The Evergreen State College

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1/17, Week 2: Hanako O’Leary 


Hanako O’Leary is a craft based sculptor and installation artist. She was born and raised by her Japanese mother and American father in the American Midwest. She grew up speaking Japanese at home, but English in school and everywhere else. Until Hanako turned 18, every year, for 2 months during the summer, her mother Sumiko brought her and her siblings back to their maternal home in the Seto Inlet Sea of Japan. This deeply influenced her spiritual beliefs, artistic voice, and feminine ideals.

Building off this personal history, Hanako looks to Japanese folk traditions of the Setonaikai Islands as a basis for her artwork. Through hand made objects, installations, and storytelling, Hanako explores this relationship with her matriarchal lineage and the complexities of feminine love, sexuality, and power.

Her major artistic accomplishments include solo shows in galleries such as Method, Edmonds Community College, King Street Station, and most recently Frye art Museum and Gallery 4Culture. Major awards include the Seattle Office of Arts and Culture City Artist Grant, Bernie Funk Fellowship, Robert B. McMillen Grant, Neddy Award Finalist and Artist Trust Fellowship to name a few.

http://www.hannyagrrrl.com/

 

10/18 Wednesday, Week 4: Clarissa Tossin

 

“The Brazil-born artist has built a collaborative research-focused practice from her base in Los Angeles that addresses connective tissue that links place, history, and aesthetics. Employing moving images, installation, and sculpture, she explores their alternative narratives in both built and natural environments of extractive economies. Whether reinserting figurative traditions and ritual practices of Mayan motifs in early twentieth-century Los Angeles architecture, as in her 2017 video Ch’u Mayaa, or more broadly examining a grotesque, postlapsarian world, the artist employs the future perfect language of speculative science to propose ways of seeing our devastated present.” Tossin’s work has been exhibited widely, including in the exhibition Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art at the Whitney Museum of American Art in New York (2018), and in the Twelfth Gwangju Biennale in Gwangju, South Korea (2018).As a Radcliffe Institute Fellow at Harvard University (2017-18), Tossin worked towards the installation Encontro das Águas (Meeting of Waters) (2018), which became the subject of a solo exhibition at the Blanton Museum of Art in Austin, TX. The project unfolded into a new exhibition, Future Fossil (2019), commissioned by the Radcliffe Institute of Advanced Study at Harvard University. Tossin holds an MFA from the California Institute of Arts. She has an upcoming solo exhibition at theFrye Art Museum in Seattle, take roots among the stars OCT. 7, 2023–JAN.7, 2024 

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