In Search of Lost Time

The Evergreen State College

Author: halkek20 (Page 1 of 2)

Journal Entry 8: Individuation? Unindividuation?

“…the great collections of individuals called nations themselves behave to some extent like individuals…” pg. 121 Time Regained

Frequently, Stephen Kern will emphasize that major European powers at the time universally held the belief that a nation was analogous to an individual organism. This philosophy is used as a foundation for Imperialist, Colonialist, and otherwise Expansionist ideologies. On page 225 of Time and Space, “Ratzel applied the organic analogy to the state, which he interpreted as a “rooted organism” that must grow or die… Smaller states develop prematurely and do not reach cultural levels attained in larger states… stands under the law of progress from small to big spaces.” Hindsight being what it is, it seems obvious that European powers, who as Kern states on 236, “the command of space was desirable: it was embedded in their historical consciousness,” given a position of technological supremacy and moral absolution from misinterpretations of evolutionary biology, would embark on their murderous quests for land and resources in the 19th and 20th centuries. I’m having trouble accepting the idea that collections of individuals behave more or less like individuals, though. This isn’t a belief isolated to European powers at the turn of the century either. I see it all around me, even today. Countries, cities, communities are personified and spoken of as if they were persons. “France is too cowardly to invade Syria” or “Evergreen can’t get its shit together”. Of course, these simplifications of multitudinous institutions into individuals are a necessity of common speech. If we all went around talking like, “The French National Assembly, operating on information given by the Ministry of Foreign Affairs and pressure from its allies and French citizens, the majority of which, recent polls indicate, are against further involvement in the Middle East, is unlikely to pass a–” we would all have P.H.Ds and nothing would ever get done. But, the fact that we all refer to collections of individuals as individuals doesn’t make them any more of an individual, it just makes all of us lazy and delusional.

Journal Entry 7: Time Regained

On page 264, Proust defines the elusive, joyous moment brought on by involuntary memories as: “a fragment of time in the pure state.” Further on, “But let a noise or a scent, once heard or smelt, be heard or smelt again in the present and at the same time in the past, real without being actual, ideal without being abstract, and immediately the permanent and habitually concealed essence of things is liberated and our true self, which seemed to be dead… is awakened and reanimated… A minute freed from the order of time has re-created in us, to feel it, the man freed from the order of time.” These joyous moments are representative of a successful synthesis between past and present within our minds, ending the painful disparity between the true nature of Things (which is extra-temporal*) and our usual perception of them (which is rooted in a conception of time that is linear and distinct). The experience of Time is described as both liberating and creative, simultaneously birthing and emancipating our true, joyous self. Our true self is joyous because it does not fear death, as death is a result of time and our true self exists outside of time. Perplexingly, the very next passage is a meditation on the necessity of death (or at least the existence of a past (which then necessitates death)) to true enjoyment of life. Proust describes the present and future as distinct and opposed, “Always, when these resurrections took place, the distant scene engendered around the common sensation had for a moment grappled, like a wrestler, with the present scene. Always the present scene had come off victorious, and always the vanquished one had appeared to me the more beautiful of the two.” He goes onto explain that it is impossible to experience both the past and present simultaneously for more than an instant, I suppose it is just a limitation of our biology. For Proust though, it is still “the only genuine and fruitful pleasure,” measured against the bittersweet and ultimately trivial pleasures of society, friendship, and love, and he redoubles his efforts to try and understand it. On pg 271 now, “I knew that Lost Time was not to be found again [in the physical places of my past]… Impressions such as those to which I wished to give permanence could not but vanish at the touch of a direct enjoyment which had been powerless to engender them. The only way to savour them more fully was to try and to get to know them more completely in the medium in which they existed, that is to say within myself…”

God knows if Proust was ever successful at it or not because I lost track of what he was trying to say around this point. The thing about these Proustian ideals of time and death is that it creates a consumptive model for humanity. His entire theory is couched in terms of feeding upon, tasting, savoring, this experience of Time, as if it were some decadent dessert. The reason he wants to understand the phenomenon of time is because he wants to enjoy it more thoroughly, more consistently. When I look a the whole arc of Proust’s argument, I (the humble, pig-headed, undergrad) can clearly see that he is equating truth and pleasure. His perception ‘outside of time’ is exalted and true and the common perception of time as linear is false, but the only real difference he describes between the two is that one causes him joy and one causes him pain. “The unreality of others is indicated clearly enough–is it not?–either by their inability to satisfy us…  or else by the sadness which follows their satisfaction.” What the hell kind of garbage, cop-out, reasoning is that? If it doesn’t make me happy, it’s not real? A young man’s acne may cause him endless torment but that doesn’t make pimples an unreality. Jesus Christ.

 

*Pg.262, “The truth surely was that the being within me which had enjoyed these impressions because they had in them something that was common to a day long past and to the present, because in some way they were extra-temporal, and this being made its appearance only when… it was likely to find itself in the one and only medium in which it could exist and enjoy the essence of things, that is to say: outside time.

Kekoa Hallett 3rd Draft

Kekoa Hallett

Run-down, old Humvees lay quietly behind barbwired chain-link fences lining the north side of a street, stretching past hundreds of quadcons all rusting and fading. A left on J road, over a few potholes, and the drill hall is nestled inconspicuously behind a parking lot. Its double doors open up into a hallway flanked by an administrative office. Cheerless, spotless, the walls are covered in trophies awarded to the unit, framed Marine Corps doctrines, plaques commemorating Marines who have received a Medal of Honor, random baubles from past wars, and dozens of loose-leaf instructions for navigating military bureaucracy. The hallway ends with another pair of doors after which the building suddenly opens up. 45 feet above, a sheet metal roof catches and scatters the lowest notes of the voices below, recasting myriad conversations into one mutter. A pair of great gray ventilation ducts, as thick as redwoods, slither up the closest wall and through the stratosphere of the room. Fluorescents mingle with the mottled, gray, morning light filtering through the windowed pediment, silhouetting the ceiling’s latticed framework, bleaching the faces below. A terminal bridge runs along the entire perimeter of the cinderblock walls just above the heads of young men, wearing their desert utility uniforms, standing with arms crossed or sitting on a set of warped bleachers. They chat tiredly and nonchalantly about their disgruntlements, the injustices they endure daily, the forthcoming rewards entitled to them, Lance Coporal Flanneryrick will invariably creep up behind a circle of minglers and, nodding his head dumbly, dropping his voice an octave, and wiggling his eyebrows lewdly, declare how shit-faced he was last night.

I attach myself to my fellow cooks and we begin chatting like back-of-the-bus yokels: “Only 48 more hours till quittin’ time, gents!”

“Perkins is fucking late again.”

“That pigeon-headed bitch is such fucking garbage, he’ll probably make us fucking inventory again for no fucking reason.”

“Yeah, while he sits on his ass and plays on his laptop all fucking day.”

The group groans simultaneously. Lance Corporal Moore has just entered the drill hall.

“Holy shit, look at his fucking haircut, he has like no fade.”

“At least he’s on time for once.”

“I want to punch his fucking face so bad. What the fuck does he fucking have with him? Is that a fucking waffle maker?”

Indeed, it is a waffle maker; Moore walks into the drill hall with an overstuffed daypack on his back and a waffle maker in his hands. A small and wiry figure, he stands at the edge of the bleachers scanning the room briefly before sitting down on a rolled up wrestling mat, alone. His haircut is very ugly; luckily, his oversized Ray-ban eyeglasses are quite eccentric and command a great deal of attention. He pulls out his gameboy and begins to play, but before long a random Staff Sergeant threatens to break it if he doesn’t put it away. Moore walks up to me and begins babbling about the new video game he’s been playing, how excited he is to make waffles this morning, and the wealth of his girlfriend’s family. He shows me his new knife, which is so absurdly large and menacing that it looks like a prop. As he talks, the Marines in our platoon continue to criticize him, but he does not seem to hear. Mercifully, somebody shouts something indistinct and we all shuffle outside to form up. In between the Motor pool and a large garage, we fall into our platoons. After a half hour of monotonous ceremony, we are released to our sections.

The food service section consists of three rooms: a small office with an extremely disproportionately high ceiling: a ‘kitchen’ with no kitchen appliances except for a large two-tub sink, a few shelves, and a broken outdoor grill that functions as another shelf: and a back room used for storage and to reduce the risk of being caught napping. The junior Marines file into the kitchen and begin complaining about the NCOs, the training schedule, and the ephemeral temporality of final formation. This dingy room is where most of us will spend the lion’s share of our time at drill. Sitting on a crate, Yang pares his fingernails with a knife, “You know, I’ve been in this room for three years,” he giggles, “familiarity breeds contempt.” Sergeant Perkins enters from the office and the room tenses up. He tells us to start breaking out chow and adds that after we serve, we’ll be inventorying the EFK. He speaks without self-assurance and his sentences are punctuated grotesquely by dipspit. When he finishes talking, nobody moves or makes any affirmative noises. Eyes glossing over, he leaves in a series of awkward gestures and Lukyanenko swears at the door behind him.

The next scene has always struck me as being conspicuously demoralizing and dehumanizing in its immutability: Sergeant Perkins, as always, having given his orders to nobody in particular, left without assigning the responsibility of supervision to any of the other NCOs. This void of authority creates an arena in which one’s apathy, fear of reprisal, and confidence in one’s ability to malinger successfully must be pitted against each other in order to determine the next course of action. For my fellow Marines, this usually means a good 60 seconds of comatose deliberation (FIX) during which I grab Moore by the back of his collar and covertly drag him into the back/nap-room to begin our interview.

Moore appears to be content sitting down. I take a moment to stare at him, to try and ferret out some essential quality about his face, some obscure facet of his personality that might help illustrate the whole. His eyes are half-blackened by the shadow of his brow, he raises a fist to his mouth and rolls his fingers around, he licks the inside of his cheek, yawns and smacks, the gestures of domesticated herbivores. I mutter loud enough so that he can hear, “simple bovine eyes,” and stare at trying to gauge his response. Not perceiving any, I start the interview.

“When did you know when you wanted to be part of the military?”

“Probably like nine or ten…”

“Can you trace it to an experience? When was the first realization that you wanted to wear the uniform?”

“Yeah, I don’t know, probably just movies or something… I don’t know I just wanted to wear the uniform and it’s like the stuff in the movies it’s cool, but it’s unrealistic, well back then it was now it’s…”

“…”

“…”

“Okay, so how about you give me a time line of your life leading up joining the Marines?”

“Born in Bremerton, moved to Bellevue, I’m an Aquarius, joined Marines, originally was going to join Army, went to military school, and then high priority for high school students so I was the secondary.”

“And that’s why you joined the reserves because you just wanted to get the hell out of there?”

“Yup.”

“Why did you want to leave so bad? Was it just money?”

“Yeah I only had like twenty dollars and I was living with my ex-fiance.”

“Oh, the one you’re living with now?”

“No, no—”

“So, there’s another lady, before, the uh, Asian broad?”

“Yeah, I don’t know, I got a thing for Asians, yeah but my ex-fiancé or my almost, yeah she’s Vietnamese.”

“You tried to join the Army and ended up in the Marines. How’d that happen?”

“Well, I got rejected by the Army because I had some court stuff, they wouldn’t even work with me or let me work out with them. So, when I left the Army recruiting station a Marine Recruiter was right there and he asked me a question led me to talking about Marines—”

“Do you remember the question?”

“No, I don’t know, but he got my attention and he did the whole salesperson thing and I just sort of fell for it.”

“You just fell for it?”

“Uh, at first yeah, but then with the Marines I realized, that they work harder and stuff and I could even tell with the poolees and stuff, they stand out. Like, I worked out with the Navy and their workouts were just playing volleyball indoors. The only reason I even considered the Navy was cause the recruiter was pretty hot. I would have joined for her.”

“Sure, a girl worth fighting for.”

“Asian too.”

And so it goes, our unproductive tête-à-tête, searching for insight somewhere within his memory. I’m unable to get him to describe a moment in his life where he self-actualized or even just stopped things from happening to him automatically. We touch on his childhood and he stands fast, concerned only with banal details: places he’s lived and which version of Pokémon he was playing while lived there. We speak about boot camp and he talks at length about the ferocity of his drill instructors. While we are commiserating about our time spent there, the door slams open and two of the Marines in our platoon, Lau and Vanderkooy, walk in.

“Oh shit! It is super official in here right now! Alright, I’ll be asking the fucking questions around here, boy… you got any questions you wanna ask him?”

“What makes you cry?”

“Movies where the dog dies… I like dogs.”

“Who cut your hair?

“Yeah, I did, and my girlfriend helped out at the end. It’s a bad haircut, I’m gonna borrow money to get it fixed.”

“What are you most proud of, Moore?”

“I got a job at secure-task in the Microsoft division, get overtime, get paid to basically sit on my ass.”

“Where do you live, Moore?

“Bellevue, Victoria”

“Who do you live with?”

“Girlfriend.”

“I thought you guys broke up.”

“We’re on the—we’re basically almost there.”

“Why, Moore?”

“We’re different, she’s upper-class, I’m not and personality is just so different.”

“Is she Asian? And you’re just white?”

“I like Asians.”

“Why?”

“He watches anime that’s why”

“You like the, the animated porn?”

“No, creeps me out.”

“Good.”

Moore describes a violent hentai that he and his friend watched when he was 15 that turned him off to the genre. Vanderkooy and Lau continue to press and he speaks a little bit about his childhood. His mother raised him and four siblings on $900 a month. Corporal Roze walks in.

“The PFCs don’t know how to make the fucking cornbread and brownies so get in there and help them or at least get out of here and go look busy. Staff Sergeant will be walking through.”

The motions of drill don’t change much from month to month. We, the junior Marines, grudgingly obey the inane commands of our NCOs. The greater purposes of our duties are almost completely unknown; bits of hearsay are weaved together with furtive glances at officer’s clipboards and pig-headed pessimism to form blurry figurations of the day’s schedule. The overwhelming sentiment in the cook’s platoon is one of impotent insubordination. Every order is carried out with disinterest, thinly veiled exasperation, or outright disgust. Of course, these discontents are quickly abated by our collective élan or by an invigorating and frequently cynical sense of humor. Through some process hitherto undescribed by science, rote tedium and insultingly valueless tasks are transformed into the foundations of impregnable friendships. I turn to my fellow Marine, currently engaged in removing pubic hairs inexplicably attached to the bottom of a toilet seat, and, my face assuming a gross caricature of military doggishness, snap to the position of attention. I sound off:

“Report your post!”

Diaz snaps up and responds in kind:

“Good afternoon sir, Lance Corporal Diaz reports the junior enlisted head all clear! The count on deck is four shitters, four pissers, and two garbage Marines! There is nothing unusual to report at this time, sir!”

“Very well, carry on!”

I give him a swift salute with my hand just below my waistline and about-face. Before I leave, somebody in the stall grouches:

“Will you fags shut the fuck up? I’m trying to shit.”

“As I was,” Diaz responds, “The count on deck is four shitters, four pissers, and three garbage Marines.”

“Fucking retards.”

Sometimes, however, it is not enough to bray and holler and dig one’s knuckles into your buddy’s ribs, as the day wears on, and as tempers become unmanageable, Moore receives a greater amount of abuse. His actions and inactions alike are criticized harshly by all present. Whenever he leaves (and sometimes when he enters) the group mocks and mocks and mocks him until we work ourselves into a mania. At that point, one of us makes some violent gesture that draws the attention of an unsympathetic NCO who orders us to clean the head or take out the trash. I end up pushing a pallet full of moldy fruit to the dumpster with Moore. As we walk across the lot, Sergeant Saga walks by us, points at Moore with all fingers extended, and says,

“Why are you so goddamned fucked Moore?”

“Aye, Sergeant!”

“Don’t ever fucking look at me, you child rapist.”

Having concluded his mentorship, Sergeant Saga walks on, leaving Moore to contemplate his role as a whipping boy.

“It’s probably my glasses,” Moore says, turning towards me, “But, I found them for free and they’re exactly my prescription.”

MOORE MOTARD STORY

Moore lives with his “it’s complicated” significant other, Nicole, in Factoria. Their apartment, paid for by her father, is unassuming and clean. The large planes of unadorned white walls command most of the interior, and only one corner shows evidence of pleasant human congress and the glow of habitation. An oversized flat screen television is suspended above a cubby shelf filled with the colorful titles of an immense collection of video games and consoles. As Moore and I settle around his dining room table, Nicole flips through a magazine on the couch.

“Okay, let’s talk about how people in our platoon treat you. Why do you think you get so much shit?”

“Because I’m immature and I made like a bad first impression.”

“Yeah, yeah, what do you think that impression was?”

“I’m bad with direction, pretty dumb, and that I’m lazy.”

“Do you think these are true?

“Half and half… I make dumb decisions, I’m bad with directions.”

“Do you mean directions like cardinal directions, like north south?”

“That too, you can ask me to go grab something from the refrigerator and I can’t find it.”

“That’s why we break up.” Nicole chimes in

“Yeah, she asked me where’s the closest way to my heart and I said over there, wrong direction, right?”

“Yep.”

Moore chuckles, but I don’t feel any of the tension leave him, Nicole, or myself. Throughout the day, Moore and Nicole will denounce each other like this, tackily and directly, as if they not only endorse this pettiness, but, having already settled comfortably in the atmosphere of mutually assured destruction, are now flourishing in it. Nicole will emasculate him by flirting with me or discussing the cartoonishly excessive finances of some dreamboat in her class and Moore will retort by mentioning some salacious detail of their sex life.

“Do you feel a sense of fraternity or camaraderie in our platoon?”

“Oh yeah, with ours, we all fuck with each other, but I think if something’s going on we’ll all help each other out. Sergeant Saga will, as much as he hates me, he’ll help me out.”

“So, you know all these things people say about you, when Lucky and Lau are talking all this shit about you, how do you deal with it?”

“In one ear out the other because they’re opinion about me is not gonna change. I can tell, I could easily be all macho like everyone else and it’s not gonna solve anything. Whatever, just get my shit done, do my MCIs and I’ll just get corporal.”

“Okay, so how do you want people to perceive you? What do you want people to say about you?”

“Damn, I’m sexy. Good looking. [To the cat] Isn’t that right? Fuck, I look good, that’ll be my quote. Cause I do look good. I’m very narcissistic about myself, looks wise. I just know I look good and I’ve noticed that. I’ve noticed myself noticing myself. Now, I’m just babbling on, wasting your time.”

“No, no, please, believe me.”

“But, my way of thinking is different than others though. Cause I don’t really have a big ego. Even with my Mom, I’m the odd one in my family. I’ve always wanted to go to Japan, and it’s really easy for me to learn Japanese, but I quit that class.

CONCLUSTION:SOAPBOX:MOORE LAST WORD?

Kekoa Hallett 2nd Draft

Kekoa Hallett

 

Inoperative Humvees lay quietly behind barbwired chain-link fences lining the north side of a street, stretching past hundreds of quadcons all rusting and fading. A left on J road, over a few potholes, and the drill hall is nestled inconspicuously behind a parking lot. Its double doors open up into a hallway flanked by an administrative office. Cheerless, spotless, the walls are covered in trophies awarded to the unit, framed Marine Corps doctrines, plaques commemorating Marines who have received a Medal of Honor, random baubles from past wars, and dozens of loose-leaf instructions for navigating military bureaucracy. The hallway ends with another pair of doors after which the building suddenly opens up. 45 feet above, a sheet metal roof catches and scatters the lowest notes of the voices below, recasting myriad conversations into one mutter. A pair of great gray ventilation ducts, as thick as redwoods, slither up the closest wall and through the stratosphere of the room. Fluorescents mingle with the mottled, gray, morning light filtering through the windowed pediment, silhouetting the ceiling’s latticed framework, bleaching the faces below. A terminal bridge runs along the entire perimeter of the cinderblock walls just above the heads of young men, wearing their desert utility uniforms, standing with arms crossed or sitting on a set of warped bleachers. They chat tiredly and nonchalantly about their disgruntlements, the injustices they endure daily, the forthcoming rewards entitled to them, Lance Coporal Flanneryrick will invariably creep up behind a circle of minglers and, nodding his head dumbly, dropping his voice an octave, and wiggling his eyebrows lewdly, declare how shit-faced he was last night.

I attach myself to my fellow cooks and we begin talking like back-of-the-bus yokels: “Only 48 more hours till quittin’ time, gents!”

“Perkins is fucking late again.”

“That pigeon-headed bitch is such fucking garbage, he’ll probably make us fucking inventory again for no fucking reason.”

“Yeah, while he sits on his ass and plays on his laptop all fucking day.”

The group groans simultaneously. Lance Corporal Moore has just entered the drill hall.

“Holy shit, look at his fucking haircut, he has like no fade.”

“At least he’s on time for once.”

“I want to punch his fucking face so bad. What the fuck does he fucking have with him? Is that a fucking waffle maker?”

Indeed, it is a waffle maker; Moore walks into the drill hall with an overstuffed daypack on his back and a waffle maker in his hands. A small and wiry figure, he stands at the edge of the bleachers scanning the room briefly before sitting down on a rolled up wrestling mat, alone. His haircut is very ugly; luckily, his oversized Ray-ban eyeglasses are quite eccentric and command a great deal of attention. He pulls out his Nintendo DS and begins to play, but before long a random Staff Sergeant threatens to break it if he doesn’t put it away. Moore walks up to me and begins babbling about the new video game he’s been playing, how excited he is to make waffles this morning, and the wealth of his girlfriend’s family. He shows me his new knife, which is so absurdly large and menacing that it looks like a prop. As he talks, the Marines in our platoon continue to criticize him, but he does not seem to hear. Mercifully, somebody shouts something indistinct and we all shuffle outside to form up. In between the Motor pool and a large garage, we form up into our platoons. After a half hour of tedium, we are released to our sections.

The food service section consists of three rooms: a small office with an extremely disproportionately high ceiling: a ‘kitchen’ with no kitchen appliances except for a large two-tub sink, a few shelves, and a broken outdoor grill that functions as another shelf: and a back room used for storage and to reduce the risk of being caught napping. The junior Marines file into the kitchen and begin complaining about the NCOs, the training schedule, and the ephemeral temporality of final formation. This dingy room is where most of us will spend the lion’s share of our time at drill. Sitting on a crate, Yang pares his fingernails with a knife, “You know, I’ve been in this room for three years” he giggles, “familiarity breeds contempt.” Sergeant Perkins enters from the office and the room tenses up. He tells us to start breaking out chow and adds that after we serve, we’ll be inventorying the EFK. He speaks without self-assurance and his sentences are punctuated grotesquely by dipspit. When he finishes talking, nobody moves or makes any affirmative noises. Eyes glossing over, he leaves in a series of awkward gestures and Lukyanenko swears at the door behind him.

The next scene has always struck me as conspicuously demoralizing and dehumanizing in its immutability: Sergeant Perkins, as always, having given his orders to nobody in particular, left without assigning the responsibility of supervision to any of the other NCOs. This void of authority creates an arena in which one’s apathy, fear of reprisal, and confidence in one’s ability to malinger successfully must be pitted against each other in order to determine the next course of action. For my fellow Marines, this usually means a good 60 seconds of comatose deliberation during which I grab Moore by the back of his collar and covertly drag him into the back/nap-room to begin our interview.

Moore appears to be content sitting down. I take a moment to stare at him, to try and ferret out some essential quality about his face, some tiny facet of his personality that might help illustrate the whole. His eyes are half-blackened by the shadow of his brow, he raises a fist to his mouth and rolls his fingers around, he licks the inside of his cheek, yawns and smacks, the gestures of domesticated herbivores. I mutter loud enough so that he can hear, “simple bovine eyes” and stare at him gauging his response. I don’t perceive any response and so we start the interview.

“When did you know when you wanted to be part of the military?”

“Probably like nine or ten…”

“Can you trace it to an experience? When was the first realization that you wanted to wear the uniform?”

“Yeah, I don’t know, probably just movies or something… I don’t know I just wanted to wear the uniform and it’s like the stuff in the movies it’s cool, but it’s unrealistic, well back then it was now it’s…”

“…”

“…”

“Okay, so how about you give me a time line of your life leading up joining the Marines?”

“Born in Bremerton, moved to Bellevue, I’m an Aquarius, joined Marines, originally was going to join Army, went to military school, and then high priority for high school students so I was the secondary.”

“And that’s why you joined the reserves because you just wanted to get the hell out of there?”

“Yup.”

“Why did you want to leave so bad? Was it just money?”

“Yeah I only had like twenty dollars and I was living with my ex-fiancé.”

“Oh, the one you’re living with now?”

“No, no—”

“So, there’s another lady, before, the uh, Asian broad?”

“Yeah, I don’t know, I got a thing for Asians, yeah but my ex-fiancé or my almost, yeah she’s Vietnamese.”

“You tried to join the Army and ended up in the Marines. How’d that happen?”

“Well, I got rejected by the army because I had some court stuff, they wouldn’t even work with me or let me work out with them. So, when I left the Army recruiting station a Marine Recruiter was right there and he asked me a question led me to talking about Marines—”

“Do you remember the question?”

“No, I don’t know, but he got my attention and he did the whole sales person thing and I just sort of fell for it.”

“You just fell for it?”

“Uh, at first yeah, but then with the Marines I realized, that they work harder and stuff and I could even tell with the poolees and stuff, they stand out. Like, I worked out with the Navy and their workouts were just playing volleyball indoors. The only reason I even considered the Navy was cause the recruiter was pretty hot. I would have joined for her.”

“Sure, a girl worth fighting for.”

“Asian too.”

And so it goes, our unproductive tête-à-tête, searching for insight somewhere within his memory. I’m unable to get him to describe a moment in his life where he self-actualized or even just stop things from happening to him automatically. We touch on his childhood and he stands fast, concerned only with banal details: places he’s lived and which version of Pokémon he was playing while lived there. We speak about boot camp and he talks at length about the ferocity of his drill instructors. While we are commiserating about our time spent there, the door slams open and two of the Marines in our platoon, Lau and Vanderkooy, walk in.

“Oh shit! It is super official in here right now! Alright, I’ll be asking the fucking questions around here, boy… you got any questions you wanna ask him?”

“What makes you cry?”

“Movies where the dog dies… I like dogs.”

“Who cut your hair?

“Yeah, I did, and my girlfriend helped out at the end. It’s a bad haircut, I’m gonna borrow money to get it fixed.”

“What are you most proud of, Moore?”

“I got a job at secure-task in the Microsoft division, get overtime, get paid to basically sit on my ass.”

“Where do you live, Moore?

“Bellevue, Victoria”

“Who do you live with?”

“Girlfriend.”

“I thought you guys broke up.”

“We’re on the—we’re basically almost there.”

“Why, Moore?”

“We’re different, she’s upper-class, I’m not and personality is just so different.”

“Is she Asian? And you’re just white?”

“I like Asians.”

“Why?”

“He watches anime that’s why”

“You like the, the animated porn?”

“No, creeps me out.”

“Good.”

Moore describes a violent hentai that he and his friend watched when he was 15 that turned him off to the genre. Vanderkooy and Lau continue to press and he speaks a little bit about his childhood. His mother raised him and four siblings on $900 a month. Corporal Roze walks in.

“The PFCs don’t know how to make the fucking cornbread and brownies so get in there and help them.”

The motions of drill don’t change much from month to month. We, the junior Marines, grudgingly obey the inane commands of our NCOs. The greater purposes of our duties are almost completely unknown; bits of hearsay are weaved together with furtive glances at officer’s clipboards and pig-headed pessimism to form blurry figurations of the day’s schedule. The overwhelming sentiment in the cook’s platoon is one of impotent insubordination. Every order is carried out with disinterest, thinly veiled exasperation, or outright disgust. However, these discontents are quickly abated by our collective élan or by an invigorating and frequently cynical sense of humor. Through some process hitherto undescribed by science, rote tedium and insultingly valueless tasks are transformed into the foundations of impregnable friendships. I turn to my fellow Marine, currently engaged in wiping off pubic hairs inexplicably attached to the bottom of a toilet seat, and, my face assuming a gross caricature of military doggishness, snap to the position of attention. I sound off:

“Report your post!”

Diaz snaps up and responds in kind:

“Good afternoon sir, Lance Corporal Diaz reports the junior enlisted head all clear! The count on deck is four shitters, four pissers, and two garbage Marines! There is nothing unusual to report at this time, sir!”

“Very well, carry on!”

I give him a swift salute with my hand just below my waistline and about-face. Before I leave, somebody in the stall grouches:

“Will you fags shut the fuck up? I’m trying to shit.”

“As I was,” Diaz responds, “The count on deck is four shitters, four pissers, and three garbage Marines.”

“Fucking retards.”

Sometimes it is not enough to be able to bray and holler and dig one’s knuckles into somebody’s ribs, as the day wears on, and as tempers become unmanageable, Moore receives a greater amount of abuse. His actions and inactions alike are criticized harshly by all present. Whenever he leaves (and sometimes when he enters) the group mocks and mocks and mocks him until we work ourselves into a mania. At that point, one of us makes some violent gesture that draws the attention of an unsympathetic NCO who orders us to clean the head or take out the trash. As we take the garbage to the dumpster Sergeant Saga walks by us, points at Moore with all fingers extended, and says,

“Why are you so goddamned fucked Moore?”

“Aye, Sergeant!”

“Don’t ever fucking look at me, you child rapist.”

Having concluded this mentorship, Sergeant Saga walks on, leaving Moore to contemplate his role as a whipping boy.

“It’s probably my glasses,” Moore says, turning towards me, “But, I found them for free and they’re exactly my prescription.”

Something?

Moore lives with his “it’s complicated” significant other, Nicole, in Factoria. Their apartment, paid for by her father, is unassuming and clean. The large planes of unadorned white walls command most of the interior, though one corner shows evidence of pleasant human congress and the glow of habitation. An oversized flat screen television is suspended above a cubby shelf filled with the colorful titles of an immense collection of video games and consoles. As Moore and I settle around his dining room table, Nicole flips through a magazine on the couch.

“Okay, let’s talk about how people in our platoon treat you. Why do you think you get so much shit?”

“Because I’m immature and I made like a bad first impression.”

“Yeah, yeah, what do you think that impression was?”

“I’m bad with direction, pretty dumb, and that I’m lazy.”

“Do you think these are true?

“Half and half… I make dumb decisions, I’m bad with directions.”

“Do you mean directions like cardinal directions, like north south?”

“That too, you can ask me to go grab something from the refrigerator and I can’t find it.”

“That’s why we break up.” Nicole chimes in

“Yeah, she asked me where’s the closest way to my heart and I said over there, wrong direction, right?”

“Yep.”

Moore chuckles, but I don’t feel any of the tension leave him, Nicole, or myself. Throughout the day, Moore and Nicole will denounce each other like this, tackily and directly, as if they not only endorse this pettiness, but, having already settled comfortably in the atmosphere mutually assured destruction, flourish in it. Nicole will emasculate him by flirting with me or discussing the abounding finances of some dreamboat in her class and Moore will retort by mentioning some salacious detail of their sex life.

“Do you feel a sense of fraternity or camaraderie in our platoon?”

“Oh yeah, with ours, we all fuck with each other, but I think if something’s going on we’ll all help each other out. Sergeant Saga will, as much as he hates me, he’ll help me out.”

“So, you know all these things people say about you, when Lucky and Lau are talking all this shit about you, how do you deal with it?”

“In one ear out the other because they’re opinion about me is not gonna change. I can tell, I could easily be all macho like everyone else and it’s not gonna solve anything. Whatever, just get my shit done, do my MCIs and I’ll just get corporal.”

“Okay, so how do you want people to perceive you? What do you want people to say about you?”

“Damn, I’m sexy. Good looking. [To the cat] Isn’t that right? Fuck, I look good, that’ll be my quote. Cause I do look good. I’m very narcissistic about myself, looks wise. I just know I look good and I’ve noticed that. I’ve noticed myself noticing myself. Now, I’m just babbling on, wasting your time.”

“No, no, please, believe me.”

“But, my way of thinking is different than others though. Cause I don’t really have a big ego. Even with my Mom, I’m the odd one in my family. I’ve always wanted to go to Japan, and it’s really easy for me to learn Japanese, but I quit that class.

Wrapping up?

Journal Entry 6: The Case for Reparations: Notes for Monday

The article focuses on describing the series of systemic prejudices that have disenfranchised Black Americans since Antebellum as well presenting an argument that a ‘national reckoning’ (Reparations) is needed for Americans to right our historical wrongdoings and failures to make good on our promises of equality and liberty.

Ross and the Contract Buyers League were no longer appealing to the government simply for equality… They were charging society with a crime against their community. They wanted the crime publicly ruled as such. They wanted the crime’s executors declared to be offensive to society… In 1968, Clyde Ross and the Contract Buyers League were no longer simply seeking the protection of the law. They were seeking reparations.

“A difference of kind, not degree.” Chicago’s impoverished black neighborhoods—characterized by high unemployment and households headed by single parents—are not simply poor; they are “ecologically distinct.” This “is not simply the same thing as low economic status,” writes Sampson.

But if the practicalities, not the justice, of reparations are the true sticking point, there has for some time been the beginnings of a solution. For the past 25 years, Congressman John Conyers Jr., who represents the Detroit area, has marked every session of Congress by introducing a bill calling for a congressional study of slavery and its lingering effects as well as recommendations for “appropriate remedies.” A country curious about how reparations might actually work has an easy solution in Conyers’s bill, now called HR 40, the Commission to Study Reparation Proposals for African Americans Act. We would support this bill, submit the question to study, and then assess the possible solutions. But we are not interested.

Reparations—by which I mean the full acceptance of our collective biography and its consequences—is the price we must pay to see ourselves squarely. The recovering alcoholic may well have to live with his illness for the rest of his life. But at least he is not living a drunken lie. Reparations beckons us to reject the intoxication of hubris and see America as it is—the work of fallible humans.

A crime that implicates the entire American people deserves its hearing in the legislative body that represents them. John Conyers’s HR 40 is the vehicle for that hearing. No one can know what would come out of such a debate. Perhaps no number can fully capture the multi-century plunder of black people in America. Perhaps the number is so large that it can’t be imagined, let alone calculated and dispensed. But I believe that wrestling publicly with these questions matters as much as—if not more than—the specific answers that might be produced. An America that asks what it owes its most vulnerable citizens is improved and humane. An America that looks away is ignoring not just the sins of the past but the sins of the present and the certain sins of the future. More important than any single check cut to any African American, the payment of reparations would represent America’s maturation out of the childhood myth of its innocence into a wisdom worthy of its founders.

The title is provocative though the article is very nuanced: Is this an effective technique to get people to read?

Quantitative Reparations Vs Qualitative Reparations

Comparison with Germany: What role does personal guilt/memory play?

Kekoa Hallett Draft

Kekoa Hallett

Week 5/6 Draft

Inoperative Humvees and trucks lay quietly behind barbwired chain-link fences lining the north side of a street, stretching past hundreds of quadcons all rusting and fading. A left on J road, over a few potholes, and the drill hall is nestled inconspicuously behind a parking lot. Its double doors open up into a hallway flanked by an administrative office. Cheerless, spotless, the walls are covered in trophies awarded to the unit, framed Marine Corps doctrines, plaques commemorating Marines who have received a Medal of Honor, random baubles from past wars, and dozens of loose leaf instructions for navigating military bureaucracy. The hallway ends with another pair of doors after which the building suddenly opens up. 45 feet above, a sheet metal roof catches and scatters the lowest notes of the voices below, recasting myriad conversations into one mutter. A pair of great gray ventilation ducts, as thick as redwoods, slither up the closest wall and through the stratosphere of the room. Fluorescents mingle with the mottled, gray, morning light filtering through the windowed pediment, silhouetting the ceiling’s latticed framework, bleaching the faces below. A terminal bridge runs along the entire perimeter of the cinderblock walls just above the heads of young men, wearing their desert utility uniforms, standing with arms crossed or sitting on a set of warped bleachers. They chat tiredly and nonchalantly about their disgruntlements, the injustices they endure daily, the forthcoming rewards entitled to them, Lance Coporal Flanneryrick will invariably creep up behind a circle of minglers and, nodding his head dumbly, dropping his voice an octave and wiggling his eyebrows lewdly, declare how shit-faced he was last night. I attach myself to my fellow cooks and we begin talking like back-of-the-bus yokels: “Only 48 more hours till quittin’ time, gents!” “Perkins is fucking late again.” “That pigeon-headed bitch is such fucking garbage, he’ll probably make us fucking inventory again for no fucking reason.” “Yeah, while he sits on his ass and plays on his laptop all fucking day.” The group groans simultaneously, Lance Corporal Moore has just entered the drill hall. “Holy shit, look at his fucking haircut, he has like no fade.” “At least he’s on time for once.” “I want to punch his fucking face so bad. What the fuck does he fucking have with him? Is that a fucking waffle maker?”

Indeed, it is a waffle maker; Moore walks into the drill hall with an overstuffed daypack on his back and a waffle maker in his hands. A small and wiry figure, he stands at the edge of the bleachers scanning the room briefly before sitting down on a rolled up wrestling mat, alone. His haircut is very ugly; luckily, his oversized Ray-ban eyeglasses are quite eccentric and command a great deal of attention. He pulls out his Nintendo DS and begins to play, but before long a random Staff Sergeant threatens to break it if he doesn’t put it away. Moore walks up to me and begins babbling about the new video game he’s been playing, how excited he is to make waffles this morning, and the wealth of his girlfriend’s family. He shows me his new knife, which is so absurdly large and menacing that it looks like a prop. As he talks, the Marines in our platoon continue to criticize him, but he does not seem to hear. Mercifully, somebody shouts something indistinct and we all shuffle outside to form up. In between the Motor pool and a large garage, we form up into our platoons. After a half hour of tedium, we are released to our sections.

The food service section consists of three rooms. A small office with an extremely disproportionately high ceiling, a ‘kitchen’ with no kitchen appliances except for a large two-tub sink, a few shelves, and a broken outdoor grill that functions as another shelf, and a back room used for storage and to reduce the risk of being caught napping. The junior Marines file into the kitchen and begin complaining about the NCOs, the training schedule, and the ephemeral temporality of final formation. This dingy room is where most of us will spend the lion’s share of our time at drill. Sitting on a crate, Yang remarks, “You know, I’ve been in this room for three years.” “Familiarity breeds contempt.” Sergeant Perkins enters from the office and the room tenses up. He tells us to start breaking out chow and that after we serve, we’ll be inventorying the EFK. He speaks with out self-assurance and his sentences are punctuated grotesquely by dipspit. When he finishes talking, nobody moves or makes any affirmative noises. Eyes glossing over, he leaves in a series of awkward gestures and Lukyanenko swears at the door behind him.

Journal Entry 5: After Walter Benjamin

The first half of The Storyteller, concerns itself with the decline of storytelling and our ability to communicate experience in relation to the rise of the ‘information age’, an era marked by the prolific and instantaneous dissemination of information and devaluation of traditional creative impetuses. Benjamin laments the diminishing legitimacy of individual (which can be understood as encapsulating many lives by the transitive property of storytelling) experience, though it was an inevitable outcome: “The art of storytelling is reaching its end because the epic side of truth, wisdom, is dying out… It is only a concomitant symptom of the secular productive forces of history, a concomitant that has quite gradually removed narrative from the realm of living speech and at the same time is making it possible to see a new beauty in what is vanishing.” (87) This is true, the authority that experience once had is being dismantled quite rapidly; manifested in my generation’s notorious lack of filial piety, obsession with the cutting-edge, in popular art and culture (it is very popular to play with the fallibility of our experience/perception: The Matrix, Inception, omnipresent magical-realist literature, anything in a modern art museum) and a completely unverifiable personal observation of mine: a yearning in our culture for authenticity, with the implication being that everybody around us a phony, their experiences being assumed invalid (this is an undeveloped thought, just putting it out there). Unfortunately, Benjamin fails to point out a crucial point: This a good thing. The farther away humanity can get from the human experience, the better. Every person’s individual experience is devalued as the collective experience reveals how flawed the individual experience has been all along. These are all the clickbait studies that pop up on one’s facebook feed about how you’re brain is tricking you, 7 statistics that will change the way you see the world, 5 ways everything you’ve ever known was a lie, the white-gold dress controversy, the prevalence of reactionary histories that always endeavor to prove that the way we’ve been recording and interpreting events has been inclusive or otherwise flawed, etc. It’s all around us, it is now known that any and every single person is completely clueless, beholden to an impulsive, subversive brain acting on input from inaccurate sensory organs. “…the perfect narrative is revealed through layers of a variety of retellings.” (93) Hopefully, we can understand that this is totally incorrect. From the very first telling, from the initial creation of a narrative, we have begun burying the truth of the matter and piling on more dirt will not bring us any closer.

Benjamin also points out that stories are remarkable in their capability for perpetual rejuvenation as opposed to information which has only transient use: “The value of information does not survive the moment in which it was new. It lives only at that moment; it has to surrender to it completely and explain itself to it without losing any time. A story is different. it does not expend itself. It preserves and concentrates its strength and is capable of releasing it even after a long time.” (90) A stories’ relevance is elongated by each interpretation, but the text is dated (understandably so) in it’s handling of information. Yes, the nature of information is transient and insubstantial, but that becomes a moot point when it is constantly generated. The images on a computer screen are not projected, they are not being filtered through lenses or slides or film, they are being created instantaneously and unceasingly. The image is not formed by discrete units, it is just our perception of a continuum. Similarly, information in the 21st century is being updated, refreshed, populated, generated and re-generated, ad infinitum. The internet’s perpetual renewal of information is essentially what Benjamin admires about stories, but has the added dimension of not being bound to a single or discrete narrator.

Journal Entry 4: Response to Trevor Speller: Art doesn’t do anything, it just sits there like everything else

The too common conceit among artists and persons who have spent much of their life studying art is that the experience of art is superior or even meaningfully distinct from any other experience. Trevor Speller, a professor at Evergreen and suspected sentimentalist, gave us the declaration that, within the Proustian school of thought, a piece of art has the ability to unlock these involuntary memories that are so crucial to Proust’s sense of beauty and joy. We see this examined in Proust’s handling of Vinteuil’s phrase and probably in other places in the book. Stephen Kern supports this blasphemy on page 58 of The Culture of Time and Space, “The involuntary memory is entirely passive; however, once it has occurred, one can work to make it last by embodying it in art.”

Now, a statement that is far too controversial for how obvious and self-evident it is: Art is not magical. There is no capacity for a book, nothing more than a simple arrangement of pressed wood pulp and ink, to hold even the weakest charge, let alone the powerful swirling cosmic energies that art aficionados purport lay dormant underneath the cover. Paintings are not actually portals into inter-dimensional spaces inhabited by the wood nymphs of sublimity and music is not the whispering of a water ubergoddess. Everything is inert material and art is no exception. Maybe, MAYBE, thought is an exception, but I have great confidence in the ability of neurobiologists to remove that mystery from the table, eventually. The infallible history of scientific understanding eclipsing all other modes of interpreting the universe is neatly side-stepped by art idolizers: Art is the mirror held up to reality, Art is the spark which sets the human soul afire, Art is the crack through which the light enters, Art is the exception because I said it eloquently.

This conceit, this incognizance, pervades every walk of life (barring monasteries and waterfall caves perhaps). Deadheads believe that the Grateful Dead are divine, Surfers believe that surfing is the key to enlightenment, hedge fund managers believe that money will lead to joy, everybody, more or less, glorifies and exalts their preoccupations. This is natural and this is fallacious in every instance (although I must say, I believe the hedge fund managers have gotten closest to the mark in this ugly, deplorable, capitalist world we live in). However, the idolatry of art is particularly annoying because I have to hear about it all the time.

What this conceit really is, the sad truth buried underneath the posturing, the jargon of art theory, and the desperate aping of significance, is nothing more than a hapless incapacity for the shock and tumult of reality. Unable to achieve singularity and self-actualization the too sensitive and considerate young soul becomes enamored by the world of the arts. Oh, how every body glitters and shines on the stage, on the silver screen, what dignity and charming melancholy does even the lowliest rogue have when rendered in oil or pastel, what cohesion of purpose and sincerity of thought do all the characters in the novel have. What order and beauty and how significant it all is, surely, this is the truth. The wretches around me, the raving hobos and scabby dogs outside my window, the topless towers of dishes stinking in my kitchen, the innumerable nights I’ve wasted staring at my computer screen scrolling through trivialities, my own shame and the weight of all my regrets, all those are illusory. Please oh please, let my world be false and the world of art be true.

Journal Entry 3: Open letter to my dear friend

Dear Ryan,

Hello! How are you? I’m glad to finally be writing you. I hope this letter finds you in good health and good spirits. Haha, isn’t hope a funny thing? Though I can know with my entire rational being that you are certainly miserable and, by all legal definitions of the word, deceased, I still have these strange, vibrant visions of you laughing and lifting heavy objects above your head, surrounded by a inexplicably racially-diverse group of smiling 19-26 year olds. Oh wait, I confused the memory of you with the Coca-cola commercial I was just watching. Anways since we’re already on the subject of you and how you’ve been, my mouth sure is dry and I could really use a refreshing pick-me-up. Ugh, but instead of enjoying a delicious coke, I’m writing this stupid fucking letter to somebody who could very well be dead for all I know. I mean seriously, what am I doing with my life? I know for a god damn fact that  sweet, effervescent happiness awaits me, beads of condensation dripping off the icy cold bottle, and HERE I AM! writing to a fucking phantom, a ghost of a shell of a husk of a wretch of a man.

Well enough about you, I’m sure you’re eager to hear about the amazing life I’ve been leading since you died. Olympia is the same as you remember, a shining pinnacle and testament to mankind’s benevolence, ingenuity, and scientific achievements. I believe we’ve finally mastered ‘the wheel’; we were able to reverse-engineer the technology from half of a skateboard that somebody left lodged in The Reef’s toilet. Personally, I spend most of my days strolling along the boulevard, REDACTED The friend group is a black hole of incest, degeneracy, and repulsion, just as you left it. To be honest though, the rate at which we have been retrograding into fiendish vermin bent on cannibalizing the emotional well-being of others has increased exponentially since you’ve left. It really has gotten to the point where it’s not okay for everyone to be in the same room at once. My personal take on it is that our friends would benefit from anesthetizing their souls with dangerous narcotics for a good few months, but they insist on clinging to their emotional attachments.

Megan and I are well. REDACTED I may as well tell you here that if I were to get married, I would be honored if you would be my best man.

Sincerely,

Kekoa Hallett

Journal Entry 2: Deep Memory: Why I chose my project

A friend of mine once gave me an odd compliment, “Kekoa,” he said, “When I first met you you were nothing to me, just blank. Now though, you’re very interesting.” We laughed and I told him that I knew exactly what he meant. See, we were freshmen when we first met and when I was a freshman I was nothing, blank. I am not implying that this is a quality unavoidably shared by all newly matriculated collegians but, in the story of my life, at the time when I was a freshman, my character was underdeveloped, my personality uncrystallized. Everyone has, to greater or lesser degrees, barring a few truly unfortunate souls, a raw animal magnetism that captures the imagination. Whether you have the dreamboat eyes of a matinee idol or a face like a bomb went off, there is something precious and mysterious and central to all your interactions with your fellow humans. Now, as a freshman, that precious quality in me had been utterly obscured by years of neglect. At some point, I had become ignorant of the wisdom which we innocently know as children and often forget when we hit pubescence: People generally want to be happy; only the hopelessly maladjusted actually desire to be disappointed and enraged. And so, everybody wants to like everyone else. Everybody wants to like you. Of course everybody has their own unique and inscrutable standards of attraction and it almost never works out that a person’s composition of character agrees with another persons composition of desire and that is why great men invented romantic comedies and heart-shaped chocolates. Still, it is obvious that people have desires and they have the desire for those desires to be fulfilled. Losing sight of this, believing that nobody wants anything from you (quite the opposite is true: everybody wants everything from you. For example, I hope that every individual I meet is very rich, very generous, and very interested in my thoughts about what the best Star Trek episode is (it’s Time’s Arrow), I hope that every person I meet is a masseur eager to give me a complimentary session, is actually Scarlett Johanssons’ personal assistant charged with delivering an admission of love and invitation to vacation in Belize from her, has a rare compulsive disorder that manifests in an uncontrollable urge to give me their bank cards, pin numbers, and power of attorney, etc. There are an infinite number of secret fantasies that we color each other with, at first glance) and that you are worthless to them, is the surest way to dull the your magnetic effect on the imagination of others. So, having been diminished by the neurotoxic gases that were surely being pumped through the air conditioning at my high school, I arrived onto the Evergreen campus devoid of self-worth and having not yet made the realization that other people weren’t born despising me. These feelings made me easily intimidated, discourageable, and very unapproachable.

Anthoney Moore, who I intend to interview and center my project around, is an extremely uncharismatic fellow. Hopelessly inarticulate, graceless, forgetful, lazy, filled with misplaced and poorly expressed pride, it is almost mesmerizing to watch him move about a room as his slightest gestures are inexplicably infuriating. He’s like a scab to be picked at. Anyways, I forget how I was going to connect him with that memory of my friend telling me I was boring. If I was nice I would want him to realize that it’s possible for him to change and not be such a turd or else I want to just luxuriate in my superiority over him.

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