The Evergreen State College

Category: Arts Lecture 2019/20

Art Lecture Series: Clifford Owens, Week 2, Wednesday, October 7 2020, from 11:30-1:00 on Zoom https://evergreen.zoom.us/j/83556880494

Clifford Owens makes photographs, videos, performances, paper-works, installations, and texts. His works have appeared in many solo and group exhibitions, both nationally and internationally. Owens’s solo museum exhibitions include “Anthology” at the Museum of Modern Art PS1, “Better the Rebel You Know” at Home in Manchester, England, and “Perspectives 173: Clifford Owens” at the Contemporary Arts Museum Houston. “Radical Presence: Black Performance in Contemporary Art,” “Greater New
York 2005,” “Freestyle,” and “Performance Now: The First Decade of the New
Century.” His on-going, performance-based projects have been widely presented in museums and galleries, including the Museum of Modern Art, Baltimore Museum of Art, and Brooklyn Academy of Music.

Zoom Link for 10/7 talk with Clifford Owens  –https://evergreen.zoom.us/j/83556880494     

Owens graduated from the School of the Art Institute of Chicago and Rutgers University, and studied at Skowhegan School of Painting and Sculpture and the Whitney Museum Independent Study Program. He has received a Guggenheim Fellowship, a William H. Johnson Prize, an Art Matters Grant, a Louis Tiffany Comfort Award, a New York Community Trust, a Lambent Foundation Fellowship, and the Rutgers University Ralph Bunche Graduate Fellowship. Owens has been an artist in residence at the Studio Museum in Harlem, Sharpe-Walentas Studio Program, MacDowell Colony, and Artpace. Publications, reviews, and interviews about his work have appeared in Art in America,
The New York Times, Village Voice, Modern Painters, Artforum, The New Yorker, BOMB, The Wall Street Journal, The Drama Review, Performa: New Visual Art Performance, Rethinking Contemporary Art and Multicultural Education, Why Art Photography? and Anthology, his exhibition book. He has written for several exhibition publications, The New York Times, Artforum, and Performing Arts Journal. His works are in the collections of the Museum of Modern Art, Baltimore Museum of Art, and the Studio Museum on Harlem.
Owens has been visiting faculty, critic, and lecturer at many institutions, including the School of the Art Institute of Chicago, Cooper Union, Yale University, Columbia University, Williams College, New York University, Lafayette College, Virginia Commonwealth University, New York University, University of North Carolina Chapel Hill. He is currently Guest Faculty at Sarah Lawrence College.
Owens was born in Baltimore, Maryland. He lives and works in New York City and Jersey City, New Jersey.

Zoom Link for 10/7 talk with Clifford Owens  – https://evergreen.zoom.us/j/83556880494

Spring 2020: Week 6, Bill Basquin, Wednesday, May 6 2020, 11:30-1:00 via Zoom webinar

Sunplus

Bill Basquin, filmmaker (From Inside of Here), is a multi-modal artist who enjoys the lessons that come from working with people, living with a tiny cat, and continuing to attune to worlds both wild and domestic. Bill’s films have been shown at the Sundance Film Festival, the Ann Arbor Film Festival, the Mix Festival, Documenta, and the New York Museum of Modern Art.

In preparation for the talk, please pre-screen some clips of Basquin’s films here: https://vimeo.com/billbasquin/review/413738683/dbb8308908

Zoom webinar link https://evergreen.zoom.us/s/97605844270

Week 8: As part of the PLATO Lecture Series, Ann Warde, Wednesday, February 26th from 11:30-1pm in the Recital Hall of the COM Building

Ann Warde is an experimental composer, sound artist, and independent scholar, and a 2019 NYSCA/NYFA Artist Fellow in Music/Sound from The New York Foundationfor the Arts. Following her doctorate in music composition and ethnomusicology at the University of Illinois, and a Mellon Fellowship in music at Cornell University, her work with sound shifted, focusing for the next decade on applications of audio technology to the analysis of whale sounds at Cornell’s Lab of Ornithology.

Subsequently, as a 2015-16 US-UK Fulbright Researcher at the University of York, she worked on music and bioacoustics projects and developed interests in American philosophy. Linking this philosophical inquiry to music led to her recent presentation at the Women in Pragmatism International Conference (Barcelona), and to her participation as co-convener and presenter at the Experience :: Music :: Experiment events sponsored by the Orpheus Institute, Ghent, Belgium. Her sound installation Hidden Encounters was featured as part of the 2019 Tone Deaf Festival in Kingston, Ontario, and last August she was an artist-in-residence with the European Interfaces project in Cyprus. zsonics.org

Happy Black History Month! Week 6: Natasha Marin, Wednesday, February 12th, 2020 from 11:30-1pm in the Recital Hall of the COM Building. Please join Natasha for a Writing Workshop after the lecture on Wednesday from 2:00-3:30. Location TBD. The workshop is centered on Black student experience and all are welcome.

Natasha Marin poses for a portrait on Friday, May 25, 2018, in Seattle. KUOW Photo/Megan Farmer

Natasha Marin is the curator of Black Imagination: Black Voices on Black Futures (McSweeney’s, 2020). Marin is also a conceptual artist whose people-centered projects have circled the globe since 2012 and have been recognized and acknowledged by Art Forum, the New York Times, the Washington Post, the LA Times, NBC, Al Jazeera, Vice, PBS and others. In 2018, the City of Seattle and King County have backed BLACK IMAGINATION– a series of conceptual exhibitions—amplifying, centering, and holding sacred a diverse sample of voices including LGBTQIA+ black youth, incarcerated black women, black folks with disabilities, unsheltered black folks, and black children.

Her viral web-based project, Reparations, engaged a quarter of a million people worldwide in the practice of “leveraging privilege,” and earned Marin, a mother of two, death threats by the dozens. Find out more about her work online: Black-Imagination.com.

Week 4: McKenzie Funk, Wednesday, January 29th, 2020 from 11:30-1pm in the Recital Hall of the COM Building

National Magazine Award finalist McKenzie Funk writes for Harper’s, National Geographic, Rolling Stone, Outside, The New York Times Magazine, and the London Review of Books. His first book, Windfallwon a PEN Literary Award and was named a book of the year by The New Yorker, Mother Jones, Salon, and Amazon.com. A former Knight-Wallace Fellow and Open Society Fellow, he is a co-founder of the journalism cooperative Deca and a board member at Amplifier. He speaks five languages and is a native of the Pacific Northwest, where he lives with his wife and sons.

Week 2: Maikoiyo Alley-Barnes Wednesday, January 15th, 2020, 11:30-1pm in the Recital Hall of the COM Building

Maikoiyo Alley-Barnes is an artist, filmmaker, writer, and designer who explores the resonance of genetic cultural memory through the mystical and the mundane. The child of two prolific creators, he developed his practice under the tutelage of his parents, Curtis R. Barnes and Royal Alley-Barnes. He is part of the Black Constellation, a collective that also includes Shabazz Palaces, THEESatisfaction, and Nep Sidhu. Alley-Barnes has exhibited sculpture and films in numerous traditional and new-media-based settings. He has been, and continues to be, instrumental in the creation of seminal cultural spaces in Seattle, including the influential mixed-use space pun(c)tuation, among others. In 2014, Alley-Barnes was the recipient of the Neddy Artist Award in the open medium category. Alley-Barnes lives and works in Seattle.

Week 8: Former Greener! Carol Rashawnna Williams, Wednesday, November 20th, 2019, 11:30-1pm in the Recital Hall of the COM Building

Born in Topeka, Kansas in a military family, Carol Rashawnna Williams is the only child of Bessie Williams & Willie C. Williams. Soon after birth Carol and her family moved to Frankfurt Germany where she grew up on a military base and went to German schools until she was 11 ½. At which time she and her mother settled in Tacoma, WA. Carol graduated from Mount Tahoma High School, went to the Evergreen State College, was an Upward Bound student of 4 years.

Carol’s mother was a certified missionary and gave her life to community service for over 25 years, feeding and sheltering those who were homeless. or re-entering society from prison. Carol’s father was a patriot and believed in American Democracy. He gave 28 years of his life to his country through military service.

After graduating from college Carol was accepted as a Vista-Americorps for 1 year in Seattle’s White Center neighborhood working with young single mothers of Head Start students get jobs and get into school. Carol had her first group exhibit at the Seattle Central Community College Gallery in 1990 when she attended Seattle Central College, it was a community college.  Her second group exhibit was in 1996 at the Evergreen State College at which time her work was acquired and catalogued into The Evergreen State College’s (TESC) video art library and showcased into the TESC student anthology book.

Carol is a mother to 2 children. She currently resides in Seattle, WA and works to mentor emerging artists from various backgrounds.  Carol is a musician of 21 years who plays the violin and the viola. Carol enjoys hiking in the Pacific Northwest’s numerous old growth forests. Carol was certified thru the City of Seattle Parks & Recreation Urban Forest Educator Program and loves to teach about conifers, indigenous and invasive species.  You can find her walking all over Seattle.

Carol deeply believes in the power of art to build community, bridge community relationships and create authentic space for healing.

Week 6: Former Greener! PLATO guest lecturer! Austen Brown, Wednesday, November 6th, 11:30-1pm in the Recital Hall of the COM

Austen Brown is an artist living in Chicago, IL, holding his Master of Fine Arts from the School at the Art Institute of Chicago, where he is a Lecturer in the Sound Department. Using a site-based practice, he works with sound, video, and installation to draw conceptual lines between sites, using buildings as evidence to investigate histories of urban planning.
His work has been shown internationally at Super-Sensor, Madrid, Spain; The Chicago Artists Coalition, Chicago, IL; The Mission, Chicago, IL; EXPO Chicago, IL; Switched on Garden with funding from the Pew Charitable Trust, Philadelphia, PA; Delaware Center for the Contemporary Arts, Wilmington, DE; Rebekah Templeton Contemporary Art, Philadelphia, PA, among others.

Week 4: Klara Glosova, Wednesday, October 23rd, 2019 11:30-1pm in the Recital Hall of the COM Building

Klara Glosova is a Czech-born visual artist based in Seattle. She is a multidisciplinary artist working primarily in drawing, painting and printmaking. Her work is autobiographical, drawing inspiration from her dreams as well as daily life. Klara is also a founder of NEPO House and is always interested to see what happens when you place the inside out, invite the outside in and generally do things backwards. She received Seattle Magazine’s Spotlight Award in 2013. Seattle Art Museum’s Kayla Skinner Special Recognition Award, the New Foundation Fellowship and nomination for James W. Ray Distinguished Artist Award in 2014. In 2015 she was nominated for the Stranger Genius Award and a Betty Bowen Award finalist in 2017. Klara is represented by Linda Hodges Gallery.

Week 2: Rafael Soldi, Wednesday, October 9th, 2019, 11:30-1pm in the Recital Hall of the COM Building

Rafael Soldi by Jess T Dugan

Rafael Soldi is a Peruvian­-born, Seattle-based artist and curator. He holds a BFA in Photography & Curatorial Studies from the Maryland Institute College of Art. He has exhibited internationally at the Frye Art Museum, American University Museum, Griffin Museum of Photography, ClampArt, The Print Center, G. Gibson Gallery, Connersmith, Filter Space, and Burrard Arts Foundation, among others. Rafael is a 2012 Magenta Foundation Award Winner, and recipient of the 2014 Puffin Foundation grant, 2015 Portable Works Cultural Perspectives Purchase Grant, 2016 smART Ventures grant, 2016 Jini Dellaccio GAP grant, 2017 CityArtist Projects Grant, and a 2017 & 2019 4Culture Arts Projects Grant. He has been awarded residencies at the Vermont Studio Center, PICTURE BERLIN, Oxbow Space, and the Bogliasco Foundation.

His work is in the permanent collections of the Tacoma Art Museum, Frye Art Museum, King County Public Art Collection, and the Pennsylvania Academy of Fine Arts. He has been published in PDN, Dwell, Hello Mr, Metropolis, GRAY, LUXE, Lagom, among others. His work has been reviewed on ARTFORUM, The Seattle Times, The Boston Globe, Lensculture, Photograph Magazine, The Seen, Art Nexus, and PDN. Rafael is the co-founder of the Strange Fire Collective, a project dedicated to highlighting work made by women, people of color, and queer and trans artists.

© 2024 Art Lecture Series

Theme by Anders NorenUp ↑