CANCELLED<\/p>\n
CANCELLED Pamela Lins refers to her work primarily as sculpture, although she uses the term expansively. She teaches sculpture at the Cooper Union for the Advancement of Science and Art […]<\/p>\n","protected":false},"author":10055,"featured_media":1157,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[154,8],"tags":[3,105,28,30,12,10],"_links":{"self":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/1156"}],"collection":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/users\/10055"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/comments?post=1156"}],"version-history":[{"count":3,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/1156\/revisions"}],"predecessor-version":[{"id":1180,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/posts\/1156\/revisions\/1180"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/media\/1157"}],"wp:attachment":[{"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/media?parent=1156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/categories?post=1156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.evergreen.edu\/artlectureseries\/wp-json\/wp\/v2\/tags?post=1156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Pamela Lins refers to her work primarily as sculpture, although she uses the term expansively. She teaches sculpture at the Cooper Union for the Advancement of Science and Art and painting at Princeton University. Through her work, Lins contemplates the social, the political, and the historical by constructing situations inquisitive and equivocal to sculpture and the making of it. Lins\u2019 work explores the space and connections between painting and sculpture, sometimes with a focus on ceramics, leading her to found Ceramics Club with Trisha Baga. Previously, Lins\u2019 work was included in the 2014 Whitney Biennial, in a collaboration with Amy Sillman, and has been exhibited at the Tang Museum of Art, The Suburban, the CCS Bard Hessel Museum of Art, and the Brooklyn Museum of Art. She is represented by Rachel Uffner Gallery in New York. A New York Times review of her 2015 show ‘model, model, model’ describes her exploration of the links between painting and photography. In 2008 Lins received a fellowship from the John Simon Guggenheim Memorial Foundation, and in 2007 she was awarded a fellowship in the visual arts from the George A. and Eliza Gardner Howard Foundation. In 2013-14, she held the David and Roberta Logie Fellowship at the Radcliffe Institute for Advanced Study at Harvard University.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"