The Evergreen State College

Tag: film (Page 1 of 2)

11/1 Wednesday, Week 6: Jennifer West

Jennifer West (b.1966, Topanga, CA) is a Los Angeles-based artist who has explored materialism in film for over fifteen years. She is known for her digitized films that are made by hand manipulating film celluloid. Joanna Kleinberg wrote on her work in Frieze “the intermingling of materiality, feeling and identity creates a wild blend of synaesthetic experience wherein the substances of life literally and figuratively colour the film. West’s writing has appeared in Artforum, Frieze and Mousse Magazine. West has produced sixteen zine artist books which were recently acquired by the Getty Museum. 

 

Significant commissions include works for LIAF Biennial (2022); Seattle Art Museum (2016-2017); Institute of Contemporary Arts, London (2016); The High Line, New York, NY (2012); MIT List Visual Arts Center (2011); Aspen Art Museum (2010); and Turbine Hall at Tate Modern, London (2009). West has had solo exhibitions and presentations at the Pompidou Center, Paris (2022); Times Square Arts, New York (2021); JOAN Los Angeles (2020); Contemporary Art Museum St Louis (2018); Yuz Museum, Shanghai, China (2017); Seattle Art Museum (2016-2017); Museo d’Arte  Nuoro, Sardinia (2017); Tramway, Glasgow (2016); S1 Artspace, Sheffield, UK (2012); Kunstverein Nürnberg, Germany (2010); Contemporary Arts Museum, Houston, (2010); Transmission Gallery, Glasgow (2008); White Columns, New York, NY (2007).  She received an MFA from Art Center College of Design in Pasadena, California, and a BA from the Evergreen State College in Olympia, Washington.She has lectured widely on her ideas of the “Analogital” and is the Program Director of MFA Art and an Associate Professor of the Practice of Fine Arts at USC’s Roski School of Art and Design.  In 2022, a monograph on her work, Media Archaeology was published by Radius Books, funded by a grant from the Thoma Foundation. 

https://www.jweststudio.com/

Daniel Harm, Wednesday, April 6th, 11:30-1:00

Director/Creator Daniel Harm explores a reality where humans use innovation, collaboration, and imagination to exist symbiotically with ourselves, with Nature, & with the living creatures who call Planet Earth their home.

Over the last twenty years, Daniel Harm accumulated their unique skill set from their experience as a professional athlete, as an evocative filmmaker and photographer, as a wilderness explorer, & as a patron supported artisan stoneworker who spent years working alone in the mountains.

 

 

 

 

 

 

 

 

 

 

Week 6: Evergreen’s own, Gilda Sheppard! on Wednesday, February 10th 2021 from 11:30-1pm Zoom link: https://evergreen.zoom.us/j/87355222367

“The role of the artist is exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see.” James Baldwin

Gilda Sheppard is currently a member of the faculty in  Sociology, Cultural and Media Studies at Evergreen State College in Tacoma, Washington.  From 1995-96 Sheppard was a visiting lecturer at University of Cape Coast in the Sociology, Anthropology and Demography Department, and in 2018 she was a visiting lecturer at Ashesi University in Ghana, West Africa.

Sheppard is an award-winning filmmaker who has screened her documentaries throughout the United States, and internationally in Ghana, West Africa, at the  Festival Afrique 360 in Cannes,  France, and in Berlin Germany at the International Black Film Festival. Sheppard is a 2017 Hedgebrook Fellow for documentary film and a 2019 recipient of an Artist Trust Fellowship.

Her documentaries include stories of resilience of Liberian women and children refugees in Ghana; three generations of Black families in an urban neighborhood in Buffalo, New York; and a film ethnography of stories from folklore started by Zora Neale Hurston in Alabama’s AfricaTown.

She currently completed her documentary Since I Been Down on education, organizing and healing developed and led by incarcerated women and men in Washington State’s prisons. Since I Been Down has been accepted at over10 film festivals in USA and Canada and won the Gold Prize at the Social Justice Film Festival and recognized among “Best of the Fest” at DOC NYC the largest documentary film festival in USA. Since I Been Down has been praised by Distinguished Professor Emerita, University of CA, Santa Cruz Angela Davis, at a DOCNYC 2020 Facebook Live Event with Director Gilda Sheppard, King County (WA) Prosecutor Dan Satterberg, and Executive Director of Abolitionist Law Center Robert Saleem Holbrook.  Seattle Met named Since I Been Down as “What to Watch” in 2020.

For over a decade Sheppard has taught sociology classes in Washington State prisons, Sheppard is a sponsor for the Black Prisoner’s Caucus in Washington State, and is a co-founder and faculty for FEPPS- Freedom Education for Puget Sound an organization offering college credited courses at Washington Correctional Center for Women.

Sheppard is the author of several publications including Culturally Relevant Arts Education for Social Justice: A Way Out of No Way (2013)

SINCE I BEEN DOWN streaming 2/5-2/10

You are invited one and all to a rare opportunity to watch our Evergreen-Tacoma colleague Dr. Gilda Sheppard’s long-awaited new documentary film SINCE I BEEN DOWN

This timely work of art has been accumulating an avalanche of accolades: DOCNYC 2020 Audience Favorite. Winner of the 2020 Social Justice Film Feature Documentary Gold Prize. One of Seattle Met’s top movies not to miss. Seattle Times feature by Evergreen alumn Naomi Ishisaka. Please see below for a poster with a lovely quote from Gilda.

Starting this Friday 2/5 at noon and ending Wednesday 2/10 at 5pm, the film will be exclusively available to the Evergreen community for asynchronous streaming in the “virtual screening room” that we have created for “Reimagining Community Safety.” (Please note: no recording of any type will be allowed.)

Spring 2020: Week 6, Bill Basquin, Wednesday, May 6 2020, 11:30-1:00 via Zoom webinar

Sunplus

Bill Basquin, filmmaker (From Inside of Here), is a multi-modal artist who enjoys the lessons that come from working with people, living with a tiny cat, and continuing to attune to worlds both wild and domestic. Bill’s films have been shown at the Sundance Film Festival, the Ann Arbor Film Festival, the Mix Festival, Documenta, and the New York Museum of Modern Art.

In preparation for the talk, please pre-screen some clips of Basquin’s films here: https://vimeo.com/billbasquin/review/413738683/dbb8308908

Zoom webinar link https://evergreen.zoom.us/s/97605844270

Week 2: Maikoiyo Alley-Barnes Wednesday, January 15th, 2020, 11:30-1pm in the Recital Hall of the COM Building

Maikoiyo Alley-Barnes is an artist, filmmaker, writer, and designer who explores the resonance of genetic cultural memory through the mystical and the mundane. The child of two prolific creators, he developed his practice under the tutelage of his parents, Curtis R. Barnes and Royal Alley-Barnes. He is part of the Black Constellation, a collective that also includes Shabazz Palaces, THEESatisfaction, and Nep Sidhu. Alley-Barnes has exhibited sculpture and films in numerous traditional and new-media-based settings. He has been, and continues to be, instrumental in the creation of seminal cultural spaces in Seattle, including the influential mixed-use space pun(c)tuation, among others. In 2014, Alley-Barnes was the recipient of the Neddy Artist Award in the open medium category. Alley-Barnes lives and works in Seattle.

Week 4 – Vivian Hua, Wednesday, 1/30, 2019, 11:30-1pm in the Recital Hall of the COM Building

Vivian Hua (華婷婷) is a writer, filmmaker, and organizer who regularly traverses up and down the west coast. As the Executive Director at Northwest Film Forum in Seattle, a Co-Founder of the civil rights film series, The Seventh Art Stand, and the Editor-in-Chief of the interdisciplinary arts publication, REDEFINE, much of her work unifies her interest in the metaphysical with her belief that art can positively transform the self and society.

Her narrative short film, Searching Skies–which touches on the controversial topic of Syrian refugee resettlement in the United States–was released in 2017, after making festival rounds. She is currently writing her next film projects, as well as researching national efforts to preserve cultural space.

Dr. Lina Aguirre presents Trends in Latin American Experimental Animation: Wednesday, February 22nd, 2017 from 11:30 to 1:00 pm in Purce Hall 1

A vibrant selection of contemporary experimental animation from filmmakers in Argentina, Brazil, Bolivia, Chile, Colombia, Mexico, Puerto Rico and Peru.  Curated by the Moebius Animación collaborative, these 16 short films produced between 2007 and 2014 represent an effort to map trends in technical, narrative, material, and sensorial/affective dimensions in recent experimental animation.

Experience a diverse selection of vibrant experimental animation from filmmakers in Argentina, Brazil, Bolivia, Chile, Colombia, Mexico, Puerto Rico, and Peru.

Anna Moschovakis: Week 7, 11/9, 2016 from 11:30-1:00 pm in the Recital Hall of the COM Building

Anna Moschovakis’s most recent books are They and We Will Get Into Trouble for This (poems) and Bresson on Bresson (interviews with Robert Bresson, translated from the French). She is the author of two previous books of poems, You and Three Others Are Approaching a Lake and I Have Not Been Able to Get Through to Everyone, as well as numerous chapbooks. Other translations include books by Annie Ernaux, Albert Cossery, and Marcelle Sauvageot.

She has received grants from the Howard Foundation, New York Foundation for the Arts and The Fund for Poetry, the James Laughlin Award from the Academy of American Poets, and residency fellowships from Ledig House/Writers OMI and The Edward Albee Foundation; in 2009 she was the recipient of an apexart “outbound” residency grant to Addis Ababa, Ethiopia. She teaches in the MFA programs at Pratt Institute and Milton Avery Graduate School of the Arts at Bard College and was the 2016 Holloway Lecturer in the Practice of Poetry at U.C. Berkeley. She is a longtime member of Brooklyn-based publishing collective Ugly Duckling Presse, for which she edits several books a year and heads up the Dossier Series of investigative texts, and she recently co-founded Bushel, an art and community space in Delhi, NY. Her first novel, The Rejection of the Progress of Love, is forthcoming from Coffee House Press.

https://youtu.be/t7V6BDSFq3k

Alison O’Daniel: Wednesday, November 4th, 11:30-1:00 pm, in the Recital Hall of the COM Building

Alison O’Daniel works weave narrative between films, objectmaking and performance. Utilizing sound and its synesthetic displacement onto materials, O’Daniel builds a visual, aural and haptic vocabulary through varying levels of access to sound, color and material. O’Daniel’s previous feature-length film Night Sky premiered at the Anthology Film Archive in conjunction with Performa 11 and the exhibition Walking Forward-Running Past at Art In General, New York. Night Sky has been presented with live musical accompaniment by various musicians or with live Sign Language accompaniment at The Nightingale (Chicago), MOCAD (Detroit), NYU, the Cleveland Museum of Art, the Museum of Jurassic Technology and other venues. She is the recipient of grants from the Rema Hort Mann Foundation, Art Matters, the Franklin Furnace Fund and the California Community Foundation.

Recent solo exhibitions include Samuel Freeman Gallery in Los Angeles. Recent group exhibitions include Untitled Art Fair, L.A. Louver Gallery in Venice, CA, and Zic Zerp Gallery in Rotterdam. Writing about O’Daniel’s work has appeared in ArtForum, the L.A. Times, L.A. Weekly, and ArtReview. She is currently working on her second feature length film, The Tuba Thieves.

Kim Miller: Wednesday, May 6th, 2015,11:30-1:00 pm in Lecture Hall 1

Kim Miller received her BFA from Cooper Union in New York City and her MFA from Vermont College. Miller has shown videos, performed live and combinations thereof on national tours and international shows, from China to Milwaukee. Kim was awarded the Mary L. Nohl Individual Artist Fellowship 2009-10, Artist-in-Residence at Compeung, Doi Saket, Thailand in 2011 & 2012, Artist-in-Residence at Lynden Sculpture Garden in 2013-14 and a Puffin Foundation, Ltd. Grant in 2014.

She has taught in the humanities and design department at Chulalongkorn University in Bangkok, Thailand; the film and graphic design departments in the United States at UW-Milwaukee; and in the foundations, fine art, liberal studies and design departments of Milwaukee Institute of Art and Design.

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