The Evergreen State College

Tag: poetry (Page 1 of 3)

10/4 Wednesday, Week 2: Malcolm Peacock

PLEASE NOTE: Malcolm requests that each audience participant come prepared with a phone or laptop device and headphones for an audio experience he will provide in the first half-hour of the lecture.

 

Malcolm Peacock is an artist living and working in New Orleans, LA. He is a multidisciplinary artist whose practice examines emotional and psychic spaces of Black subjects. Peacock is particularly interested in the intricacies of intimacy. “Malcolm Peacock’s art considers the affective landscape of interactive work and the powerful choreographies of small group interactions.” He has shown with Cindy Rucker Gallery, New York, Terrault Contemporary, Baltimore, and Rose Arcade, Baltimore. Select exhibits include Prospect 5: Yesterday We Said Tomorrow, New Orleans; Doing Language: Word Work, Institute of Contemporary Art at Virginia Commonwealth University, Richmond. He has been a participant in residencies at The University of Pennsylvania, St. Roch Community Church, Denniston Hill, and The Skowhegan School of Painting and Sculpture. He earned a BFA from Virginia Commonwealth University, Richmond, in 2016, and an MFA from Rutgers University, New Jersey, in 2019.

4/12 Wednesday, Week 2: Tom Comitta

Tom Comitta is the author of The Nature Book, recently out from Coffee House Press. Their other books include 〇 (Ugly Duckling Presse), Airport Novella (Troll Thread), and First Thought Worst Thought: Collected Books 2011–2014 (Gauss PDF), a print and digital archive of forty “night novels,” art books, and poetry collections. In 2015, Royal Nonesuch Gallery installed these books in a multimedia exhibition containing drawings, video, vinyl window installation, and a sound poetry computer program. Comitta’s fiction and essays have appeared in WIRED, Lit Hub, Electric Literature, The Los Angeles Review of Books, The Kenyon Review, BOMB, JoylandThe Brooklyn Rail, and BAX: Best American Experimental Writing 2020. They live in Brooklyn.

 

https://www.tomcomitta.com/

2/15 Wednesday, Week 6: Sean Negus

Sean Negus is a writer and artist who works in the expanded field of poetics. In addition to a book of poems published bilingually in Portuguese and English, Hurricane Music, he has also published an artist book in limited edition, Congeries. Transmedia projects of his have explored forms of visuality, performativity, and collaboration. As a translator and editor of contemporary Brazilian and Portuguese poetry they have edited, Saccades as well as DUSIE 21. Professor in Writing and Literature and also Critical Studies at both California College of the Arts and Santa Clara University, their current work inquiring archival poetics has been recently exhibited in publications by the Goethe-Institute and Tasaworat Collective.

http://www.transpoiesis.com

 

 

Chris Martin joined by Sid Ghosh on Wednesday, October 20, 11:30-1:00 PM

Zoom link: https://evergreen.zoom.us/j/88216418607

Wednesday, October 20, Chris Martin is the author of four books of poetry, most recently, Things to Do In Hell (Coffee House Press, 2020), and the recipient of grants from the Mellon Foundation, the National Endowment for the Arts, and the Minnesota State Arts Board. He is the co-founder and executive director of Unrestricted Interest, an organization dedicated to helping neurodivergent learners transform their lives through writing. He lives in Minneapolis, where he professes at Hamline University and Carleton College.
He will be joined by Sid Ghosh is a nonspeaking Autistic poet with Down Syndrome. He is a rebel in pursuit of other similar souls and he is interested in rescuing poets from the quiet clutches of rhyme. One of Sid’s essays has been published in the book Leaders Around Me. Sid’s first chapbook is forthcoming from Push Press. 

Week 2: Tongo Eisen-Martin, San Francisco’s Poet Laureate on April 7th, 2021 from 11:30-1pm via Zoom https://evergreen.zoom.us/j/84485514845

Originally from San Francisco, Tongo Eisen-Martin is a poet, movement worker, and educator. His latest curriculum on extrajudicial killing of Black people, We Charge Genocide Again, has been used as an educational and organizing tool throughout the country. His book titled, “Someone’s Dead Already” was nominated for a California Book Award. His latest book “Heaven Is All Goodbyes” was published by the City Lights Pocket Poets series, was shortlisted for the Griffins Poetry Prize and won a California Book Award and an American Book Award. His forthcoming book “Blood On The Fog” is being released this fall in the City Lights Pocket Poets series. He is San Francisco’s eighth poet laureate.

Zoom link –  https://evergreen.zoom.us/j/84485514845

Week 8: Lauren Levin and Tatiana Luboviski-Acosta, Wednesday, May 22nd, 2019, 11:30-1pm in the Recital Hall of the COM Building

Lauren Levin is a poet, mixed-genre writer and art writer, author of The Braid (Krupskaya, 2016) and Justice Piece // Transmission (Timeless, Infinite Light, 2018). With Emji Spero, they were developmental editor for We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan, edited by Ellis Martin and Zachary Ozma (Nightboat, 2019), and with Eric Sneathen, they are editing Camille Roy’s selected prose. Their gender identity is some mix of belated queer, Jewish great-aunt, and aspirational Frank O’Hara.  They are still figuring it out. They live in Richmond, CA, are from New Orleans, LA, and are committed to queer art, intersectional feminism, being a parent, and anxiety.

Tatiana Luboviski-Acosta is an artist, & the author of Agon, a forthcoming chapbook from EconoTextualObjects; The Easy Body, a love letter from hell that was published in 2017 by Timeless, Infinite Light; and PDF, a chapbook published by Solar Luxuriance in 2014. Their work, cutting across various materials and disciplines, has been shown & performed in the Los Angeles River, galleries, punk houses, plazas, and microcinemas across the U.S. They are currently working on a project interviewing activist Latinx youth in emergent Latinx communities across the United States; and an experimental documentary on the geography of Helen Hunt Jackson’s novel Ramona in collaboration with their mother Vanessa Acosta. Born somewhere between here and Diriamba, Nicaragua, they were raised in the Huntington Park and Highland Park neighborhoods of Los Angeles and across the West Coast and Mexico; they’ve called California home for a significant part of their life. Tatiana now lives in a rent controlled apartment in the Mission District of San Francisco.

Week 6: Jasper Bernes, Wednesday, May 8th, 2019, 11:30-1pm in the Recital Hall of the COM Building

Jasper Bernes is author of a scholarly book, The Work of Art in the Age of Deindustrialization (Stanford, 2017), and two books of poetry, Starsdown (2007) and We Are Nothing and So Can You (2015). Essays, poems and other writings can be found in Critical Inquiry, Modern Language QuarterlyRadical Philosophy, Endnotes, Lana Turner, The American Reader, and elsewhere. Together with Juliana Spahr and Joshua Clover, he edits Commune Editions. He lives in Berkeley with his family.

Week 6 – Andrew Cutrofello, Wednesday, 2/13, 2019 11:30-1pm in the Recital Hall of the COM Building – to be rescheduled, canceled due to snow

Andrew Cutrofello is Professor of Philosophy at Loyola University Chicago. He is the author of several books, including All for Nothing: Hamlet’s Negativity (MIT, 2014) and Continental Philosophy: A Contemporary Introduction (Routledge, 2005). His interests include the nature of antinomies — apparent contradictions — and how these play out both in professional philosophy and in everyday life. He is also deeply interested in what T. S. Eliot called the varieties of metaphysical poetry.

Week 2, Eirik Steinhoff: Wednesday, April 11, 2018,11:30-1:00 pm, in the Recital Hall, COM Building

Eirik Steinhoff teaches and co-teaches interdisciplinary programs with titles like “How to do things with words,” “Imperialisms,” “Forensics,” “A New Middle East,” “Literary Arts Toolkit,” “Words/Woods,” and “Gateways for Incarcerated Youth” at The Evergreen State College, where he has been a Visiting Member of the Faculty since 2013.  

He has also taught courses on Shakespeare, Early Modern Poetry, critical theory, rhetoric, poetry, and poetics at the University of Chicago (where he got his Ph.D. in English), Bard College (where he got his B.A.), and Mills College. 

In the early 21st century he was the editor of Chicago Review, and in 2009 his translations from Petrarch’s Rime Sparse appeared as Fourteen Sonnets from Albion Books (San Francisco). 

In 2010 he taught at Green Haven Correctional Facility in NY state under the auspices of the Bard Prison Initiative, and in 2014 he co-facilitated a seminar with faculty at Al-Quds University in Palestine. 

He co-edits Black Box: A Record of the Catastrophe, and he works with students and teachers behind bars in Washington state under the auspices of the Black Prisoner Caucus’s T.E.A.C.H. program (“Taking Education and Creating History”). 

The bulk of his study in the classroom and beyond revolves around two questions: “What needs to be the case for things to be otherwise?,” and “How do we make our knowledge common?”

Week 6, Kaia Sand: Wednesday, February 16th, 2018, 11:30-1:00 pm, in the Recital Hall, COM Building

Kaia Sand is a poetartist, and community organizer. She is author of three books of poetry—interval (Edge Books 2004), a Small Press Traffic book of the year; Remember to Wave (Tinfish Press 2010); and A Tale of Magicians Who Puffed Up Money that Lost its Puff (Tinfish Press 2016); and co-author with Jules Boykoff of Landscapes of Dissent: Guerrilla Poetry & Public Space (Palm Press, 2008).

Sand works across genres and media, dislodging poetry from the book into more unconventional contexts. From 2013-2015, she served with Garrick Imatani as artists-in-residence at the City of Portland Archives and Records Center, responding to historical surveillance files on local political activists; and then she created textile art with street vendor Marcia Rodrigues Braga during her Despina International Artist Residency in Rio de Janeiro in 2015.  Much of her work has focused on economic injustice and homelessness, from a magic show she created about the financial collapse to the Right 2 Survive Ambassador Program she co-founded for housed people to learn from people experiencing homelessness.

She is the executive director of Street Roots, a weekly newspaper sold in Portland, Oregon, by people experiencing homelessness and poverty as means of earning an income.

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