Tag: interdisciplinary

Week 4: Patte Loper on Wednesday, 1/27 2021, from 11:30-1pm. Zoom link: https://evergreen.zoom.us/j/84845187579

June 15, 2021 / Steve

Patte Loper is an interdisciplinary artist based in painting who experiments with sculpture and video to explore a range of subject matter including feminist utopianism, new materialism, and the ecological imaginary. She was born in Colorado and grew up in Tallahassee, Florida, a subtropical college town where she first developed an appreciation for the ways nature and culture can overlap. She currently lives and works in New York City and Boston, MA where she is on the faculty of the School of the Museum of Fine Arts at Tufts University.

Her practice began exclusively with conceptually based figurative painting and the work morphed over time into an experimental practice that utilizes painting, drawing, video, installation, and performance. Her early work involved re-creating masterworks with an eye towards feminist re-interpretation. Deeply rooted in painting’s discourse, her current practice uses painterly logic to create three dimensional structures that evoke landscape and still life and link mid century formalism, architectural theory and utopian idealism. Recent exhibitions have considered the ethics of architecture, the relationship between social justice and climate change, sustainable energy technology, and intersectionality in Arab and Western identity.

She has shown her work in numerous solo and group exhibitions nationally and internationally, including the Drawing Center (New York, NY), the Mattress Factory (Pittsburgh, PA), the Children’s Museum of Manhattan (New York, NY), the Bronx Museum (Bronx, NY), the Licini Museum (Ascoli Piceno, Italy), LMCC’s Art Center on Governors Island (New York, NY), the Clay Center for the Arts and Sciences (Charleston, WV), the PalaentologicalMuseum (Cortina, Italy), the Tacoma Art Museum (Tacoma, WA), Suyama Space (Seattle, WA), and the Zuckerman Museum (Atlanta, GA). Her work has been reviewed in the Italian edition of Flash Art, Artnet, Time Out, Chicago, and the Boston Globe, and is in the collections of the Rene diRosa Foundation, the Microsoft Corporation, and the Hirshhorn Museum.

She has participated in residency fellowships at Yaddo, the Millay Colony, Constance Saltonstall Foundation for the Arts, Virginia Center for the Creative Arts, and Lower Manhattan Cultural Council’s Swing Space, and was a participant in the Drawing Center’s Open Sessions Program 2014-2016. She is currently a member artist of the Elizabeth Foundation for the Arts Studio Program.

Art Lecture Series, week 6: Anne de Marcken from 11:00 am – 1:00 pm Wednesday, 11/4 2020

June 15, 2021 / Steve

Anne de Marcken, former Greener! is a writer and interdisciplinary artist. Her credits include durational writing projects, hybrid narratives, short and feature-length films and site-specific installations. She approaches creative work as a process of critical inquiry, centering questions of impermanence, invisibility and the abject. She is author of the lyric novella The Accident: An Account (Spuyten Duyvil, 2020), and her writing has appeared in Best New American Voices, Ploughshares, Narrative, Entropy, on NPR’s Selected Shorts and elsewhere. Recent process-based installations include Hinterlands of Paris (2020), Paris Chopped & Screwed (2019), Invisible Ink: Homeless (2018), Invisible Ink: Reparations (2017) and The Redaction Project (2016). She is also known for the gender-queer experimental feature Group (2002). Anne is editor and publisher of The 3rd Thing, an independent press dedicated to intersectional, interdisciplinary work. You can see more about The 3rd Thing at https://the3rdthing.press.

Note: Anna Joy Springer will be rescheduled TBA

Anna Joy Springer is the author of “The Vicious Red Relic, Love” (Jaded Ibis, 2011), an illustrated fabulist memoir with soundscape by Rachel Carns and Tara Jane O’neil “Your Metaforest Guidebook”, as well as “The Birdwisher, A Murder Mystery for Very Old Young Adults” (Birds of Lace, 2009). Her work appears in zines, journals, anthologies, and recordings. An Associate Professor of Literature at UC San Diego, Springer teaches experimental writing, feminist literature & graphic texts and also leads public meditation groups focusing on sensation, emotion, and imagination. She’s performed in punk and queercore bands Blatz, The Gr’ups, and Cypher in the Snow and toured the U.S. with the writers of Sister Spit.

Week 4 – Rob Rhee – Wednesday, April 25th, 2018 11:30-1pm, in the Recital Hall, COM Building

June 15, 2021 / Steve

Robert Rhee is a collector of accidents, a rubbernecker. He is an interdisciplinary artist, writer, and organizer of collaborative artist projects. He teaches in the interdisciplinary Foundations Program at Cornish College of the Arts.

In his work he pursues situations which are on the precipice of formlessness, where a system is engaged but not controlled. His studio work and writing shape each other as parallel practices. He uses time (duration) to move ideas back and forth between modes: a sculpture conceived like a story, a poem worked on with power tools.

He has exhibited his work nationally and internationally. A selected list includes the Ilmin Museum of Art in Seoul, the Ferdinand Van Dieten Gallery in the Netherlands, the Arario Gallery, Dorsky Gallery for Curatorial Projects, Fisher-Landau Center for the Arts, and White Columns in New York.

His blog, robottree.com, was shortlisted for Creative Capital’s Arts Writers Grant and his writing has been published in art magazines and literary journals such as Art in America, Arcade, Monday: The Journal of the Jacob Lawrence Gallery at the University of Washington, Heck, and La Norda, and Columbia: A Journal of Arts and Letters.

Storme Webber: Wednesday, 10/4 from 11:30-1pm in Recital Hall, COM Building

June 15, 2021 / Steve

Storme Webber is a Two Spirit, Alutiiq/Black/Choctaw, internationally-nurtured poet, playwright, educator, and interdisciplinary artist. She creates blues-influenced, socially-engaged texts and images exploring identity, art activism, and the intersections of race, class, gender, sexuality, memory and spirit.

Storme’s poetry collections include Diaspora, Blues Divine, and the forthcoming Noirish Lesbiana. Her solo theatre works include Buddy Rabbit, Noirish Lesbiana: A Night at the Sub Room, and Wild Tales of Renegade Halfbreed Bulldagger. She has been highlighted in numerous anthologies, documentaries (including Venus Boyz, May Ayim: Hope in Heart, What’s Right with Gays These Days?, Living Two Spirit), and international performance tours.

Storme is an inspired educator, bringing art, history & soul as a visiting artist in programs across the country. She enjoys teaching Creative Writing to young people at the University of Washington. She has served as featured faculty at Hedgebrook, Whidbey Island Writer’s Conference, Chuckanut Writer’s Conference, The University of Puget Sound, Seattle University, and Richard Hugo House.

Storme was honored to receive a 2015 James W. Ray Venture Project Award from the Artist Trust/Frye Art Museum Consortium. Storme’s work has also been supported & awarded by 4Culture, Hedgebrook, Richard Hugo House, Pride Foundation, Seattle Art Museum, CIRI Foundation, City of Seattle and Jack Straw Foundation.

Seattle Catalog: Wednesday November, 28, 2012, 11:30-1:00, Lecture Hall 1

June 10, 2021 / Steve

Seattle Catalog is both an art project and a for-profit company. As a for-profit company, Sea-Cat takes the form of a tri-yearly sales catalog with carefully selected artwork by different artists. As an art project, it is a collaboration by Gretchen Bennett, Wynne Greenwood and Matthew Offenbacher.

Sea-Cat is a teaching / learning art gallery and catalog sales business. In our experience, the selling of work can feel removed from and even opposite the experience of community and meaningful connection. We are interested in opening up the access to and experience of art purchasing and selling. We’re trying to experience community within a sales environment.

Sea-Cat engages individual practices, involving creators from various communities and backgrounds. Our goals include: building an audience for and selling experimental artwork; creating interdisciplinary, intergenerational, and transitive programming; nurturing individual practices into new and fruitful areas; examining and re-evaluating the idea of “value”.

We want everyone to build upon their individual practices, while also realizing new language and creating new connections. By everyone we mean: artists, performers, ourselves, our advisory board, audiences, you. This cooperative framework is intended to put practices into discursive motion. We hope Sea-Cat will reflect some of the social, geographical and artistic conditions and contradictions of shifting positions, roles, and open-ended outcomes.

Marilyn Freeman: Wednesday, January 26, 2011 12:15-1:30-Lecture Hall 1

June 9, 2021 / Steve

Marilyn Freeman is an interdisciplinary, process- and time-based artist living in Olympia, Washington. Her work is characterized by themes of identity, tolerance, faith and alienation. Baptism is the first in a series of autobiographic essays and installations about growing up Catholic. Freeman’s contemplative film work, collectively entitled, CinemaDivina, is screened in spirituality centers as well as film and arts venues. Freeman’s experimental feature film, Group, distributed by Frameline, was released on DVD in 2009 following its 2002 theatrical run and extended educational market release. In addition to numerous accolades for directing and producing, Freeman has received financial support from The Arch & Bruce Brown Foundation, Centrum, and the Washington State Artist Trust in the form of a Media Arts Fellowship and a Gap Grant for her screenplay, Sophisticated: The Hollywood Story of Miss Dorothy Arzner. Freeman’s film, Meeting Magdalene (1995), played festivals worldwide and led to her short story collection, Meeting Magdalene (Naiad Press, 1996). Presently, Freeman is in post-production with The R Word, a feature-length documentary about the self-advocacy movement of people with developmental disabilities. She holds a BFA in Theater from the Cornish College of the Arts and an MFA in Interdisciplinary Arts from Goddard College. She is a Visiting Artist at The Evergreen State College and cofounder of the media arts studio, Wovie.