In Search of Lost Time

The Evergreen State College

Author: Cheryl Harai (Page 2 of 2)

The Bombing of Tokyo

While we all know about the atomic bombs dropped on Japan that ended the War with them. Many people don’t know about the United States firebombing of Japan’s cities that changed the way we fought the Japanese. Prior to this, the battles were fought against the military of the Axis countries and not against the civilian populations of women and children. Then in 1945 we changed our strategies and started bombing the cities.

The United States attacked Tokyo with incendiary and fragmentation bombs on February 25, 1945 that destroyed approximately 643 acres of the city. March 9-10 saw the dropping of 1665 tons of cluster, napalm bombs on Tokyo. They punched through the thin tin roofing of the homes, and they landed in the streets, 3-5 seconds later the bombs would ignite, throwing out a jet of flaming napalm. Jelled gasoline and white phosphorus bombs that ignited on impact were also send. The attack was centered in the densely populated working class district. The fires overwhelmed the cities fire defenses and then joined to create a general conflagration, a firestorm that demolished much of the city. Falling embers spread the fire. Smoke and ash clogged the air. Horrifyingly the ash was not only burned buildings, but human ash from those caught by the napalm. Over 100,000 civilian people are estimated to have burned to death. Keiko Fukuda lived in Tokyo during this time. She was 31 years old, and the only judo instructor left in the city.

Ms. Fukuda during the bombing

Keiko peaks out her family’s door; she is getting ready to make her daily trip to the Kodokan Judo School on the other side of Tokyo, she ducks her head back in. The streets are burning; the United States is dropping napalm filled bombs on the city. Embers fall from the sky, making going outside dangerous. Smoke and dust fills the air, making it hard to breath. Afraid but resolved to fulfill her obligations; Keiko wraps a scarf around her head and face and starts to make her way to the train station. Wearing a kimono and wooden shoes, taking refuge in doorways and building overhangs whenever she could find them, she walks. She is the only judo instructor left in the city and she must get to the dojo. She steps over debris and weaves through the falling buildings, she avoids the bodies. Bodies that are charred, some falling to dust, and she walks. The train is not running, of course it was one of the first targets to bomb, and so she walks.

Arriving at the Kodokan, she finds the women of judo waiting for her. They, like she did, risked their lives to get here. They are all starving; some have burns that need to be treated. The men have all gone off to war. They are here for hope and strength and a bit of vegetable soup with tea. Among these women she is known as “Sensei”. It is her role to be strong for them and not let them see that she is also afraid. As she opens the doors and begins to cook for these frightened women, the lessons begin. The telling of history and the philosophies embedded in the art of judo. Sensei knows that learning to be strong in training can translate to being strong in life’s other challenges.

We can imagine the lesson she gave as being very similar to the one I heard decades later.

Ms. Fukuda’s entry into judo, over all philosophy

Keiko Fukuda began to study judo in 1935 at the age of 22 with the official opening of the Woman’s division of the Kodokan; 50 years after the men’s division began. The division opened with 24 students studying under the Founder of the art, Jigorō Kano. Keiko was invited to join the class because of her family’s standing in the community and because her grandfather, Hachinosuke Fukuda, a samurai and master of Tenjin Shinyō-ryū jujutsu, who taught Jigorō Kanō, the founder of judo and head of the Kodokan. Her family approved only because they thought that she might meet a suitable husband. An unlikely event, as the women’s division had no contact with the male judo players. Kano was tasked to find her a husband, an obligation he tried to fulfill, even passing on his responsibility to his daughter when he died. Marrying and having children was expected of women, instead she practiced judo.

Reflecting on a day of Refereeing

Sitting silently at a judo tournament in the minutes before it starts, I look around, for the moment an outsider. The referees gather in one corner, dressed in black suit jackets, ties and grey pants, all male, greeting and catching up on each other’s lives and students. The youngest of these men is 16, quietly becoming one of the elite, a judo official. Some of them have put on their judo personalities just like they put on their jackets, others already are commanding, in charge and sure of their place as an experienced referee. Spread across the mats are groups of students, most often separated by club affiliation. They joke with each other and play around, until they are called to pay attention and warm up. Most are boys and young men. This year about a fourth are girls. There are many more of the younger girls then teens, and few adult women, but there is more this year than last. The coaches also are spread around the gym, talking to each other, comparing results from the last tournament and telling each other about the students they brought with them today. If I look hard, I can find the 3 female coaches, one is the wife of a head instructor, helping him because he can’t coach two players at one time, one a black belt student assisting her sensei and one woman who has her own club.

The excitement is starting to build as more and more competitors step onto the mat, and soon it is overflowing with young people ready to test their skills against each other, the warm up music is loud and the competitors louder. In preparation, the officials are called to meet, and now it is time for me to put on my jacket, to become an official, commanding, in charge, confident, masculine. I am the only female referee working today.

As the first competitor is called to his match, the head referee comes over to talk to our team. He says the usual things, “Keep control of the matches, support each other, you are not out there alone”, and like I wasn’t even there, “protect her- she will need everyone’s help to stay in charge, especially when the adults fight.” I respond as expected, and thank everyone for their support, as I grit my teeth in frustration. All but one of the team is less experienced then me. A few of the men outrank me though, even those who began judo after I did. I don’t begrudge them their ranks, their skills or their authority. I resent the premise that I need extra assistance to maintain control of the match’s I am assigned to referee.

The day goes by fast, match after match is decided. I’m having fun as I almost always do at tournaments. Since I have reached the point where competition is no longer possible for me, refereeing is the nearest I can get to it. Throughout the day, my referee team does exactly what they were told to do, protect me, help me maintain control- even when I don’t need the help. Matches are conducted by a center referee and two others that act in support of the match; who sit on the sidelines with the advantage of a video to replay events and correct calls if misjudged. A throw occurs and my arm is on its way up to signal the score, before I can even complete my action, the support team makes the call for me. Over and over this happens, a few times the scores are different than I started to call, but not often. The room is deafening and my voice isn’t always heard by the intensely focused competitors, this time I had to call “stop” twice to get their attention. As I rotate off the match, I get called over to the head referee’s table for advice “you need to lower the tone of your voice, the competitors ignored you because they didn’t recognize your voice as a referee’s voice.” In other words, I need to sound like a man, not just look like and act like one, in order to referee effectively. When the black belt divisions begin, I am asked if I think I can handle them. I say “of course,” I referee the best match of my day, exciting, fun and with a great powerful winning throw, just as the supporting referee called “stop” and I ignored him, as the players were mid-technique. I am called to the side of the mat for a conference, and there admonished for not following directions, and then contritely congratulated on making the right decision, at the right time. The throw will count for the win; the player will be awarded a gold medal, because I didn’t follow directions well.

At the end of the day, the ritual of working together at a tournament continues. Everyone shakes hands and bows to each other, thanking them for their support and occasionally for their advice. One after another, my referee team comes to shake my hand and tell me that “I did well today.” The 16 year old, who had just refereed his 2nd tournament approaches and pats me on the shoulder and tells me that he hopes I learned something today and assures me that with time, I will get better. He has already being indoctrinated into the male role of the judo official.

As always, I have a several hour drive home and have time to reflect on the events of the day. I review each match that I arbitrated and each match on my mat that left me with questions or concerns, I walk myself through the events of each overturned or missed call and closely review the matches that had injuries or controversy- such as a coach protest. To assist with my review of the day, I have kept a log of matches and refer to it whenever my memory is not clear. Later, I will review past tournaments to see if there are patterns in the injuries or errors. If I am lucky, I will have photos or film to review as well. The goal is to always learn something and improve my performance.

As I think about the tournament, I also remember the many conversations I had with the competitors today. As an official, I am supposed to refrain from these exchanges, after all I might show bias. But they still happen. One of the young girls approaches me and asks what she is supposed to do when she is told to strip on the side of the mat, when I get clarification, I understand that her uniform was too small, which often happens with growing children, and she was told to change. I spent a few minutes telling her how to prepare for this at tournaments after hearing that she had nothing on under her pants. I described what to wear under her uniform that wouldn’t interfere with her techniques, and I tell her to make sure a female official accompanies her to the side of the mat. This is the regulation, although it is hard to do when all the officials are men. As she runs off to tell her coach what I said, I wonder about the way she was told to change her uniform. She was escorted to the side of the mat by a male authority figure, and in full view of anyone who walked by, she was told to “strip”.

Another girl asked me why she has to fight girls and can’t compete against the boys. A young man approached me and asked if I was a black belt, as he didn’t know that all referees were required to be black belts and that women could earn the rank, as he hadn’t seen any on the mat before today. Many other quick conversations or quick interactions occurred throughout the day as I told a competitor “good throw” or “nice technique”, “good luck at Nationals this summer”, or as I often have to say, “Use this loss to learn what you can do better next time.”

As I get close to home, I turn my thoughts to the struggles women have had to endure, just to participate in this “sport”, and how they are still continuing. I am surprised at what I finally discovered today- I’m still indoctrinated and trained to not even notice the condescension of many of the male judo players . The books we have and the stories that are told about judo’s history, barely mention women. There are a few, Ms. Fukuda- the highest ranking women in history, Rusty Kanokogi, one of the first female fighters and more recently we hear about Kayla Harrison, the USA’s first female gold medalist in judo, and Rhonda Rousey, who is making a name for herself in MMA and movies. Pick up just about any book on judo and you will find only a paragraph or two on the history of women judo players. Heilbrun says in her book Writing a Woman’s Life “The ultimate anonymity—to be storyless. Anonymity, we have long believed, is the proper condition of woman.”[i] The women of judo have been almost storyless. The story of most of the many judo woman has not been told at all. “Power is the ability to take one’s place in whatever discourse is essential to action and the right to have one’s part matter.” [ii]My part matters. So do the stories of all the women who live in the world of Judo. For it is much more than a sport we play, it is who we are, our identity, our extended family. As with most families, there is conflict, bad times, and wonderfully good times. Our stories occur in a time of revolution, of changing feminine roles and we have a place in the history of judo.

[i] (Heilbrun 1989)

[ii] (Heilbrun 1989)

 

 

 

 

 

 

 

The Terrible Re-creative Power of Memory

 

odetteTime alone changes our memories. It changes our perceptions of events. The particular objects or moments we pay attention to when an event is occurring, change focus. Long after the experience, memories develop new meanings. New information further distorts our memories and transforms them into new stories that we tell ourselves. Swann, in Proust’s Swann in Love, discovers that memories of his affair with Odette take on new meaning when he reexamines his time with her, after their affair comes to an end.He exclaims to himself as he completes his reflection: “To think that I’ve wasted years of my life, that I’ve longed to die, that I’ve experienced my greatest love, for a women who didn’t appeal to me, who wasn’t even my type!” (543)

What defined Swann’s “type”, his desired woman and how did it differ from Odette’s “type”? Before falling in love with Odette, Swann would look for women who were beautiful and charming, women whose beauty was “common”, with physical qualities described as “healthy, abundant, rosy, human flesh”, women of a “distinctly vulgar type”. He did not desire a women with any depth of character or one who often had a gloomy expression (271) yet, he did look for interesting conversation. He didn’t seek those who were of his own status, but enjoyed the women of the servant class, the cook, an unknown women on a train he took (272). Odette was described as quite opposite of this “type” of woman Swann desired. She had a sharp profile, features tightly drawn, and prominent cheekbones, in a face that made her appear unwell or in an “ill humor” most of the time. She is initially described as “an ignorant woman with a taste for beautiful things”. She was a woman who left Swann at the best indifferent if not physically repulsed (276).

Through his obsession with Odette, Swann slowly forgets his initial feeling of repulsion and indifference to her and began to construct, outside of reality, a woman he could love, who became the only “type” of woman he could desire (280-281).

The narrator of the story describes why Swann might adjust his memory and desires when he explains that “the feeling that he possesses a woman’s heart may be enough to make him fall in love with her…without any foundation in desire(277). The narrator begins the adjustment to Swann’s memories of Odette when he describes falling in love: “We come to its aid, we falsify it by memory and by suggestion. Recognizing one of its symptoms, we remember and re-create the rest(277).

An important influence in Swann’s changing perception of Odette is when he associates the sonata or “little phrase” with his intensifying love for her. Swann describes the sonata as a “source of keen pleasure… slender but robust, compact and commanding…entirely original and irreducible to any other kind(295). He was enraptured, his soul expanded, it opened to him “ a world of inexpressible delights, of whose existence, before hearing it, he had never dreamed, into existence… and he had been filled with love for it, as with a new and strange desire(296). As the association between this “little phrase” with Odette develops in Swanns mind, his feelings for her follow the same trajectory. She becomes enrapturing and a source of exquisite pleasure as he dreams her into existence. And just as Swann become obsessed with this piece of music, he becomes obsessed with his Odette.

Swann still struggled with his physical perceptions of Odette, which distressed him and “proved that the ideal is unattainable(314). This changes for a time with another significant moment in the revision of Swann’s perception that occurs when he discovers her resemblance to Zipporah in Botticelli’s painting (314). “He no longer based his estimate of the merit of Odette’s face on the doubtful quality of her cheeks and the purely fleshy softness… but regarded it rather as a skein of beautiful, delicate lines which his eyes unraveled, following their curves and convolutions…The similarity enhanced her beauty also, and made her more precious(316). Swann associates Odette with a fine work of art, with a fine piece of music and his construction of her as a desirable “type” of woman is complete (317) and his memories of her adjust to this new reality.

Swann’s love deepens, developing into obsessive jealously as he tries to maintain the constructed Odette. She is objectified, and he attempts to own her, an understandable response to something he had produced. Odette’s actions are either suspect or ignored when they do not quite fit in Swann’s construct.

When the true nature of Odette’s personality and life style became undeniable, Swann began to reflect on his memories of their time together, re-living his old anguish and jealousies, comparing them against the new knowledge he had gained, identifying himself as ignorant, and trustful.

“For all that he now knew- for all that, as time went on, he might even have partly forgotten and forgiven- whenever he repeated her words his old anguish refashioned him as he had been before Odette had spoken: ignorant, trustful; his merciless jealousy placed him once again, so that he might be pierced by Odette’s admission, in the position of a man who does not yet know;(523)

This process of reflection goes on for months and with each memory absorbed and adjusted, another one appears, bringing with it a new observation, a new torment, where he must alter his memory of Odette and his time with her. Swann finally understands that it is not just one point of time that torments him, but the whole affair:

“After several months this old story would still shatter him like a sudden revelation. He marveled at the terrible re-creative power of his memory. It was only by the weakening of that generative force, whose fecundity diminishes with age that he could hope for a realization of his torments. But, as soon as the power of any one of Odette’s remarks to make Swann suffer seemed to be nearly exhausted, lo and behold another one of those to which he had hitherto paid little attention, almost a new observation, came to reinforce the others and to strike at him with undiminished force… And on whatever point in it his memory sought to linger, it was the whole of that season, during which the Verdurins had so often gone to dine on the Island in the Bois that racked him”. (523)

As Swann reviews his memories of Odette he becomes aware that he did know many things about her; details that he didn’t want to know, and so he had overlooked the comments she made that revealed her true nature and the activities of her life. Swann had purposely deluded himself that Odette let an innocent life, predominantly devoid of immoralities.

“But often enough the things that he did know, that he dreaded, now, to learn, were revealed to him by Odette herself, spontaneously and unwittingly; for the gap which her vices made between her actual life and the comparatively innocent life which Swann had believed, and often still believed his mistress to lead, was far wider then she knew.”(524)

             Swann’s concept of Odette as a beautiful, innocent, sweet yet unintelligent woman was necessary if he was to justify the obsession for her that he developed during their relationship. If he had fully acknowledged that Odette had a life other than the one he assembled, he would have had to acknowledge that she was not his “type” and that he being used for his money and ability to finance her lifestyle, and he would lose the love of the perfect woman he had created.

Thus, through Swann’s reflection of his time with Odette, memory assumes a terrible power to re-create his relationship with her into something other than what Swann believed it to be, he regrets the moments spent in seeing only his version of Odette and recognizes the terrible re-creative power of memory.

“How paradoxical it is to seek in the reality for the pictures that are stored in one’s memory, which must inevitably, lose the charm that comes to them from memory itself and from their not being apprehended by the senses. The reality that I had known no longer existed…They were only a thin slice, held between the contiguous impressions that composed our life at that time; the memory of a particular image is but regret for a particular moment.” (606)

 

Does Reality Take Place in Memory Alone?

“Whether it is because the faith which creates has ceased to exist in me, or because reality takes shape in the memory alone…”

This passage had me thinking about both reality and memory and their relationship. If reality is in the memory alone, which type of memory? Voluntary memory, memory that we construct in our minds, intentional memory, that pays attention to the events that we want to pay attention to. Or is reality shaped in within the powers of involuntary memory? How is reality constructed?

As I am reading In Search of Lost Time, I notice that memory and how it is the source of the narrator’s reality, experiences, and existence. The first part of Swann’s Way, where the narrator describes his experience of emerging from sleep without a clear sense of where he is or what time it is, when he required a few minutes to place himself and reclaim his identity, indicates that this conflict between reality and memory may be a theme that threads through this novel, a theme of finding one’s identity, of awakening and determining what is memory, what is reality and the possibility that the recovery of lost realities can be accomplished by remembrance.

 

“The hour when an invalid, who has been obliged to start a journey and to sleep in a strange hotel, awakens, in a moment of illness and sees with glad relief a streak of daylight showing under his bedroom door. Oh joy of joys! it is morning. The servants will be about in a minute; he can ring, and someone will come to look after him. The thoughts of being made comfortable gives him the strength to endure pain. He is certain he heard footsteps: they come nearer, and then die away. The ray of light beneath his door is extinguished. It is midnight; someone has turned out the gas; the last servant has gone to bed, and he must lie all night in agony with no one to bring him any help.”

 

With the reading of this passage it is apparent that the for the narrator, the present is uncomfortable and painful and that he suffers with no one that will come to his aid and so he looks through his memories of his past trying to relive what will never again occur.

 

By the end of Swann’s Way, the narrator acknowledges his total discontent with the present; especially when compared to his memories of the past.

Several passages describe this disillusionment:

“… The flowers that people show me nowadays for the first time never seem to me to be true flowers.”

 

“I sought to find them again as I remembered them…they had long fled, and still I stood vainly questioning their paths.”

 

His disappointment is significant. The narrator confesses, “How paradoxical it is to seek in reality for the pictures that are stored in one’s memory… The reality that I had known no longer existed.”

In these quotes he seems to indicate that the past memory holds a greater reality then the present. Yet it there are differences. In the first quote he is disappointed in the present and feels that the present is not the true reality, in the latter quote it seems that he is searching for the past reality and it still has possibility of return and finally he comes to the conclusion that that the past reality no longer exists.

The narrator has manipulated his memories to include or omit certain aspects. Stored in that memory isn’t the actual events, but how those events made sense to him and fit into his previous experiences.

Our memories are filled with gaps and distortions, because by its very nature memory is selective. When we try to remember an event or time, we often recall a deception. Are our memories therefore fiction? Or do we have the power to create our own reality?

 

Through the door

Through the Door

 

I was scared, beyond scared, terrified. I could hardly speak and was shaking so much I could barely even walk. My two young sons were with my grandmother and I was trying to do something, to be brave enough to go back to judo.

For those of you that don’t know, judo is a full contact sport, somewhat like wrestling or the now popular Brazilian Jujitsu. Women in classes are scarce, especially during this time. Joining a judo class would require me to go on the mat, do exercises to strengthen my body and to get close- very close physically to men.

I was a black belt, that meant I was expected to manage myself and behave in certain ways, and being scared to even walk into the room, wasn’t one of those ways. It had been going on for a long time. That last weekend, just 8 days before I stood in front of this door, trying to make myself go in, ended it. He came home, I wasn’t expecting him, so dinner wasn’t ready. He was angry and wanted me to himself. Shoved up the stairs, stripped and locked in the bedroom, I waited. Then he burst through the door and it began. I didn’t know what he had done to my boys and so I did my best to appease him. He would leave the room every once in a while, locking me in. I endured and he finally settled down. It took 3 days. And then he left.

Crawling down the stairs in a t-shirt and panties, I peaked around the corner and saw that my boys were ok. I didn’t want them to see me this way, so I snuck out the front door. The Sheriff’s office was only 1 ½ blocks away. This was a very small town. Outside of a few odd looks, no one said anything to me as I walked down the street barefoot through the winter snow. I entered the Sheriff’s office and asked for help.

We left the next day, I didn’t tell anyone. I told the boys we were going on a vacation and to grab all their favorite things and some clothes. I went to the bank and took out what money I had- my rent money- and hoped it would be enough. We disappeared.

And here I was, trying to find something of what I used to be. A real person, and a judo black belt. I had grown up in the sport, it was where I was strong, and it was a way of life and the culture I had grown up in. I had been away. Away from any resemblance of my life, of any employment, of anything that was me. Somehow, I needed to get through that door and join the class. I needed the strength. Judo had been a place where I belonged. I knew that if I could only get there, I would begin to learn who I was again.

The doors were glass and I could see the families on the other side, having fun. I held my breath and looked at the ground. I didn’t know how I was going to do this. I didn’t have any money to pay for a uniform, much less the national registration I needed if I was to practice. I didn’t have any of my records to prove that I had done this before, and had a black belt. I had nothing to give, I was homeless, living on my grandmother’s good will. I still had to try. My boys deserved a mother that could take care of them. They deserved a mother with strength and confidence.

Taking another breath and holding it, with tears running down my face, I stepped through that door.    I made it in.

Stormy Weather

Proust: “But my grandmother, in all weathers, even when the rain was coming down in torrents and Francoise had rushed the precious wicker armchairs indoors so that they should not get soaked, was to be seen pacing the deserted rain-lashed garden, pushing back her disordered grey locks so that her forehead might be freer to absorb the health-giving draughts of wind and rain. She would say “ At last one can breathe!” and would trot up and down the sodden paths   too straight and symmetrical for her liking, owing to the want of any feeling for nature in the new gardener, whom my father had been asking all morning if the weather were going to improve her keen, jerky little step regulated by the various effects wrought upon her soul by the intoxication of the storm, the power of hygiene, the stupidity of my upbringing and the symmetry of gardens, rather than by any anxiety to save her plum colored skirt from the mudstains beneath which it would gradually disappear to a height that was the constant bane and despair of her maid.” (12-13)   This small description of Marcel’s grandmother resonated with me as I often feel this way during storms. Living for a time in North Dakota I loved the ever changing weather and my garden. It’s raining lightly and I am in my garden. The weather has been so humid and hot, this light rain is a relief as it takes the water out of the air and into the ground. Sitting quietly, weeding, I feel as if I can finally breathe again. I have large garden that takes a lot of work, but it is good work. Some days, I have my boys help with the chores, most days I do this alone, while they do their schoolwork. This garden, a hobby for many these days, is necessary for our families survival. It is what sustains us, along with the many chickens, rabbits and the occasional beef cow I raise. The grocery store is way too far away to walk, and I do not have a car. I move down the row to weed another section, and just for a moment take off my hat and lift my face to the rain. It feels so refreshing and peaceful. As I open my eyes, I see that the sky is darker on the horizon. I better get moving, and yet the peacefulness of the moment calls me back. Breathing deeply, I start to pull weeds again, enjoying the quiet natural sounds. A quick flash, then a loud boom. And another flash and boom. That darkness of a thunder storm approaching. The excitement in the air is building and I sit back and watch the darkness descend. The soaking rain and bit of wind still refresh me as they move over me and my garden. Lightening streaks across the sky, followed a few seconds later with its accompanying thunder. The smell of wet earth and ozone permeate the air. I sit in my garden, wet to the skin, relaxed and entranced with natures show. Then it intensifies. All of a sudden, I see the hail approaching. This is not as welcome as the rain. Hail begins to damage the plants, knocking them to the ground. It hurts when it reaches me and I run for the house, wishing I could protect the garden and fearing that the damage will be too much to salvage. The hail passes quickly, and the storm moves on. I am thankful that it didn’t last long. Some damage in the garden, and I return to weeding, and now standing plants upright, removing damaged areas, restoring the garden, breathing the clean air, and almost wishing the storm had lasted longer.

Writing May Have Consequences

Writing, something we all do, one way or another. It may be as simple as a shopping or to do list, or a text to a friend, it may be a journal to share or a diary of private thoughts to keep to ourselves, an academic paper, research, book report and the list goes on. We may write for ourselves, to help us understand what is in our minds, or maybe to remember what happened- our side of the story. We may write for others, an article to educate, a letter to inform or to connect. Whatever we write, no matter how simple or how complex; writing something down has consequences. For women who are abused or closely monitored the consequences can be hard to understand. Even for those who are not in this situation, the basic oppression of women within a field of study or in an organization can make writing an act of courage.

In this program at Evergreen College, In Search of Lost Time, we will be studying memories, reading Proust and other novels, and writing. This will be difficult for me, especially writing about personal memories. I do have a memory project in mind for this class, just a portion of my history, but some of the other tales are already coming to the surface. I know the assigned journal is to be a mix of academic studies and personal stories, and that some of them will be made public.

Many people keep a journal, or diary. Sometimes like this one, journals are assigned as a learning tool in the academic setting. They can be a place to try on ideas, to dream about the future, to acknowledge our thoughts about assigned or even unassigned readings. They can also be dangerous. Even if we never intend to let another person read our thoughts, there is no absolute guarantee of privacy, once they are written down.

I kept a diary throughout my teen years and into early adulthood. I wrote in in whenever life threatened to overwhelm me, a problem even as a young girl. It contained dreams of college, of independence, of an Olympic medal. It also contained my reactions to being punished for my behavior and my refusal to do some of the things expected of me as a female in my family, my rebellion. For years, no one even knew I wrote things down. Then one day they found out- It became the family’s dinnertime reading story. They laughed at the dreams I had of a future, made fun of the possibility of college and planned for my punishment for thinking I might have different plans then they did.

Surprisingly, my compulsion to write was not squashed, but I did learn to never, never let anyone see what I really wrote, or thought. I’ve done academic writing of one sort or another throughout my schooling, writing without giving too much of myself away. Now, I am at a point in my life that I am compelled to tell part of my story, and let it be heard.

I’ve already been warned that if I do, if I tell anything about my family life growing up, there will be consequences.

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