The Evergreen State College

Tag: performative

Week 2, 10/8 Katelyn Stiles

Photo by Ravens Tail Studio

Xéetl’ee Katelyn Stiles is an artist and scholar working in the mediums of movement, film, drawing, and community-based research creation. Katelyn is Lingít, of the Kiks.ádi Clan (Raven/Frog) and Kaxátjaa Hít [Shattering Herring House] of Sheet’ká [Sitka, Alaska], and a citizen of Sitka Tribe of Alaska. Her ancestors are also Norwegian, English, and French settlers. Women of her clan are known as Kax̲átjaashaa [Herring Ladies] and this responsibility is central to her work.

Her creative community-based research centers the rematriation of Herring Lady embodied protocols with Yaaw [Pacific Herring] to co-create ecosystems. Her work crosses into critical Indigenous Studies, Improvisation and Performance Studies, and Feminist Science and Technology Studies, focusing on embodiment and relationality to land, water, the more-than-human, and technology. Movement is central to her work and she has danced professionally in different contexts. She also lived in Berlin, Germany for several years, where her film work was screened internationally in film festivals. Her recent projects include the film Yee eedé tooshí áa [We sing to you] and the creation of the Herring Lady and Shame Robe Dance, both collaborations with Ḵ’asheechtlaa Louise Brady and Herring Ladies.

Katelyn holds a PhD and MA in Native American Studies with a designated emphasis in Performance and Practice from the University of California, Davis. She also received a BA in Art Practice from the University of California, Berkeley. She currently works as an Assistant Professor of Indigenous Arts at Evergreen State College, and previously taught Indigenous Studies at the University of Alaska Southeast in Sheet’ká.

4/24 Week 4: Nina Elder

 

Artist and researcher Nina Elder creates deep time perspectives where planets, geology, and ecosystems are in constellation with social issues and personal narratives. With a focus on changing cultures and ecologies, Nina advocates for collaboration, fostering relationships between institutions, artists, scientists and diverse communities. Her work takes many forms, including drawings, murals, performance, pedagogy, and long term community-based projects.

Recent solo exhibitions of Nina’s work have been organized by SITE Santa Fe, Indianapolis Contemporary, Utah Museum of Contemporary Art, and university museums across the US. Her work has been featured in Art in America, VICE Magazine, Hyperallergic, and on PBS. Her writing has been published in American Scientist and Edge Effects Journal and other scientific publications. Nina’s research has been supported by the Andy Warhol Foundation, the Rauschenberg Foundation, the Pollock Krasner Foundation, and the Mellon Foundation. Nina migrates between projects, adventures, and her rural home in New Mexico.

http://Www.ninaelder.com

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