The Evergreen State College

Tag: photography (Page 3 of 3)

Catharina Manchanda: Wednesday November, 7, 2012, 11:30-1:00, Lecture Hall 1

Catharina Manchanda joined the Seattle Art Museum in 2011 as Jon and Mary Shirley Curator of Contemporary Art. A native of Germany, she received her Ph.D. at the City University Graduate Center in New York specializing in German conceptual photography of the 1960s and ‘70s. While in New York she helped organize a retrospective of Gerhard Richter’s paintings at the Museum of Modern Art. At the Mildred Lane Kemper Art Museum in St. Louis she curated Beauty and the Blonde: An Exploration of American Art and Popular Culture with work from the 1960s to the present, and Models and Prototypes, which investigated the prevalence of architectural and conceptual models as templates for artistic production. Prior to her move to Seattle she worked as Senior Curator at the Wexner Center for Contemporary Art where she organized exhibitions on Robin Rhode and Cyprien Gaillard. For SAM, she is currently curating a series of exhibitions and installations for Elles: SAM, including a focused show on Yayoi Kusama, a presentation of paintings by Joan Mitchell, Lee Krasner and Helen Frankenthaler, conceptual works by Jenny Holzer and Adrian Piper, and accompanying video program. Her published writings address a range of topics from photography and conceptual art, to essays on individual artists such as Gerhard Richter, Thomas Demand, Braco Dimitrijevic, Robin Rhode, Cyprien Gaillard and George Grosz.

Molly Landreth: Wednesday, May 2, 2012, 11:30-1:00, Lecture Hall 1

Molly Landreth is a Seattle based artist who explores concepts of identity and community through intimate large-format film photography and multi-media collaboration.  She is most well known for her series, “Embodiment: A Portrait of Queer Life in America” which she continues to exhibit and speak about frequently.  She has been featured in, and photographed for, publications including The New York Times, Time Magazine, The Guardian, The Advocate, OUT, Marie Claire and The New Yorker.  She holds a Master of Fine Arts from the School of Visual Arts in NYC.

Patt Blue: Wednesday, February 8, 2012, 11:30-1:00, Lecture Hall 1

Patt Blue has been a photographer for some thirty odd years concentrating on social issues. She began writing in 1998 for her sociological and visual document about spousal abuse and mental illness: Living On A Dream: A Marriage Tale that was published by The University Press of Mississippi. Major works include: HOW FAR IS HEAVEN, a twenty year chronicling of an impoverished family with twelve children living in the New York Catskills; OTHER PEOPLE, a black and white document, including color family snapshots of the disabled residents of a New York City Hospital.

Blue’s photography has been awarded The National Endowment for the Arts, three New York Foundation for the Arts; Howard Chapnick Foundation Grant for Humanistic Photography; LEICA Medal of Excellence for Humanistic Photography; Two Honorable Mention Robert F. Kennedy Journalism Awards for Outstanding Coverage of the Disadvantaged. In 2005, The Kentucky Foundation for Women awarded an Activism Grant to work with young mothers in Western Kentucky. A KY Council for the Arts full Fellowship was granted in 2007.  She has a BA from State University of New York, Stony Brook and an MFA from School of the Art Institute Chicago.  Currently Patt is a visiting faculty at Evergreen.

Ellen Lesperance: Wednesday, May 18, 2011 11:30-1:00, Lecture Hall 1

Female heroism is undersung, but Ellen Lesperance is determined to sing it—not only so it’s not forgotten, but with the hope that it might be catching. Go to her web site, and you immediately hear the chants of the Women’s Peace Camp at the nuclear testing site Greenham Common.

Look at her paintings, outside the elevators at Seattle Art Museum, and you see they’re dot patterns in a grid on brownish paper: patterns for sweaters that, when worn—and however soft—might transform the individual wearer. Lesperance, originally from a hippieish family in Seattle’s U District and now living in the latter-day utopic city of Portland, is both wedded to and critical of collective idealism. She knows how it can hollow out over time, and how dogma or compromise can take over. But she plainly still believes in the sheer power of individual action. How to make it happen? That’s the spur of her work.

The tone of inspiration has become pretty rare in art. It’s fairly rare in the culture at large. Radical acts may remain, but the rousing spirit of radicalism is hard to find. Lesperance’s art actually includes everything from the archival photos she starts with to the titles she writes to the pattern paintings that hang on the wall to thesweaters she wants to be worn. One of her own inspirations was visiting the Asylum for Radical Feminism in Santa Fe, which she found harrowing: The feminists were very few in number, and essentially impoverished. But they had stories to tell; that’s where she learned of Greenham Common.-Jen Graves, The Stranger

“I like the idea that, for example, through the recreation of a Greenham sweater, a new ‘wearer’ might be beckoned. I also have a particular interest in assigning valor to young women from the Pacific Northwest like Rachel Corrie and Beth Horehound O’Brien, women who have sacrificed their lives fighting the good fight.”

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