{"id":1169,"date":"2015-05-25T19:25:37","date_gmt":"2015-05-26T02:25:37","guid":{"rendered":"http:\/\/blogs.evergreen.edu\/reesemusicalcity\/?p=147"},"modified":"2015-05-25T19:25:37","modified_gmt":"2015-05-26T02:25:37","slug":"list-of-terms-6","status":"publish","type":"post","link":"https:\/\/sites.evergreen.edu\/musicalcities\/list-of-terms-6\/","title":{"rendered":"List of Terms 6"},"content":{"rendered":"<p style=\"text-align: left\">Neither chapter 13 nor chapter 14 actually include a list of terms.<\/p>\n<h5 style=\"text-align: center\"><\/h5>\n<h5 style=\"text-align: center\"><\/h5>\n<h5 style=\"text-align: center\">Chapter 15: Further Techniques of Harmonic Development<\/h5>\n<p>&nbsp;<\/p>\n<p>Chromatic Substitution: The substitution of a chromatic harmony for an expected diatonic harmony.<\/p>\n<p>Mixture of Mode: Borrowing a chord from the parallel minor mode.<\/p>\n<p>Elision: The omission of an expected chord in a progression.<\/p>\n<p>Multiple Chromatic Substitution: The substitution of several chromatic harmonies for expected diatonic harmonies.<\/p>\n<p>Incomplete Progression: The omission of a chord which is expected as the harmonic goal of a progression.<\/p>\n<p>Nontonic Beginning: A composition which starts on a harmony which is not the tonic, or in what might otherwise be the middle of a harmonic progression.<\/p>\n<p>Chromatic Modulation: A modulatory progression with a chromatic triad as the goal\/quasi-tonic.<\/p>\n<p>Principle of Proximity: The principle that no consonant triad is far removed from the harmonic axis. If a harmony is distant in terms of a relation of the 5th, then it is close melodically (by a 2nd relation).<\/p>\n<p>Chromatic Sequence: A sequence which moves chromatically. Such a progression is dependent on the repeated pattern (sequence) rather than the harmonic axis.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Neither chapter 13 nor chapter 14 actually include a list of terms. Chapter 15: Further Techniques of Harmonic Development &nbsp; Chromatic Substitution: The substitution of a chromatic harmony for an expected diatonic harmony. Mixture of Mode: Borrowing a chord from the parallel minor mode. Elision: The omission of an expected chord in a progression. Multiple [&hellip;]<\/p>\n","protected":false},"author":1096,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[],"tags":[99],"geo":null,"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/posts\/1169"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/users\/1096"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/comments?post=1169"}],"version-history":[{"count":0,"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/posts\/1169\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/media?parent=1169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/categories?post=1169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/musicalcities\/wp-json\/wp\/v2\/tags?post=1169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}