{"id":91,"date":"2016-04-27T12:40:21","date_gmt":"2016-04-27T19:40:21","guid":{"rendered":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/?page_id=91"},"modified":"2019-04-04T07:36:48","modified_gmt":"2019-04-04T14:36:48","slug":"publications","status":"publish","type":"page","link":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>&#8220;Religion.&#8221; In <em>Shakespeare and Emotion<\/em>. Ed. Katharine Craik (Cambridge University Press, forthcoming).<\/p>\n<p>\u201cDying Offstage: Gender and Martyrdom in <em>Henry VI.\u201d <\/em>In <a href=\"https:\/\/www.routledge.com\/Routledge-Companion-to-Women-Sex-and-Gender-in-the-Early-British-Colonial\/Coles-Keller\/p\/book\/9781472479945\"><em>Routledge Companion to Women, Sex, and Gender in the Early British Colonial World<\/em><\/a>. Eds. Kimberly Anne Cole and Eve Keller (Routledge, 2018), 189-203.<\/p>\n<p>\u201cMaterialisms.\u201d In <em><a href=\"https:\/\/www.wiley.com\/en-us\/A+New+Companion+to+Renaissance+Drama-p-9781118824030\">A Companion to Renaissance Drama<\/a>. <\/em>2<sup>nd<\/sup> edition. Eds. Thomas Hopper and Arthur Kinney (Wiley Blackwell, 2017), 529-42.<\/p>\n<p>Book Review. \u201cDavid K. Anderson, Martyrs and Players in Early Modern England.\u201d <em>Religion and Literature <\/em>48.1 (Spring 2017): 196-8.<\/p>\n<p>Book Review. \u201cAlice Dailey, The English Martyr from Reformation to Revolution.\u201d <em>Shakespeare Studies <\/em>44 (2016): 331-5.<\/p>\n<p>\u201cStaging the Tortured Body in <em>The Martyred Soldier<\/em>.\u201d <em>Medieval and Renaissance Drama in England<\/em> 26 (2013): 43-59.<\/p>\n<p>\u201cDismembering Rhetoric and Lively Action in <em>The Two Gentlemen of Verona.<\/em>\u201d In <em><a href=\"https:\/\/www.routledge.com\/Staging-the-Blazon-in-Early-Modern-English-Theater\/Morrison-Uman\/p\/book\/9781409449003\">Staging the Blazon: Poetic Dismemberment in Early Modern Theater<\/a>. <\/em>Eds. Sara Morrison and Deborah Uman (Ashgate 2013): 37-49.\u00a0<\/p>\n<p>&#8220;Fireboys and Burning Theaters: Performing the Astor Place Riots.&#8221; <em>Journal of American Drama and Theatre<\/em> 25.1 (Winter 2013): 5-26.<\/p>\n<p>&#8220;Yorick&#8217;s Afterlives: Skull Properties in Performance.&#8221; <em><a href=\"http:\/\/www.borrowers.uga.edu\/7161\/toc\">Borrowers and Lenders 6.1<\/a><\/em> (Spring\/Summer 2011).<\/p>\n<p>Editor (with Jane Hwang Degenhardt). <a href=\"http:\/\/www.ashgate.com\/default.aspx?page=637&amp;calcTitle=1&amp;isbn=9781409409021&amp;lang=cy-GB\"><em>Religion and Drama in Early Modern England<\/em><\/a> (Ashgate 2011). (Read reviews of the book <a href=\"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-content\/uploads\/sites\/207\/2016\/04\/Early-Theatre-review.pdf\">here<\/a>, <a href=\"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-content\/uploads\/sites\/207\/2016\/04\/SB_review.pdf\">here<\/a>, and <a href=\"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-content\/uploads\/sites\/207\/2016\/04\/Theatre-Research_review.pdf\">here<\/a>.)<\/p>\n<p>Book Review. &#8220;<em>Shakespearean Resurrection <\/em>by Sean Benson.&#8221; <em>Religion and Literature<\/em> 41.3 (Autumn 2009): 147-49.<\/p>\n<p><a href=\"http:\/\/www.ashgate.com\/isbn\/9780754668275\"><em>The Materiality of Religion in Early Modern English Drama<\/em><\/a> (Ashgate 2009). (Read reviews of the book <a href=\"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-content\/uploads\/sites\/207\/2016\/04\/RQ_Review.pdf\">here<\/a> and <a href=\"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-content\/uploads\/sites\/207\/2016\/04\/MARDIE_review.pdf\">here.<\/a>)<\/p>\n<p>&#8220;Things Newly Performed: The Resurrection Tradition in Shakespeare&#8217;s Plays.&#8221; In <em><a href=\"http:\/\/www.palgrave.com\/us\/book\/9780230213098\">Shakespeare and Religious Change<\/a>. <\/em>Edited by Kenneth Graham and Philip Collington (Palgrave Macmillan 2009). 110-32.<\/p>\n<p>&#8220;The Uses and Abuses of Prayer Book Properties in<em> Hamlet, Richard III<\/em>, and<em> Arden of Faversham<\/em>.&#8221; <em>English Literary Renaissance<\/em> 39.2 (Spring 2009): 371-95.<\/p>\n<p>&#8220;Useful and Fancy Articles: Relics of the Nineteenth-Century Stage.&#8221; <em>Shakespeare<\/em> <em>International Yearbook <\/em>7 (Fall 2007): 233-55.<\/p>\n<p>&#8220;The Domestication of Religious Objects in <em>The White Devil<\/em>.&#8221; <em>Studies in English Literature<\/em> 47.2 (Spring 2007): 473-90.<\/p>\n<p>Book Review. &#8220;Maurice Hunt, <em>Shakespeare&#8217;s Religious Allusiveness<\/em>.&#8221;<em> Baylor Journal of Theater and Performance<\/em> (Fall 2006): 129-33.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Religion.&#8221; In Shakespeare and Emotion. Ed. Katharine Craik (Cambridge University Press, forthcoming). \u201cDying Offstage: Gender and Martyrdom in Henry VI.\u201d In Routledge Companion to Women, Sex, and Gender in the Early British Colonial World. Eds. Kimberly Anne Cole and Eve&#8230; <a class=\"more-link\" href=\"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/publications\/\">Continue Reading &rarr;<\/a><\/p>\n","protected":false},"author":2777,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false},"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/pages\/91"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/users\/2777"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":0,"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/pages\/91\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/elizabethwilliamson\/wp-json\/wp\/v2\/media?parent=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}