{"id":1996,"date":"2020-09-29T09:20:53","date_gmt":"2020-09-29T16:20:53","guid":{"rendered":"https:\/\/sites.evergreen.edu\/ltc\/?p=1996"},"modified":"2020-09-29T09:21:18","modified_gmt":"2020-09-29T16:21:18","slug":"recast-the-art-lecture-series-returns-this-fall-2020","status":"publish","type":"post","link":"https:\/\/sites.evergreen.edu\/ltc\/2020\/09\/recast-the-art-lecture-series-returns-this-fall-2020\/","title":{"rendered":"RECAST | The Art Lecture Series returns this fall 2020!"},"content":{"rendered":"\n

From:<\/strong> Osha (Flores), Shaw <oshas@evergreen.edu<\/a>>
Date:<\/strong> Sep 23, 2020, 2:02 PM -0700<\/p>\n\n\n\n

Dear Evergreen Campus, <\/p>\n\n\n\n

We\nare so glad to be back! Welcome to the Evergreen Art Lecture Series fall\nlineup. The series presents a broad range of interdisciplinary approaches to\ncontemporary art issues by artists, writers, activists and scholars.  The\nongoing aim to bring an array of practices from a variety of fields, areas\nof inquiry and creative production to our campus is to stay actively engaged in\ncomplex ideas and issues current to our times. The series provides a\nlively forum for the exchange of ideas between the speakers, students, faculty\nand the public. All are welcome.<\/p>\n\n\n\n

Lectures take place on\nWednesdays from 11:30-1:00 pm as Zoom webinars. <\/strong>Note that Week 6, 11\/4 runs from 11:00-1:00.<\/p>\n\n\n\n

WEEK\n2, 10\/7  <\/strong>Clifford\nOwens<\/a> is an artist who makes photographs, performance art,\nworks on paper, videos, installations, and texts. His art has appeared in many\nsolo and group exhibitions, both nationally and internationally. Owens’ solo\nmuseum exhibitions include Anthology<\/em> at MoMA PS1, Better the Rebel You Know<\/em> at Home in\nManchester, England, and Perspectives 173: Clifford Owens<\/em> at the\nContemporary Arts Museum Houston; and group exhibitions featuring his work\ninclude Freestyle<\/em>, Greater New York 2005<\/em>, and Performance Now: The First Decade of the New\nCentury<\/em>. His performance-based projects have been widely presented in\nmuseums and galleries, including the Museum of Modern Art, the Baltimore Museum\nof Art, and the Brooklyn Academy of Music. This year he was awarded a\nGuggenheim fellowship. Owens was born in Baltimore, Maryland. He lives and\nworks in New York City.<\/p>\n\n\n\n

WEEK\n4, 10\/21 <\/strong>Christian\nNagler<\/a> <\/strong>is an artist, writer, translator, and a Ph.D. candidate in\nperformance studies. Recent writings can be found in TDR<\/em>, Performance Research<\/em>, Art Journal<\/em>, Art\nPractical, Fillip <\/em>and in the books Somatic\nEngagement <\/em>(ed. Petra Kuppers) and Six\nLines of Flight <\/em>(ed. Apsara DiQuinzio). He has been an Arts Research\nCenter fellow and a columnist for SFMoma\u2019s Open Space. His novel Human Capital: A Life <\/em>was published in\n2016 by Publication Studio. He has recently performed or exhibited at\nCounterPulse, The Oakland Museum of California, The Kadist Foundation, and The\nLab. His dissertation-in-progress investigates the role of performance and\nperformativity in Silicon Valley\u2019s representation of economic and social\nfutures.<\/p>\n\n\n\n

WEEK\n6, <\/strong>11\/4<\/strong> Note the time for this lecture is 11:00-1:00<\/em>. A joint\nevent  presenting work on white girlhood followed by\na discussion facilitated by Miranda Mellis. <\/p>\n\n\n\n

Anna Joy Springer<\/a> is the author of \u201cThe Vicious Red Relic,\nLove\u201d (Jaded Ibis, 2011), an illustrated fabulist memoir with soundscape by\nRachel Carns and Tara Jane O\u2019neil \u201cYour Metaforest Guidebook\u201d, as well as \u201cThe\nBirdwisher, A Murder Mystery for Very Old Young Adults\u201d (Birds of Lace, 2009).\nHer work appears in zines, journals, anthologies, and recordings. An Associate\nProfessor of Literature at UC San Diego, Springer teaches experimental writing,\nfeminist literature & graphic texts and also leads public meditation groups\nfocusing on sensation, emotion, and imagination. She\u2019s performed in punk\nand queercore bands Blatz, The Gr\u2019ups, and Cypher in the Snow and toured the\nU.S. with the writers of Sister Spit. <\/p>\n\n\n\n

Anne\nde Marcken<\/a>  is a writer and interdisciplinary artist. Her\ncredits include multimedia installations, short and feature-length films, and\nhybrid fictions and realities of various lengths. She is author of the lyric\nnovella, The Accident: An Account<\/em> (Spuyten\nDuyvil, 2020), and her writing has been featured in Best New American Voices<\/em>, Ploughshares<\/em>, Narrative, Entropy<\/em>, Glimmer Train<\/em>, Southern Indiana Review, <\/em>on NPR\u2019s Selected Shorts and elsewhere. Anne lives in\nOlympia, Washington, where she runs The 3rd Thing<\/a>, an independent press dedicated to publishing\ninterdisciplinary, intersectional work.<\/p>\n\n\n\n

WEEK\n8, <\/strong>11\/18<\/strong> Dahlia\nElsayed and Andrew Demerjian<\/a> create multi-media\nwork (installation, painting, video) that deal with the ephemeral\nsymbols of place and the resonance of locations in one’s memory.\nTheir collaborative works have been exhibited internationally,\nincluding Laznia Center for Contemporary Art in Poland, NPAK in Armenia,\nand Locust Projects in Miami, Florida.\ufeff<\/p>\n\n\n\n

Dahlia Elsayed<\/a>\u00a0is an artist and writer who makes text and image-based work that synthesizes an internal and external experience of place, connecting the ephemeral to the concrete. She writes short fictions for created landscapes that take the form of narrative paintings, print and installation. Her work is in the public collections of the Newark Museum, the Zimmerli Museum, Johnson & Johnson Corporation, and the US Department of State, amongst others. Dahlia received her MFA from Columbia University, and lives and works in New Jersey. She is a Professor of Humanities at CUNY LaGuardia Community College in Long Island City, New York.<\/p>\n\n\n\n

Andrew\nDemirjian<\/a> is an interdisciplinary artist who works with remix, rhythm and\nritual. He creates environments for critical reflection through scraping and\nrecombining popular culture, making intricate collages of sound and language.\nHis work is often presented in non-traditional exhibition spaces and takes the\nform of interactive installations, generative art, multi-channel videos and\nlive performances. He is currently a Fellow at the MIT Open Documentary Lab,\nwhere he is working on a computational text analysis project for linguistic\nremixing of vast quantities of video files. Andrew teaches theory and\nproduction courses in emerging media in the Film and Media Department and the\nIntegrated Media Arts MFA program at Hunter College in New York City.<\/p>\n\n\n\n

For\npast lectures go to http:\/\/blogs.evergreen.edu\/artistlectureseries\/<\/a> where we have links to most of our\namazing talks.<\/p>\n\n\n\n

Please join us for this opportunity to\nshare in engaging\nimaginings and projects during this confusing time.<\/p>\n\n\n\n

Best regards,<\/p>\n\n\n\n

Shaw, ALS coordinator<\/p>\n\n\n\n


\nShaw Osha, MFA l<\/strong> Member of the Faculty, Visual Arts 
\nThe Evergreen State College<\/p>\n","protected":false},"excerpt":{"rendered":"

From: Osha (Flores), Shaw <oshas@evergreen.edu> Date: Sep 23, 2020, 2:02 PM -0700 Dear Evergreen Campus, We are so glad to...<\/p>\n","protected":false},"author":2778,"featured_media":1715,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_s2mail":"yes"},"categories":[11],"tags":[69],"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/posts\/1996"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/users\/2778"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/comments?post=1996"}],"version-history":[{"count":2,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/posts\/1996\/revisions"}],"predecessor-version":[{"id":2016,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/posts\/1996\/revisions\/2016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/media\/1715"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/media?parent=1996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/categories?post=1996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/ltc\/wp-json\/wp\/v2\/tags?post=1996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}