{"id":592,"date":"2021-06-15T10:14:21","date_gmt":"2021-06-15T17:14:21","guid":{"rendered":"https:\/\/sites.evergreen.edu\/artlectureseries\/?p=592"},"modified":"2021-06-15T10:14:21","modified_gmt":"2021-06-15T17:14:21","slug":"bonnie-whiting-wednesday-november-15th-2017-from-1130-1pm-in-the-recital-hall-com-building","status":"publish","type":"post","link":"https:\/\/sites.evergreen.edu\/artlectureseries\/bonnie-whiting-wednesday-november-15th-2017-from-1130-1pm-in-the-recital-hall-com-building\/","title":{"rendered":"Bonnie Whiting: Wednesday, November 15th, 2017 from 11:30-1pm in the Recital Hall, COM Building"},"content":{"rendered":"\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" width=\"480\" height=\"360\" src=\"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-content\/uploads\/sites\/269\/2021\/06\/Bonnie-Whiting-waterpassion.jpg\" alt=\"\" class=\"wp-image-593\" srcset=\"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-content\/uploads\/sites\/269\/2021\/06\/Bonnie-Whiting-waterpassion.jpg 480w, https:\/\/sites.evergreen.edu\/artlectureseries\/wp-content\/uploads\/sites\/269\/2021\/06\/Bonnie-Whiting-waterpassion-300x225.jpg 300w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/figure><\/div>\n\n\n\n<p><strong><a href=\"http:\/\/www.bonniewhitingpercussion.com\/\">Bonnie Whiting&nbsp;<\/a><\/strong>is Chair of Percussion Studies at the University of Washington. She performs and commissions new experimental music for percussion, seeking out projects that involve non-traditional notation, interdisciplinary performance, and the speaking percussionist. Recent work includes a series of performances at the John Cage Centennial Festival in Washington DC, solo appearances with the National Orchestra of Turkmenistan, and as a soloist in Tan Dun\u2019s \u201cWater Passion\u201d under the baton of the composer himself.<\/p>\n\n\n\n<p>In 2011, she joined&nbsp;<em>red fish blue fish&nbsp;<\/em>percussion group in premiering the staged version of George Crumb\u2019s \u201cWinds of Destiny\u201d directed by Peter Sellars and featuring Dawn Upshaw for Ojai Festival. Her debut album, featuring an original solo-simultaneous realization of John Cage\u2019s \u201c45\u2032 for a speaker\u201d and \u201c27\u201910.554\u2033 for a percussionist\u201d, was released on the Mode Records label in April.<\/p>\n\n\n\n<p>Whiting has collaborated with many of today\u2019s leading new music groups, including the International Contemporary Ensemble (American premiere of James Dillon\u2019s Nine Rivers at Miller Theatre), Ensemble Dal Niente (the Fromm Concerts at Harvard), Bang on a Can (Steve Reich\u2019s Music for 18 Musicians for the LA Philharmonic\u2019s Green Umbrella Series), and eighth blackbird (the \u201cTune-in\u201d festival at the Park Avenue Armory). She received her DMA in Contemporary Music Performance from the University of California San Diego, and also holds degrees from Oberlin Conservatory, the University of Cincinnati College-Conservatory of Music, and Interlochen Arts Academy.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Art Lecture Series: Bonnie Whiting\" width=\"676\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/R7iZ6e4_pYY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Bonnie Whiting&nbsp;is Chair of Percussion Studies at the University of Washington. She performs and commissions new experimental music for percussion, seeking out projects that involve non-traditional notation, interdisciplinary performance, and [&hellip;]<\/p>\n","protected":false},"author":9192,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[109,8],"tags":[3,110,111,91,46],"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/592"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/users\/9192"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/comments?post=592"}],"version-history":[{"count":1,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/592\/revisions"}],"predecessor-version":[{"id":594,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/592\/revisions\/594"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/media?parent=592"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/categories?post=592"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/tags?post=592"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}