{"id":147,"date":"2018-05-11T15:52:31","date_gmt":"2018-05-11T22:52:31","guid":{"rendered":"https:\/\/sites.evergreen.edu\/arunchandra\/?page_id=147"},"modified":"2021-10-24T14:07:22","modified_gmt":"2021-10-24T21:07:22","slug":"articles-by-herbert-brun","status":"publish","type":"page","link":"https:\/\/sites.evergreen.edu\/arunchandra\/articles-by-herbert-brun\/","title":{"rendered":"Articles by Herbert Br\u00fcn"},"content":{"rendered":"

Listening<\/h2>\n
    \n
  1. Teaching the Function of Time in Art (1952)<\/a><\/li>\n
  2. The Function of Time in Art (1962)<\/a><\/li>\n
  3. Music and Information and Communcation and Chaos and … (1964)<\/a><\/li>\n
  4. The Listener’s Experience of Music (1970)<\/a><\/li>\n
  5. For Anticommunication (1972)<\/a><\/li>\n
  6. Symphony #9 by Gustav Mahler (1968)<\/a><\/li>\n<\/ol>\n

    Composing<\/h2>\n
      \n
    1. Towards Composition [interview] (1979)<\/a><\/li>\n
    2. Against Plausibility (1963)<\/a><\/li>\n
    3. … as to Percussion [interview] (1984)<\/a><\/li>\n
    4. Guest Editorial in Keyboard Magazine (1985)<\/a><\/li>\n
    5. Wayfaring Sounds (1962)<\/a><\/li>\n<\/ol>\n

      Composing with Computers<\/h2>\n
        \n
      1. Technology and the Composer (1970)<\/a><\/li>\n
      2. From Musical Ideas to Computers and Back (1970)<\/a><\/li>\n
      3. … to hold discourse — at least — with a computer … (1973)<\/a><\/li>\n
      4. Composer’s Input Outputs Music (1968)<\/a><\/li>\n
      5. … as to the Computer [interview] (1977)<\/a><\/li>\n<\/ol>\n

        Cybernetics<\/h2>\n
          \n
        1. Drawing Distinctions Links Contradictions (1973)<\/a><\/li>\n
        2. A Conversation between Kenneth Gaburo and Herbert Br\u00fcn (1973)<\/a><\/li>\n
        3. On the Treatment of Complex Entities (1979)<\/a><\/li>\n
        4. The Need of Cognition for the Cognition of Needs (1973)<\/a><\/li>\n
        5. A Course on Heuristics (1970) co-taught with Heinz von Foerster<\/a><\/li>\n<\/ol>\n

          Plays<\/h2>\n
            \n
          1. Drummage (1988)<\/a><\/li>\n
          2. Max (1990)<\/a><\/li>\n
          3. The Invecticide (1991)<\/a><\/li>\n<\/ol>\n

            Presentations<\/h2>\n
              \n
            1. Music Theory Seminar (1977)<\/a><\/li>\n
            2. Floating Hierarchies (1982)<\/a><\/li>\n
            3. Musical Ideas for Synthetic Sound (1964)<\/a><\/li>\n<\/ol>\n

              Computer Graphics<\/h2>\n
                \n
              1. A series of eyes<\/a><\/li>\n
              2. A series of embraces<\/a><\/li>\n
              3. Computer graphics<\/a><\/li>\n<\/ol>\n

                Miscellanea<\/h2>\n
                  \n
                1. Statements from the Whole University Catalog (1969?)<\/a><\/li>\n
                2. Statements from Kenneth Gaburo’s “Allos”<\/a><\/li>\n
                3. Memorial Statements for composers Salvatore Martirano and Igor Stravinsky<\/a><\/li>\n
                4. Existentialism and the Arts (two fragments) (1962)<\/a><\/li>\n
                5. Gustav Mahler and the Virtues of Ambiguity (two fragments)<\/a><\/li>\n
                6. Translation of Mahler’s “The Song of the Earth”<\/a><\/li>\n
                7. Manual for computer music program ‘SAWDUST’<\/a><\/li>\n
                8. Booklet from the 1998 Festival for Herbert Br\u00fcn’s 80th birthday year<\/a><\/li>\n
                9. Booklet from 1988: Collaboration with The Performer’s Workshop Ensemble<\/a><\/li>\n<\/ol>\n

                  Books<\/h2>\n
                    \n
                  1. \u00dcber Musik und zum Computer (1971)<\/a><\/li>\n
                  2. my words and where I want them (1986)<\/a><\/li>\n
                  3. Draft version of “When Music Resists Meaning” (12\/2002)<\/a><\/li>\n<\/ol>\n

                    Biography<\/a><\/h2>\n

                    Infraudibles with Quintet<\/h2>\n