{"id":1202,"date":"2024-03-21T10:59:46","date_gmt":"2024-03-21T17:59:46","guid":{"rendered":"https:\/\/sites.evergreen.edu\/artlectureseries\/?p=1202"},"modified":"2024-10-31T16:39:04","modified_gmt":"2024-10-31T23:39:04","slug":"4-10-week-2-jessica-jackson-hutchins","status":"publish","type":"post","link":"https:\/\/sites.evergreen.edu\/artlectureseries\/4-10-week-2-jessica-jackson-hutchins\/","title":{"rendered":"4\/10, Week 2: Jessica Jackson Hutchins"},"content":{"rendered":"\n<p><iframe loading=\"lazy\" title=\"Art Lecture Series Spring 2024: Jessica Jackson Hutchins\" width=\"676\" height=\"380\" src=\"https:\/\/www.youtube.com\/embed\/nxbWonaWfGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><a style=\"font-size: inherit\" href=\"https:\/\/fryemuseum.org\/exhibitions\/jessica-jackson-hutchins-wrecked-and-righteous\">Jessica Jackson Hutchins<\/a><span style=\"font-size: inherit\"> (b. 1971) lives and works in Portland, Oregon. Hutchins\u2019 expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings, and large-scale ceramics, all hybrid juxtapositions of the handmade. As evidence of the artist\u2019s dialogue with items in her studio, these works are a means by which the artist explores the intimacy of the mutual existence between art and life. Her transformations of everyday household objects, from furniture to clothing, are infused with human emotion and rawness, and also show a playfulness of material and language that is both subtle and ambitious. Based upon a willingly unmediated discourse between artist, artwork and viewer, Hutchins\u2019 works ultimately serve to refigure an intimate engagement with materiality and form.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jessica Jackson Hutchins (b. 1971) lives and works in Portland, Oregon. Hutchins\u2019 expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings, and large-scale ceramics, all hybrid juxtapositions of [&hellip;]<\/p>\n","protected":false},"author":10055,"featured_media":1204,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[154,8],"tags":[3,105,101,89,48,12,10],"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/1202"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/users\/10055"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/comments?post=1202"}],"version-history":[{"count":4,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/1202\/revisions"}],"predecessor-version":[{"id":1216,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/1202\/revisions\/1216"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/media\/1204"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/media?parent=1202"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/categories?post=1202"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/tags?post=1202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}