notes\/\/\/\/\/\/\/<\/p>\n
FRM THE PREFACE, DE TORO SAYS:<\/p>\n
“I felt it was important to introduce studies of this kind in Latin America, a continent where this field was totally unknown at the time. This is why […] I decided to write the book in Spanish, knowing full well that Semi\u00f3tica Del Teatro would be largely ignored in the non-Spanish world.”<\/p>\n
this book was not written for me ~
\ni am reading translated words
\n— what has been lost? within the act of rewriting? within the act of redirecting (or rather, expanding upon) the author’s original intent? within the act of my consumption & interpretation of something already reinterpreted?<\/p>\n
—<\/p>\n
—<\/p>\n
pg.4. FRM THE INTRODUCTION<\/p>\n
~ theatre is comprised of a multitude of signifying systems that each have a dual function: AS A LITERARY PRACTICE & AS A PERFORMATIVE PRACTICE<\/p>\n
~ P A R A L I N G U I S T I C \u00a0 C O M P O N E N T S
\n(aspects of spoken communication that do not involve words)<\/p>\n
~ dramatic text and performance have equal weight<\/p>\n
<\/p>\n
pg.5. FRM CHAPTER 1: THEATRE DISCOURSE<\/p>\n
~ UTTERANCE is what is said that proceeds from la langue
\nENUNCIATION is the means & place through which the utterance comes into being<\/p>\n
~ producing an utterance is NOT EQUAL TO the text of an utterance<\/p>\n
~ BEVENISTE SAYS:<\/p>\n
for this act to occur there must exist three formal enunciative processes
\nA. THE ACT OF SAYING
\nB. THE SITUATION OF REALIZING
\nC. THE INSTRUMENTS OF REALIZATION<\/p>\n
pg.6.<\/p>\n
~ essential to the first part of the process consists of an appropriation of language — that is, the production of an utterance that reveals itself in the very making<\/p>\n","protected":false},"excerpt":{"rendered":"
notes\/\/\/\/\/\/\/ FRM THE PREFACE, DE TORO SAYS: “I felt it was important to introduce studies of this kind in Latin America, a continent where this field was totally unknown at the time. This is why […] I decided to write the book in Spanish, knowing full well that Semiótica Del Teatro would be largely ignored […]<\/p>\n","protected":false},"author":626,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/posts\/2225"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/users\/626"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/comments?post=2225"}],"version-history":[{"count":0,"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/posts\/2225\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/media?parent=2225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/categories?post=2225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/making\/wp-json\/wp\/v2\/tags?post=2225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}