The Evergreen State College

Category: Past Lecture Series (Page 8 of 18)

John Feodorov: Wednesday, November 1st, 2017 from 11:30-1pm in the Recital Hall, COM Building

Born in Los Angeles of mixed Native and European American heritage, John Feodorov grew up in the suburbs of Southern California while making annual visits to his family’s land on the Navajo Reservation. The time he spent with his grandparents on their homestead in New Mexico, near the Anasazi ruins at Chaco Canyon, continues to inform his work.

Feodorov’s art both engages and confronts the viewer through questioning assumptions about Spirituality, Identity and Place. Lately, he has been responding to ongoing environmental exploitation and degradation by both government and corporate sources, as well as their potential effects on how we relate to and understand our sense of Place.

John’s work has been featured in several publications; most recently in, Time and Time Again, by Lucy R. Lippard, and Manifestations, edited by Dr. Nancy Marie Mithlo.  He was also featured in the first season of the PBS series, “Art 21: Art for the 21st Century”.

He served as an Arts Commissioner for the City of Seattle and is presently an Associate Professor of Art at Fairhaven College at Western Washington University in Bellingham Washington. He currently writes and performs with his band, The Almost Faithful.

Thalia Field: Wednesday, 10/18/17 from 11:30-1pm in Recital Hall, COM Building

Thalia Field’s most recent book, Experimental Animals (A Reality Fiction), explores the history of animals at the foundation of modern science. Her prior collection, Bird Lovers, Backyard, used animal-human relations to engage questions of hybridity in art and science. Prior collections include Point and LineIncarnate: Story Material, as well as a performance novel, ULULU (Clown Shrapnel), and two essay-fiction collaborations with French writer, Abigail Lang: A Prank of Georges, and the forthcoming Legends of Janus/Leave to Remain.
Thalia teaches in the Literary Arts program at Brown University.

Storme Webber: Wednesday, 10/4 from 11:30-1pm in Recital Hall, COM Building

Storme Webber is a Two Spirit, Alutiiq/Black/Choctaw, internationally-nurtured poet, playwright, educator, and interdisciplinary artist. She creates blues-influenced, socially-engaged texts and images exploring identity, art activism, and the intersections of race, class, gender, sexuality, memory and spirit.

Storme’s poetry collections include DiasporaBlues Divine, and the forthcoming Noirish Lesbiana. Her solo theatre works include Buddy RabbitNoirish Lesbiana: A Night at the Sub Room, and Wild Tales of Renegade Halfbreed Bulldagger. She has been highlighted in numerous anthologies, documentaries (including Venus Boyz, May Ayim: Hope in HeartWhat’s Right with Gays These Days?Living Two Spirit), and international performance tours.

Storme is an inspired educator, bringing art, history & soul as a visiting artist in programs across the country. She enjoys teaching Creative Writing to young people at the University of Washington. She has served as featured faculty at Hedgebrook, Whidbey Island Writer’s Conference, Chuckanut Writer’s Conference, The University of Puget Sound, Seattle University, and Richard Hugo House.

Storme was honored to receive a 2015 James W. Ray Venture Project Award from the Artist Trust/Frye Art Museum Consortium. Storme’s work has also been supported & awarded by 4Culture, Hedgebrook, Richard Hugo House, Pride Foundation, Seattle Art Museum, CIRI Foundation, City of Seattle and Jack Straw Foundation.

Meehan Crist: Wednesday, May 31st, 2017 from 11:30-1pm in Purce Hall 1

Meehan Crist is writer-in-residence in Biological Sciences at Columbia University. Previously she was editor-at-large at Nautilus and reviews editor at the Believer. Her work has appeared in publications such as the New York Times, the Los Angeles Times, Lapham’s Quarterly, Tin House, New Republic, Nautilus, the Believer, Bookforum, Scientific American, and Science. Awards include the 2015 Rona Jaffe Foundation Writer’s Award, the 2016 AOA Award for excellence in Health Journalism, the Olive B. O’Connor Fellowship and fellowships from MacDowell, The Blue Mountain Center, Ucross, and Yaddo.

Dawn Cerny: Wednesday, May 24th from 11:30-1:00 pm in Purce Hall1

Dawn Cerny is a multidisciplinary  artist based in Seattle. Her recent works on paper and in sculpture examine the formal articulation of value and power—or lack thereof—through everyday gestures, bodily postures, and personal aesthetic choices.  Cerny’s monochromatic sculptural works also evoke racks, chairs, and cabinets of uncertain purpose, at once amplifying and distorting furniture’s connection to the human form.  Amassed together within the gallery, they might comprise a domestic arrangement, a showroom, or a crowd of people, alone together in public space. Like Buster Keaton’s slapstick comedy—a favorite of the artist’s—Cerny’s sculptures can be seen as an absurdist response to the productive rationalism of modern times, one that both represents and is alienated from everyday life. Cerny’s work has been exhibited at many venues including Henry Art Gallery; Or Gallery in Vancouver, Canada; Night Gallery in LA and Derk Eller Gallery in New York.

Jordan Abel: Wednesday, May 10th 2017, from 11:30-1:00 pm in Purce Hall 1

Jordan Abel is a Nisga’a writer from BC. Currently, he is pursuing a PhD at Simon Fraser University where his research concentrates on the intersection between Digital Humanities and Indigenous Literary Studies. Abel’s creative work has recently been anthologized in Best Canadian Poetry (Tightrope), The Land We Are: Artists and Writers Unsettle the Politics of Reconciliation (Arbiter Ring), and The New Concrete: Visual Poetry in the 21st Century (Hayword). Abel is the author of InjunUn/inhabited, and The Place of Scraps (winner of the Dorothy Livesay Poetry Prize and finalist for the Gerald Lampert Memorial Award).

Gregg Horowitz: Wednesday, May 2, from 11:30 to 1:00 pm in Purce Hall 1

Gregg Horowitz is Professor of Philosophy at Pratt. He writes on aesthetics, the philosophy of art, theories of art history, psychoanalysis, and political theory. His publications include the books Sustaining Loss: Art and Mournful Life (Stanford, 2001) and The Wake of Art: Philosophy, Criticism and the Ends of Taste (Routledge, 1998, with Arthur C. Danto and Tom Huhn) and articles on “Robert Pippin’s After the Beautiful: Hegel and the Philosophy of Pictorial Modernism” (Platypus Review, 2014).“Tradition” (Art Bulletin, 2013), “A Made-to-Order Witness: Women’s Knowledge in Vertigo” in Katalin Makkai, ed., Vertigo: Philosophers on Film (Routledge, January 2013), and “The Homeopathic Image, or, Trauma, Intimacy and Poetry,” (Critical Horizons, 2010). He is also a past Fellow of the American Academy in Berlin.

Margot Quan Knight: Wednesday, April 26, 2017, from 11:30 to 1:00 pm in Purce Hall 1

Margot Quan Knight‘s photography and video work has been featured in over 70 international publications and exhibited around the world, including solo shows at GAS Art Gallery, (Turin, Italy), 911 Media Arts Center, (Seattle, W.A.), and California State University (Chico, CA) and group shows at the Centre Pompidou (Paris, France), Ar/ge Kunst Galleria Museo (Bolzano, Italy), and the Dotmov Festival (Sapporo, Japan). Margot received a Master in Fine Art degree from the Milton Avery Graduate School of the Arts at Bard College in 2009.

Dr. Lina Aguirre presents Trends in Latin American Experimental Animation: Wednesday, February 22nd, 2017 from 11:30 to 1:00 pm in Purce Hall 1

A vibrant selection of contemporary experimental animation from filmmakers in Argentina, Brazil, Bolivia, Chile, Colombia, Mexico, Puerto Rico and Peru.  Curated by the Moebius Animación collaborative, these 16 short films produced between 2007 and 2014 represent an effort to map trends in technical, narrative, material, and sensorial/affective dimensions in recent experimental animation.

Experience a diverse selection of vibrant experimental animation from filmmakers in Argentina, Brazil, Bolivia, Chile, Colombia, Mexico, Puerto Rico, and Peru.

Alexis Pauline Gumbs: February 15th, 2017 from 11:30-1:00 pm in Purce Hall 1

Alexis Pauline Gumbs, multi-disciplinary artist, scholar, activist and this year’s Evan’s Chair at The Evergreen State College.  As an educator, Alexis Pauline Gumbs walks in the legacy of black lady school teachers in post-slavery communities who offered sacred educational space to the intergenerational newly free in exchange for the random necessities of life. She honors the lives and creative works of Black feminist geniuses as sacred texts for all people. She believes that in the time we live in access to the intersectional, holistic brilliance of the black feminist tradition is as crucial as learning how to read.  She brings that approach to her work as the provost of the Eternal Summer of the Black Feminist Mind, a transmedia- enabled community school (aka tiny black feminist university) and lending library based in Durham, North Carolina.

A queer black troublemaker, a black feminist love evangelist and a prayer poet priestess, Alexis has a PhD in English, African and African-American Studies, and Women and Gender Studies from Duke University. She was the first scholar to research the Audre Lorde Papers at Spelman College, the June Jordan Papers at Harvard University, and the Lucille Clifton Papers at Emory University during her dissertation research.

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