qid=1143662257\/sr=1-2\/ref=sr_1_2\/002-1619179-7867240?s=books&amp;v=glance&amp;n=283155\">Sacred Sound: Experiencing Music in World Religions<\/a><\/em>, Guy Beck, ed. Wilfred Laurier University Press, pp.169-189. ISBN #0889204217.<\/li>\n<li><strong>[REVIEW] <\/strong><em>The Ethnomusicologists\u2019 Cookbook: Complete Meals from Around the World<\/em>\u00a0(Sean Williams) in\u00a0<em>Culture and Tradition<\/em>\u00a027.<\/li>\n<\/ul>\n<p><strong>2005<\/strong><\/p>\n<ul>\n<li><strong>[PLAY] <\/strong><em>Widower\u2019s Paradise: an Irish Farce in Three Acts<\/em> (co-written with Stacey Stearns), an unpublished comedy play set in Donegal in the early 1970s.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Power Plays: Wayang Golek Puppet Theater of West Java<\/em>\u00a0(Andrew N. Weintraub) in\u00a0<em>Asian Music<\/em>\u00a036\/2:109-113.<\/li>\n<\/ul>\n<p><strong>2004<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cMelodic Ornamentation in the Connemara Sean-N\u00f3s Singing of Joe Heaney,\u201d in\u00a0<a href=\"http:\/\/www.stthomas.edu\/irishstudies\/nhr.htm\"><em>The New Hibernia Review<\/em><\/a>\u00a08\/1:122-145.<\/li>\n<li><em><a href=\"http:\/\/academic.evergreen.edu\/curricular\/ireland\/studentworks.htm\">Memories of Stone<\/a><\/em>\u00a0(poetry anthology), co-editor (with Kate Newmann) and contributor. Shelton, WA: D &amp; H Printing.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music<\/em>\u00a0(Michael Tenzer) in\u00a0<em>The World of Music<\/em>\u00a046\/1:133-135.<\/li>\n<\/ul>\n<p><strong>2003<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cCompeting Against \u2018Tradition\u2019 in the Sundanese Performing Arts,\u201d in\u00a0<a href=\"http:\/\/www.uni-bamberg.de\/~ba2fm3\/wom.htm\"><em>The World of Music<\/em><\/a>\u00a045\/1:79-96.<\/li>\n<li><strong>[REVIEW] <\/strong><em>The Gamelan Digul and the Prison Camp Musician Who Built It <\/em>(Margaret Kartomi) in Notes 59\/3.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Wayang Gol\u00e9k: Performing Arts of Sunda (West Java)<\/em>\n\n<p>in <em>Asian Music<\/em>\u00a034\/2:154-156.<\/p>\n<\/li>\n<li><strong>[REVIEW] <\/strong><em>Ar Chreag i L\u00e1r na Farraige: Amhr\u00e1in agus Amhr\u00e1naithe i dToraigh [On a Rock in the Center of the Ocean: Songs and Singing in Tory] (Lillis \u00d3 Laoire) in\u00a0<\/em><em>Ethnomusicology<\/em>\u00a047\/3:384.<\/li>\n<li><strong>[REVIEWS] <\/strong><em>\u2018Twas Only an Irishman\u2019s Dream: The Image of Ireland and the Irish in American Popular Song Lyrics, 1800-1920<\/em>\u00a0(William H.A.Williams) and\u00a0<em>How Shall We Sing in A Foreign Land: Catholic Music of the Antebellum Irish<\/em>\u00a0(Robert R. Grimes) in\u00a0<em>Ethnomusicology<\/em>\u00a047\/1:127-130.<\/li>\n<\/ul>\n<p><strong>2002<\/strong><\/p>\n<ul>\n<li><strong>[POEM]<\/strong> \u201cThe Ship,\u201d (poem) in <em>In the Deep Heart\u2019s Core<\/em>\u00a0(poetry anthology) Dunstan Skinner and Bill Compton, eds., p.25. Olympia, WA: The Evergreen State College.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Wayang Golek: The Sound and Celebration of Sundanese Puppet Theater<\/em>\u00a0(Andrew N. Weintraub) in\u00a0<em>Yearbook for Traditional Music\u00a0<\/em>34:223.<\/li>\n<\/ul>\n<p><strong>2001<\/strong><\/p>\n<ul>\n<li><strong>[BOOK]\u00a0<\/strong><a href=\"http:\/\/www.us.oup.com\/us\/samplechapters\/0195141547\/?view=usa\"><em>The Sound of the Ancestral Ship: Highland Music of West Java<\/em><\/a>. New York: Oxford University Press. ISBN #0-19-514154-7. [reviewed in\u00a0<a href=\"http:\/\/www.musiclibraryassoc.org\/pub\/pu_notes.htm\"><em>Notes<\/em><\/a>\u00a059\/4 (2003);\u00a0<a href=\"http:\/\/www.uni-bamberg.de\/~ba2fm3\/wom.htm\"><em>The World of Music<\/em><\/a>\u00a045\/1:166-170 (2003).]<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cEthnomusicology as Interdisciplinary Musicology: a Case Study,\u201d in\u00a0<a href=\"http:\/\/www.music.columbia.edu\/~curmus\/\"><em>Current Musicology<\/em><\/a>\u00a065:48-62.<\/li>\n<li><strong>[CHAPTER] <\/strong>\u201cTer Ellingson\u201d (biography) in\u00a0<a href=\"http:\/\/www.grovemusic.com\/LOGIN?sessionid=fb9f7ef7881bb01e429701c48e94e3c6&amp;authstatuscode=414\"><em>The New Grove Dictionary of Music and Musicians<\/em><\/a>. New York: MacMillan and Co.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Tembang Sunda: Classical Music from West Java<\/em>\u00a0in\u00a0<em>Yearbook for Traditional Music<\/em>\u00a033:210-211.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Music of Death and New Creation: Experiences in the World of Balinese Gamelan Beleganjur<\/em>\u00a0(Michael Bakan) in\u00a0<em>Asian Music<\/em>\u00a033\/1:127-129.<\/li>\n<\/ul>\n<p><strong>2000<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cThe Scottish Bagpipe in Field and Parlor,\u201d in\u00a0<a href=\"http:\/\/www.cobblestonepub.com\/pages\/facemain.htm?print\"><em>Faces: People, Places, and Culture<\/em><\/a>\u00a0(January):14-16.<\/li>\n<\/ul>\n<p><strong>1999<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cCompetition in the Sundanese Performing Arts of West Java, Indonesia,\u201d in\u00a0<a href=\"http:\/\/www.music.columbia.edu\/~curmus\/\"><em>Current Musicology<\/em><\/a>\u00a063:27-45.<\/li>\n<li><strong>[LINER NOTES] <\/strong><em>Trance 3<\/em> (\u201cSacred Tembang Sunda of West Java\u201d), CD. <a href=\"http:\/\/www.ellipsisarts.com\/\">Ellipsis Arts<\/a>\u00a0compact disc.<\/li>\n<\/ul>\n<p><strong>1998<\/strong><\/p>\n<ul>\n<li><strong>[CHAPTERS] <\/strong>\u201cSunda,\u201d and \u201cAn Introduction to Java,\u201d in\u00a0<a href=\"http:\/\/www.routledge-ny.com\/shopping_cart\/products\/product_detail.asp?isbn=0815318650&amp;CFID=1221&amp;CFTOKEN=66804871\"><em>The Garland Encyclopedia of World Music<\/em><\/a>, volume IV (Southeast Asia), edited by Terry E. Miller and Sean Williams. New York: Garland Publishing. ISBN # 0-8240-6040-7. \u201cSoutheast Asian Musics: An Overview,\u201d \u201cA Survey of Scholarship on Southeast Asian Musics,\u201d \u201cWaves of Cultural Influence,\u201d \u201cCulture, Politics, and War,\u201d and \u201cThe Impact of Modernization on Traditional Musics,\u201d (co-written with Dr. Terry E. Miller) in<em>\u00a0<a href=\"http:\/\/www.routledge-ny.com\/shopping_cart\/products\/product_detail.asp?isbn=0815318650&amp;CFID=1221&amp;CFTOKEN=66804871\">The Garland Encyclopedia of World Music<\/a><\/em>, volume IV (Southeast Asia), edited by Terry E. Miller and Sean Williams. New York: Garland Publishing. ISBN # 0-8240-6040-7.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cConstructing Gender in Sundanese Music,\u201d in<a href=\"http:\/\/www.jstor.org\/journals\/07401558.html\">\u00a0<em>Yearbook for Traditional Music<\/em><\/a>\u00a030:74-84.<\/li>\n<li><strong>[REVIEWS] <\/strong><em>Betawi and Sundanese Music of the North Coast of Java and Java: Tembang Sunda<\/em>\u00a0in\u00a0<em>Yearbook for Traditional Music<\/em>\u00a030:199-201.<\/li>\n<\/ul>\n<p><strong>1997<\/strong><\/p>\n<ul>\n<li><strong>[REVIEW] <\/strong><em>Gamelan Stories: Tantrism, Islam, and Aesthetics in Central Java<\/em>\u00a0(Judith Becker) in\u00a0<em>Journal of Asian Studies<\/em>\u00a056\/1:246-247.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Knowing Music, Making Music: Javanese Gamelan and the Theory of Musical Competence and Interaction<\/em>\u00a0(Benjamin Brinner) in\u00a0<em>Yearbook for Traditional Music<\/em>\u00a029:153-154.<\/li>\n<\/ul>\n<p><strong>1996<\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/www.nwfolklife.org\/P_REC\/Archives.html\"><em>Say a Song: Joe Heaney in the Pacific Northwest<\/em><\/a>. CD Liner notes. Seattle:\u00a0<a href=\"http:\/\/depts.washington.edu\/ethmusic\/archives.html\">University of Washington Ethnomusicology Archives.<br \/><\/a><\/li>\n<li><strong>[REVIEW] <\/strong><em>Lolongkrang<\/em>\u00a0<em>in Asian Music <\/em>[CD] 27\/1:163-164.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Betawi and Sundanese Music of the North Coast of Java <\/em>and<em> Night Music of West Sumatra<\/em> [CDs] in <em>The World of Music\u00a0<\/em>37\/3:114-115.<\/li>\n<\/ul>\n<p><strong>1995<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cWorld Beat: Modern Colonialism or Indigenous Synthesis?\u201d in\u00a0<a href=\"http:\/\/www.evergreen.edu\/alumni\/\"><em>ReView<\/em><\/a>\u00a017\/1:31.<\/li>\n<\/ul>\n<p><strong>1993<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cOur Laughter Balances Our Tears: Humor in Sundanese Arts,\u201d in\u00a0<a href=\"http:\/\/www.gamelan.org\/AGI\/balungan.html\"><em>Balungan<\/em><\/a>\u00a05\/2:11-14.<\/li>\n<\/ul>\n<p><strong>1992<\/strong><\/p>\n<ul>\n<li><strong>[REVIEWS] <\/strong><em>Popular Music Perspectives<\/em>\u00a0(B. Lee Cooper) and\u00a0<em>The End-of-the-Century Party<\/em>\u00a0(Steve Redhead) in\u00a0<em>Notes<\/em>\u00a049\/2:623-24.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda<\/em>\u00a0(Wim van Zanten) in\u00a0<em>Yearbook for Traditional Music\u00a0<\/em>24:159-160.<\/li>\n<\/ul>\n<p><strong>1990<\/strong><\/p>\n<ul>\n<li>\u201cThe Urbanization of Tembang Sunda, an Aristocratic Musical Genre of West Java, Indonesia.\u201d Unpublished Ph.D. dissertation,<a href=\"http:\/\/depts.washington.edu\/ethmusic\">\u00a0University of Washington<\/a>.<\/li>\n<li><strong>[REVIEW] <\/strong><em>Indonesia 2: Java<\/em>\n\n<p>in <em>Asian Music<\/em>\u00a024\/2:157-158.<\/p>\n<\/li>\n<li><strong>[REVIEWS] <\/strong><em>Songs Before Dawn: Gandrung Banyuwangi; Indonesian Popular Music: Kroncong, Dangdut and Langgam Jawa<\/em>; and\u00a0<em>Music from the Outskirts of Java<\/em>\u00a0in\u00a0<em>Yearbook for Traditional Music<\/em>\u00a025:177-179.<\/li>\n<li><strong>[REVIEW] <\/strong>\u201cSunda: from Village to City, Festival of Indonesia in Performance\u201d [concert] in <em>Antara Kita, Bulletin of the Indonesian Studies Committee, Association for Asian Studies<\/em>\u00a030:23-27.<\/li>\n<\/ul>\n<p><strong>1989<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cCurrent Developments in Sundanese Popular Music,\u201d in\u00a0<a href=\"http:\/\/asianmusic.skidmore.edu\/\"><em>Asian Music<\/em><\/a>\u00a021\/1:105-136.<\/li>\n<\/ul>\n<p><strong>1985<\/strong><\/p>\n<ul>\n<li>\u201cLanguage, Melody and Ornamentation in the Traditional Irish Singing of Joe Heaney.\u201d Unpublished MA thesis,\u00a0<a href=\"http:\/\/depts.washington.edu\/ethmusic\">University of Washington<\/a>.<\/li>\n<li><strong>[COMPILATION] <\/strong><em>The Joe Heaney Collection: an Index to the Songs and Stories<\/em>. Seattle:\u00a0<a href=\"http:\/\/depts.washington.edu\/ethmusic\/archives.html\">University of Washington Ethnomusicology Archives.<\/a><\/li>\n<\/ul>\n<p><strong>1984<\/strong><\/p>\n<ul>\n<li><strong>[ARTICLE] <\/strong>\u201cJoe Heaney,\u201d in<a href=\"http:\/\/www.seafolklore.org\/folksche.html\">\u00a0<em>Seattle Folklore Society Journal<\/em><\/a>\u00a02(1)2:4-7.<\/li>\n<li><strong>[ARTICLE] <\/strong>\u201cSean-n\u00f3s: the singing of Joe Heaney,\u201d in<em>\u00a0<a href=\"http:\/\/www.seafolklore.org\/folksche.html\">Seattle Folklore Society Journal<\/a><\/em>\u00a02(1)2:8-12.<\/li>\n<li><strong>[ARTICLE]\u00a0<\/strong>\u201cAn Tighearna Randal: an Irish-Gaelic version of Lord Randall,\u201d in\u00a0<a href=\"http:\/\/www.seafolklore.org\/folksche.html\"><em>Seattle Folklore Society Journal<\/em>\u00a0<\/a>2(1)2:13-17.<\/li>\n<\/ul>\n\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 2026 [BOOK] Music at the Threshold from the Sacred to the Dangerous. New York: Oxford University Press. [CHAPTER] &#8220;World Music,&#8221; in The Oxford Handbook of Musical Biography and Life-Writing, ed. by Paul Watt and Chris Wiley. New York: Oxford University Press. (forthcoming) [ARTICLE] &#8220;From Singing to Speaking: A Song-Based Irish Language Pedagogy,&#8221; in Traditions [&hellip;]<\/p>\n","protected":false},"author":89,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"_mi_skip_tracking":false},"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/pages\/22"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/comments?post=22"}],"version-history":[{"count":46,"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/pages\/22\/revisions"}],"predecessor-version":[{"id":269,"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/pages\/22\/revisions\/269"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/seanwilliams\/wp-json\/wp\/v2\/media?parent=22"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}